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The theme of death used in literature
The portrayal of death in literature throughout the years
Death theme in literature
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Tracy K. Smith’s “Life on Mars” is a collection of poetry dealing mainly in the search for a sense of purpose and the nature of people. The books is something of an elegy as a whole with many poems pertaining to death and the author’s struggle with the loss of her father. The poems are at once poignant and gentle in tone and leave questions than can only be answered in multiple readings. The book is segmented in four parts that travel through different topics and types of poetry. The mood ranges from passionate accounts of Orwellian politics to soft recollections of a lovers embrace; throughout the book Smith brings in references to pop culture, science, and technology that incorporate seamlessly with her words. The first poem in the collection, before section one, is entitled, The Weather in Space (pg. 3). This is a short poem with seven lines and spaces between each line. Is God being or pure force? The wind Or what commands it? When our lives slow And we can hold all that we love, it sprawls In our laps like a gangly doll. When the storm Kicks up and nothing is ours, we go chasing After all we’re certain to lose, so alive Faces radiant with panic As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense... ... middle of paper ... ...ntion of memories sweeping past, making it seem that the grass is bent by the memories like it is from wind. The grass here is a metaphor for the people, this is clear in the last line, “then learns to again to stand.” No matter what happens it always gets back up. Tracy K. Smith’s collection of poems in Life on Mars is a spectacular work that explores deaths and its effect on family life and the way a person in mourning shift their view of the present and the past. In four sections the pieces are able to see the same concepts in ways that range from realistic and personal to a fantastical and withdrawn. All the pieces work together, asking questions that others answer and providing the reader with a sense of completion upon finishing. Especially in the darker poems Tracy K. Smith provides a clear voice that evokes amazing presence with a conservation of language.
During the human life, people experience grief, however, people choose to cope with their grief in various ways. Many talks to a family member, sleep or allow themselves to be sad to relieve the pain. When Tracy K. Smith’s (U.S. poet laureate) father passed, she believed that therapy would help heal her heartache. Years after Smith’s therapy sessions, she wrote “Savior Machine.” She clarifies at a common read at Southeastern Louisiana University, that it is “a poem about feeling freed to look at my life in a clear-eyed way” (Smith). In portions of her poem she also explains how the sessions enhance her acceptance of her father’s death. “Savior Machine,” allows her readers to view the results of her therapy and it reveals that she receives more
It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.” -pg. 85
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
The theme of this poem is death and what factors play into what is lost when a person dies. The setting of the poem is philosophical in thinking about qualities that someone special carries in retrospect to life. I found no similes in the poem. Perfection Wasted is a metaphorical in the idea that is parallel to the idea that life is a stage and we are the players.
...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
The confronting theme of life is shown through poetic techniques in the poems, Pieta and November. The cycle of life is shown through Pietà and November in two different ways. The child’s life is unfortunately cut short as it, ‘only [lives] one day.’ Whilst in November, the subject of the poem is about a Grandmother who is at the end of the cycle of life. This is unlike the baby in Pietà who is not able to live, or have a chance of living a long life. This may cause the audience to ponder about the purpose of life. Armitage uses consonantal alliteration and visual imagery, in ‘sun spangles,’ to symbolise that, ‘the only thing you can get, out of this life,’ is the beautiful happy moments. This logic is true for many non-believers as the purpose of life is unknown to them and the only positive reason for life is by creating happy memories.In November,the last moments of life are shown through the enjambment and flow. The audience is involved with the journey of bringing the woman to the hospital as if you are, ‘with your grandma taking four short steps to [your] two.’ This is effective as the audience can put themselves in the place of the narrator in the story.This is unlike Pieta which is written in past tense and is not able to put themselves in the place of mother but the audience is more sympathetic towards the mother and her loss of her child.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
Kenyon’s choice of a first person perspective serves as one of two main techniques she uses in developing the reader’s ability to relate to the poem’s emotional implications and thus further her argument regarding the futility of mankind’s search for closure through the mourning process. By choosing to write the poem in the first person, Kenyon encourages the reader to interpret the poem as a story told by the same person who fell victim to the tragedy it details, rather than as a mere account of events observed by a third party. This insertion of the character into the story allows the reader to carefully interpret the messages expressed through her use of diction in describing the events during and after the burial.
