Hart Crane’s poetry is a perfect example of an Apollonian art with Dionysian qualities. Hart Crane, the American poet and author of “Eternity”, “O Carib Isle!”, and “The Hurricane”, demonstrates elements of destruction and tragedy within his poems. The Apollonian dreamworld is “the father of all the imagistic arts […] [including the] good half of poetry”(Nietzsche, 29). Because poetry is an art form of the Apollonian world Crane’s poems become an Apollonian work. It is through the poems themselves, however, the Dionysian world comes into play. In all of Crane’s poems a major tone of Dionysian qualities are exemplified. Crane’s poem “Eternity” illustrates Dionysian tragedy. The poem describes the people of a town, and the town itself, after …show more content…
a chaotic incident. This incident hints at a natural disaster in which the town has recently experienced. This immediately becomes evident in the beginning of the poem when Crane explains that the character “left the house, or what was left of it” (“Eternity”, line 3). This suggestion of a destructed home is a tragic element of the Dionysian culture. Tragedy, according to Nietzsche, is an element that the Dionysian world best comprehends and these lines of the poem show a connection to that part of the world.
Once “everything [is] gone […] [and] death [is] predestined” the tragic element becomes the dominant idea of the poem (“Eternity”, lines 29-33). This further illustrates the Dionysian qualities within the poem because of the constant suffering described as destruction. As Dionysian culture describes intoxication as suffering’s companion, this poem demonstrates those same ideas when Crane suggests the character was “drinking Bacardi and talking U.S.A.” (line 60). Crane’s poem “O Carib Isle!”, also has a tragic idea within it. There is a mention of “tropic death” and “one great death”, proving that is is not something to be feared because of the characters constant confrontation to it (“O Carib Isle!”, lines 9-15). Instead of a panicked tone, the poem carries a sense of acceptance of the destruction which defines the element of tragedy as Nietzsche had explained. This fearless, yet cautious, part of the poem is a Dionysian element. The culture does not fear life and death but instead comprehends that it is necessary and unavoidable. Crane’s poems also incorporate a sense of nature, something that is quite important in the Dionysian
world. The Dionysian culture includes “the innermost thoughts of nature” in which Crane exemplifies in both “Eternity” and “O Carib Isle!” (INTRO, 16). In the poem “Eternity”, the tragic element of the poem is a result of a natural disaster. Natural elements in the poem are used as detail and hint to a hurricane when Crane mentions “water with fires” and “the storm […] dying” (“Eternity”, lines 21 and 41). These small details are what show the nature of the storm. In Crane’s poem “O Carib Isle!”, a natural element is being shown throughout each stanza much like that of the Dionysian. The poem uses details lines to create imagery in the readers mind. The natural aspects of the poem include “white sand” and “the coral beach” (“O Carib Isle!” lines 2-3). In these small details is where the Dionysian elements are shown. These two aspects of nature and tragedy are everlasting throughout the poems of Hart Crane representing the fundamentals of The Dionysian world.
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
The Greek god of love, Eros, is seen in varying perspectives. To some, he is a powerful force that takes a leadership role in life. He is mighty and unwavering. To others, he is a servant of the people. One such concept of servitude is portrayed in the poem “Eros,” written by Anne Stevenson. Through the use of rhyme, alliteration, and other literary devices, Stevenson produces the reader with a clear image of a beaten god. Because of this, “Eros” can easily be approached with the formal critical strategy.
This gives the effect that although there is mass devastation, there is always a light at the end of the tunnel, in this case for the eagle, the leftover remains of a carcass. However, as seen throughout the poem this isn’t the case for everyone and everything as the dead or dying clearly outnumber those prospering from the drought. This further adds to the miserable and discouraging mood of the poem. Other poetic devices are also used during the course of the
...vocal statement about the ?organic? possibilities of poetry than optimistic readers might have expected. ?Mayflies? forces us to complicate Randall Jarrell?s neat formulation. Here Wilbur has not just seen and shown ?the bright underside of? a ?dark thing.? In a poem where the speaker stands in darkness looking at what ?animate[s] a ragged patch of glow? (l.4), we are left finally in a kind of grayness. We look from darkness into light and entertain an enchanting faith that we belong over there, in the immortal dance, but we aren?t there now. We are in the machine-shop of poetry. Its own fiat will not let us out completely.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
First, tone is a very important aspect of the poem “Thanatopsis.” While reading the poem, the reader may feel a slight change in the tone of the poem. At first the poem seems as though it were about nature and its beauty. For example, in the poem Bryant writes “She has a voice of gladness, and a smile/And eloquence of beauty, and she glides.”(4-5) Here, the tone is happy and elegant. Also, the reader is under the impression that nature is a safe and beautiful place. However, as the reader continues on, one may notice a sudden shift in tone. Bryant writes, “Into his darker musings, with a mild/And gentle sympathy, that steals away/ Their sharpness, ere he is aware.”(6-8) Here, the tone shifts to dark and gloomy. Throughout the poem Bryant uses numerous words or phrases that relate to death. One very noticeable instance of this is in lines nine and 11. Bryant uses the words such as shroud, pall, and narrow house. Shroud and pall are both word related to coffins. A shroud is a cloth used to wrap a body before burial. A pall is the cover to a coffin. This depicts the sinist...
