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The theme of death in literature
Death theme in literature
The theme of death in literature
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The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
First, tone is a very important aspect of the poem “Thanatopsis.” While reading the poem, the reader may feel a slight change in the tone of the poem. At first the poem seems as though it were about nature and its beauty. For example, in the poem Bryant writes “She has a voice of gladness, and a smile/And eloquence of beauty, and she glides.”(4-5) Here, the tone is happy and elegant. Also, the reader is under the impression that nature is a safe and beautiful place. However, as the reader continues on, one may notice a sudden shift in tone. Bryant writes, “Into his darker musings, with a mild/And gentle sympathy, that steals away/ Their sharpness, ere he is aware.”(6-8) Here, the tone shifts to dark and gloomy. Throughout the poem Bryant uses numerous words or phrases that relate to death. One very noticeable instance of this is in lines nine and 11. Bryant uses the words such as shroud, pall, and narrow house. Shroud and pall are both word related to coffins. A shroud is a cloth used to wrap a body before burial. A pall is the cover to a coffin. This depicts the sinist...
Death is pictured at the beginning of the poem as a pretty women. Suddenly the picture changes and the narrator explains seeing death coming for him from out far, moving like the wind and cutting down the flowers in her path. Somehow the picture of the grim reaper appears, death is clearly the main topic
The setting of this story takes place on the planet Prelandra, also known as Venus. This planet consists of many floating islands. The islands are quite beautiful, the clouds are purple and the sky is a golden color, the seawater is green and drinkable, from the distance the water looks like glided glass. The islands are not very stable, and they can shake if water hits the mobile islands. All of the islands are mobile, except the main island, which remains stationary. Maledil, the people’s god, forbade them to spend the night on the main island; therefore the inhabitants of Perelandra stay on one of the mobile islands. There are many different types of inhabitants on Perelandra, dragons, exotic fish, possums, and unusual looking birds. Ransom, the books main character, mistook the birds for bat-winged reptiles when he first arrived on Perelandra. The tropical climate provides a pleasant atmosphere on Perelandra, thus allowing the inhabitants to move about freely, basking in the agreeable weather.
William Cullen Bryant uses the romantic element of emotion to instill a sense of calm in his poem Thanatopsis.
Not only does Bryant close the poem by calling the body to “join The innumerable caravan” (869 Bryant) that is returning to nature, but also by referencing what seems to be the soul or spirit as moving “To that mysterious realm” (869 Bryant). While it is true that some people may disagree as to what type of afterlife they believe the poem to reference. There are many others who believe it references both nature and ascension equally. A.F. Bridges who wrote “The Centenary of “Thanatopsis”” in The North American Review for the University of Iowa stated in his own analysis of the poem that the subject was “as universal as it is eternal, and it is strongly both.” (2 Bridges). Another author, A.F. Mclean Jr., seemed to be under the same opinion because he similarly wrote that Bryant “sought a mediating position between the blunt supernaturalism of Calvinism and the commitments of the deists to impersonal, natural law.” (3 McLean Jr.). The original question may have asked if the poem was referring to nature or to spiritual ascension, but there are two sides to every story and often the truth is somewhere in between. It seems that a few others have come to the same conclusion, that it is not about one or the other, but it is written in a manner that beautifully portrays the role of both nature and spirit in the act of
William Cullen Bryant, perhaps one of the most accomplished writers of the American Romantic Era, wrote about subjects which followed the precedent of his fellow Romantic Era writers. In his poems, “To a Waterfowl” and “Thanatopsis.” In “To a Waterfowl,” Bryant is addressing a migrating waterfowl as he flies south. “Thanatopsis” discusses the cyclical relationship between death and nature. In each poem, Bryant writes about nature, a subject very common in the literature of this era. Nature speaks to Bryant in different ways, as well as in different tones; the poems are unique in the sense that Bryant’s aspect of nature vary as well as agree differently in each of Bryant’s work.
Ben Shapiro recently wrote a column to give his thoughts and opinions on the “characterless people ... running for office more and more” to his already established supporters. Shapiro’s purpose of the essay is to convince those on his side, that those who support the “delegate model” are degenerates and that the “Burkean model” is superior. He achieves this by constantly berating the opposing side with his use of the syntactical element priming, negative diction, and a bipolar tone.
In this quote, Chris Matthews details the intangible nature of the work that takes place in government as deals and agreements are what allow decisions and policies to be enacted. In fact, Matthew discusses in two later chapters the importance of deals in government as they allow bonds and alliances to be created amongst lawmakers and parties. To be successful in government, according to the Matthew’s premise, one must do more than create and vote for bills. One must make connections, create alliances, form friendships, and organize a posse in order to produce effective, successful results in the government. However, this quote also reveals another characteristic of Washington D.C., which is the fact that politics and government is a game. One does not simply earn the votes and credentials by doing the right thing, one must also take part in the skillful art of creating deals and connections to create a pathway to government positions of
His best known and available work is his poem titled “Nature”. It is fragmented because part of it has been lost, or was n...