A phenomenal writer’s work generates a powerful bond between their words and the reader. This is factual of Sylvia Plath’s poetry. It contains universal, timeless themes of depression and death that, in these dejected days, many people can relate to. Sylvia Plath was a confessional poet whose oppressive life led to her relatable story. She wrote many astonishing poems, such as “cut”, “Among the Narcissi”, and “A Birthday Present” that all chronicle and showcase her struggle for a release from the suppressed world she subsisted in, a world that many remain to live in today. Sylvia Plath’s poetry narrates both her distinct, individual story and yet universal tale of a woman who searches for a way out of her depressed state of mind.
author of the poem book Life on Mars, chose to deal with the grief from her father’s death in a unique way, by writing elegiac poems. Elegiac poems can either represent a personal grief or a broader feeling of loss and metaphysical sadness. Smith’s “The Speed of Belief”’ represents a metaphysical sadness as she attempts to gain hope for her father’s existence after death.
“My pleasant things in ashes lie, And them behold no more shall I,” (108), shows the pain I felt in dealing with the loss that I suffered. I lost all of my money, my TV, and my stereo. I knew I would never get the opportunity to recover my lost items. “And to my God my heart did cry” (107), compares with the emptiness I felt when my family arrived home and saw the back door kicked in. At that point I didn’t want to continue into the house to find what had been taken from me.
message. Tracy K. Smith, the author of the 2012 Pulitzer Prizewinning book, Life on Mars, uses her poetry as an avenue to share her feelings and life experiences. While, Smith does use other topics to inspire her writing throughout her book such as, the upcoming birth of her daughter and violence in the streets of America, Smith often alludes to periods in her life that involve coping with the death of her father. In poems such as, “Savior Machine” and “Us and Company,” Tracy K. Smith centers her writing around losing herself and her direction in life after her father’s death, but eventually finding her place and learning to live
The theme throughout the poetry collection is the emotion of melancholy and the speaker speaking with a wise and philosophical tone. She has also used the repetition of nature and religion-based implications in her poems. Most of the poem titles is named after a specific plant because it fits in the meaning of her entire poem collection. The title of the poems hold symbolism because of the flower language. You can constantly see the cycle of rebirth through the beautiful description of a nonphysical form of a soul and develop into beautiful flowers in her garden. The vivid imagery of the flowers by describing the color and the personification of these living beings. She is also trying to explore the relationship between humans and their god. The poet is a gardener who tends to the flower and she prefer the flowers in her garden over her god, “knowing nothing of the
In “I wandered Lonely as a Cloud,” William Wordsworth accomplishes his ideal of nature by using personification, alliteration, and simile within his poem to convey to the reader how nature’s beauty uplifts his spirits and takes him away from his boring daily routine. Wordsworth relates himself in solidarity to that of a cloud wandering alone, “I wandered lonely as a cloud” (line 1). Comparing the cloud and himself to that of a lonely human in low spirits of isolation, simultaneously the author compares the daffodils he comes across as he “floats on high o’er vales and hills” (line 2) to that of a crowd of people dancing (lines 3-6 and again in 12). Watching and admiring the dancing daffodils as he floats on by relating them to various beauties of
The tone in the first 11 stanzas of the poem seems very resigned; the speaker has accepted that the world is moving on without them. They says things like “I don’t reproach the spring for starting up again” and “I don’t resent the view for its vista of a sun-dazzled bay”. By using words like “resent” and “reproach”, the author indirectly implies that the speaker has a reason to dislike beautiful things. The grief that has affected the speaker so much hasn’t affected life itself and they has come to accept that. The author chooses to use phrases like ‘it doesn’t pain me to see” and “I respect their right” which show how the speaker has completely detached themself from the word around them. While everything outside is starting to come back to life, the speaker is anything but lively. “I expect nothing from the depths near the woods.” They don’t expect anything from the world and want the world to do the same thing in return. This detachment proves that the speaker feels resigned about themself and the world around