More specifically, Apollonian art forms tells stories through images and are rooted in dreaming. Much like dreams, apollonian art encourages one to continue living. While contemplating apollonian images, an individual is temporarily detached from her normal sense of self and daily struggle. Here, Nietzsche once again references ancient Greece. The Iliad and the Odyssey illustrate idealized illusions of war with great heroes. The language used is able to idealize a bloody war scene and turn it into something more desireable. Similarly, when one gets a tattoo to cover up a scar, they are transfiguring the reality to create something ideal. But the scar and the world do not disappear by these transfigurations and the objective harshness remains. However, our attitude towards the real thing is changed. We see the world in a more hopeful and positive light. As beautiful art is placed in front of the terrors of everyday life, reality may seem less awful and thus art makes life worth living. But Nietzsche realized the limitations of apollonian art. For once we see reality again, the illusion art created breaks and reality seems worse than it appeared
As a prelude to an inquiry into thematic elements of the poem, it is first necessary to draw out the importance of Fearing’s use of experimental form. Fearing “adheres” to the conventional use of strophic poetic construction, making use of epigrammatic style, where the seven stanzas separate the lament into isolated combinations and experiments on language and the content suggests each might stand alone as organic entities. Putting these highly-varied units into a single poem reflects on the incoherence of broader theme of death and the response to death, the dirge, as well as the notion that such a broad topic as death contains many sma...
Throughout history death has been a fascination to many authors, often personified as cruel, rigid, and ugly. In Cocteau’s Orpheus, however, death (or perhaps merely a face of death), is personified through a beautiful and strong, young woman. While this façade fools Cocteau’s characters, he uses many clues to indicate the princess’s role such as appearance, dialogue, and actions.
In this poem, the speaker’s encounter with death is similar to a courtship. In the first stanza of the poem the character Death is introduced as playing the role of the speaker’s suitor. In this way, this poem about death takes on an unexpected light tone, giving the reader a sense that the speaker is content to die and able to approach it with a sense of calm. Death’s carriage is also introduced in this stanza serving as a metaphor for the way in which we make our final passage to death. The final line in this stanza introduces a third passenger in the carriage. Both the uses of Immortality, the third passenger, as well as the use of Death are examples of personification.
Edgar Allan Poe's deplorable life was filled with unfortunate calamity, endless tragedies, and pathetic misery, which inevitably led to his pessimistic view on life and obsession with death. His personal mind frame is automatically conveyed in his essays, which for him was a primary form of expression. Thus, a strong emphasis on somber despondency has proven to be a thematic element of his literary career.
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether it's on television or newspaper, you'll probably hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death affects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.
Throughout our lives, symbols and their meaning have had a great influence in our day to day living. Whether it is our country symbolizing itself with a flag or national seal, or our own faith, being symbolized as a cross, or as an angel; in fact religion has many sorts of symbols to tie it to together and for representation. Along with religion having many symbols, the great poet of William Butler Yeats had many symbols in his works and poetry. Throughout his countless poems, Yeats used different symbols to convey his message to his readers. Although from reading several of his works, many of Yeats’ poems revolve around death. In the texts by William Butler Yeats entitled, “When you are Old” “The Lake Isle of Innisfree” “The Wild Swans at Coole” “The Second Coming” and “Sailing to Byzantium” all have their own sort of symbolism that Yeats uses to convey his message to his readers.
The fundamental theme of this poem is regarding the significance of succumbing to death, for after having a full life everyone must fearlessly face the end. In addition, the poem emphasizes that one should not fight against the arrival of death in any of its forms. In fact, this argument is first introduced in the title and further displayed throughout Shakespeare's poem. In the first line of all three stanzas, the author begins with the phrase, "Fear no more," openly showing his belief that one should willingly submit to mortality. Furthermore, the poem's theme is displayed through the phrase "all must … come to dust." By acknowledging that death is inevitable for all of humanity, the author attempts to emphasize his belief that one should not "fear" fate. The theme of the poem is also reinforced through repetition. For example, to emphasize his stance, the author repeats the phrase, "Fear no more" in the first line of the first, second, and third stanza of the poem. Once again this occurs with the phrase, "must… come to dust" in the fifth and sixth line of the first, second, and third stanza. This is of importance