William Cullen Bryant solved many a problems in his life by listening to the world around him. As a taoist, Bryant believed that God would reveal himself in messages and symbols seen in nature. This belief is seen throughout Bryant’s writings, most popularly referencing the issue how one should approach life and death. Bryant’s poems Thanatopsis and To a Waterfowl illustrate Bryant’s fears life and death, and how through conversations and interactions he has with nature he is taught that neither is to be feared. As Bryant personifies nature in his poetry, it is obvious how he feels towards life and death, he feels they should be embraced as neither are truly as terrifying as many believe them to be.
As “Thanatopsis progresses, the tone of nature becomes darker and more death oriented, but it still conveys a component of consolation to them. When it is said that, “Bryant had written that, although in death one may lose his "individual being . . . to mix forever with the elements, / To be a brother to the insensible rock," nature taught that one may learn to approach death with trust by living life” (Kagle 152). In this passage, Bryant is saying that once we die, our physical bodies will return to nature forever. He says that a person should prepare for death by living a meaningful life and trusting in nature. To make nature come across as a powerful force, Rio-Jelliffe states that, “Enhancing nature's grandeur heightens the attractiveness of man's final resting place, but contrarily, intensifies rather than mitigates feelings of sorrow and loss which, from the start, imbues natural objects in the body of the poem” (Rio-Jelliffe). A possible reason as to why Bryant chose a more somber tone in parts of “Thanatopsis” is for the effect of making nature appear more powerful. People both fear and respect power. The fearing of God is a prevalent part of most Puritan literature. This fear caused people to obey and trust God’s word in order to save their souls from damnation after they had died. Similarly, Bryant wants to get the reader to trust the power and grace of nature so that death will be
The speaker discusses her trip with death in a very calm manner. The speaker describes how “death” drove the carriage, which was very slowly, as if he was in no hurry to get him, the speaker, and “immortality” to their destination (line 5). One could assume that the speaker’s death experience was not quick and abrupt, but slow and prolonged. The poem progresses and the different places that the carriage passes by are pointed out by the speaker as well. Instead of dark and dreary imagery, the speaker points out kids playing on a playground, a wide field of unpicked crops, and an orange sunset passing her, “death” and immortality by (lines 9-12). These visuals are very serene, like something you would see on a regular, ordinary day. This part of the poem expresses the journey the speaker has as she ventures to her afterlife. The speaker’s trek into the afterlife has somewhat of a reminiscing feeling to it; she lived a plain, but good life, and now it’s about to come to an end. Towards the very end of the poem, the speaker recalls the carriage stopping in front of her “house,” which is a swelling under the ground (lines 17-18). The lump in the ground is the speaker’s casket, but she does not refer to it as that, but her home. The speaker has come to the realization that she will be here for all of “eternity” and is accepting of that (line 24). However, the symbols portrayed throughout the
Wordsworth and Hopkins both present the reader with a poem conveying the theme of nature. Nature in its variety be it from something as simple as streaked or multicolored skies, long fields and valleys, to things more complex like animals, are all gifts we take for granted. Some never realize the truth of what they are missing by keeping themselves indoors fixating on the loneliness and vacancy of their lives and not on what beauty currently surrounds them. Others tend to relate themselves more to the fact that these lovely gifts are from God and should be praised because of the way his gifts have uplifted our human spirit. Each writer gives us their own ideals as how to find and appreciate nature’s true gifts.
Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.
Bryant went through many hard times throughout his life; from losing family members to being socially isolated. He lost many family members and close friends. The one death that hurt him the most was his father’s. Bryant’s father was a very important part of his life; his father taught him many things throughout his lifetime. His father submitted five of his poems into the North American Review, one of those were the first version of “Thanatopsis”. It is said that Bryant mourned his father’s death and that his death is what gave him the emotional passion to write with.
Two people were buried beside each other and “[the speaker] died for beauty… [and the other] died for truth.” They connect in the grave through their failure to achieve their dreams while they were alive “the two are one/we brethren are….” The souls connected while nature grew around them and “the moss… reached [their] lips/and covered up [their] names.” They became one with nature as they decomposed and “the moss” grew around them. Similarly to William Cullen Bryant’s, “Thanatopsis” Dickinson displays the transcendentalist ideal of the importance of nature and mixing with the Earth after death.