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Death compared in different religions
Essays on poetry analysis
Essays on poetry analysis
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William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made …show more content…
Death and decay is something that everyone understands and the process is not questioned so his references to our return to nature in a physical sense are very direct and to the point. Throughout the poem he mentions our rejoining with nature in different ways. For instance, on line 24 when he says that our bodies will “be resolved to earth again” (868 Bryant) he is talking about a physical decay. On line 61-62 Bryant states “All that breathe Will share thy destiny.” (868 Bryant) talking about the destiny of death itself and that no matter how you live it is unavoidable. He continues on saying that when you have died and those who live will eventually share the same fate “and shall come And make their bed as thee.” (869 Bryant). The most obvious and plainly stated reference to nature is on line 30 stating, “The oak Shall send his roots abroad, and pierce thy mould.” (868 Bryant). This statement is the best reference to nature because it speaks of it in a very matter of fact fashion detailing the way your own flesh will nourish the earth. All of these things he uses to depict our return to nature, the earth, the fact that we will all share the same dirt bed and share the same destiny. That destiny of course, is death …show more content…
Not only does Bryant close the poem by calling the body to “join The innumerable caravan” (869 Bryant) that is returning to nature, but also by referencing what seems to be the soul or spirit as moving “To that mysterious realm” (869 Bryant). While it is true that some people may disagree as to what type of afterlife they believe the poem to reference. There are many others who believe it references both nature and ascension equally. A.F. Bridges who wrote “The Centenary of “Thanatopsis”” in The North American Review for the University of Iowa stated in his own analysis of the poem that the subject was “as universal as it is eternal, and it is strongly both.” (2 Bridges). Another author, A.F. Mclean Jr., seemed to be under the same opinion because he similarly wrote that Bryant “sought a mediating position between the blunt supernaturalism of Calvinism and the commitments of the deists to impersonal, natural law.” (3 McLean Jr.). The original question may have asked if the poem was referring to nature or to spiritual ascension, but there are two sides to every story and often the truth is somewhere in between. It seems that a few others have come to the same conclusion, that it is not about one or the other, but it is written in a manner that beautifully portrays the role of both nature and spirit in the act of
Chuck Palahniuk once said, “The first step to eternal life, is you have to die.” In William Cullen Bryant’s poem “Thanatopsis”, he does not mention eternal life or anything religious, but speaks about death. He tells his readers that death is a natural thing and they should not worry about it. William Cullen Bryant, in his poem “Thanatopsis”, portrays a comforting view of death. Throughout the poem, Bryant encourages his readers by explaining that in death they are not alone, that death, like life, is a natural process, and that they will be among some of the finest people who walked the earth.
What is the relationship between the self, death, and nature? In his poem, “Hymn,” A.R. Ammons explores the speaker’s position in the world in relation to the other forces that surround him/her daily. S/he seems to be in search of the larger force that controls the smaller natural operations around him. It is unclear as to whether or not the speaker believes that this larger force is a traditional “God” figure, but the title of the poem connotes a praise for a larger being. In addition, Ammons takes on a transcendentalist style in this poem—the belief that a divine spirit composes everything around the speaker. This spirit is “partial and entire” (Ammons 19), “inside of everything and on the outside” (20). There is a significant tension
Time is equated with constant decay throughout the entire poem, which is primarily shown in the speaker’s comparison of the concept of eternity to a desert. Love, and other concepts felt in life, are subject to this negative force of deconstruction over time, and are vanquished in death; this idea can be seen in the witty commentary at the end of the second stanza, “the grave’s a fine and private place, but none I think do there embrace”
The setting of this story takes place on the planet Prelandra, also known as Venus. This planet consists of many floating islands. The islands are quite beautiful, the clouds are purple and the sky is a golden color, the seawater is green and drinkable, from the distance the water looks like glided glass. The islands are not very stable, and they can shake if water hits the mobile islands. All of the islands are mobile, except the main island, which remains stationary. Maledil, the people’s god, forbade them to spend the night on the main island; therefore the inhabitants of Perelandra stay on one of the mobile islands. There are many different types of inhabitants on Perelandra, dragons, exotic fish, possums, and unusual looking birds. Ransom, the books main character, mistook the birds for bat-winged reptiles when he first arrived on Perelandra. The tropical climate provides a pleasant atmosphere on Perelandra, thus allowing the inhabitants to move about freely, basking in the agreeable weather.
Although death reigns supreme in the universal fears of man, Thanatopsis reassures the reader that death comes naturally to everyone. William Cullen Bryant uses emotion to reinforce this point. For example, it seems as if fear should be instilled by Bryant’s description, stating “When thoughts / Of the last bitter hour come like a blight / Over thy spirit” (8-10), this fear vanishes quickly when Bryant continues “Go forth under the open sky, and list / To Nature’s teaching” (14-15). Although this paralyzing thought of death washes over many, Bryant argues Nature soothes and calms this fear. Despite these emotions of terror and pain,
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
After death, life does cannot be put on hold. Life will continue as usual because death is a part of life. In Henry Longfellow’s “A Psalm of Life,” he explains how the continuation of everyone else’s life after someone’s is the future and death should be left in the past. For example, this theme is represented by the statement “Let the dead Past bury its dead! Act,-act in the living Present!” in “A Psalm of Life” (659). In Bryant’s “Thanatopsis,” he expresses this theme by the statement
Emily Dickinson expresses her expectations of what happens after death by describing a death scene that is familiar to the living. In the third stanza Dickinson uses familiar imagery to describe the three stages of life. The sequence of scenes the carriage passes on its journey is an allegory for the normal progression of life from beginning to end. From this the read...
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
Poets such as Bryant have forever been trying to write their thoughts and feelings down on paper. They write their words like a painter lays their brush to a canvas. They express ideas that not only exemplify the beauty of life and nature, but also the darkest side of one’s life; death. This notion of death is what most people see as a sad ending to a life filled with beauty, though William Cullen Bryant does not see death in that way. In his poem “Thanatopsis” he offers an optimistic outlook on death. He views it as nothing more than the moment you become one with nature and venture through its beauty for all eternity. It is truly a work of art. This is shown by the use of his effective writing skills he uses skills such as, alliteration, similes and personification that make the poem come alive, just as a painter strives to make his art come alive. Also, this poem is art due to the deep thinking required to grasp its concept of death, you cannot read it just once you must read in between the lines and analyze what the poet is saying.
...at significance but more importantly, they see death as a way of escaping the sin and pain that manifests itself on earth. The body is considered a shipping crate when it comes to the soul. It is something for the soul to reside in until it has fulfilled its purpose on earth. Then it leaves, to start a new life in another shipping crate. With a clean conscious each of the characters in these poems are able to die guilt-free and both believe they will ascend to heaven. They acknowledge the fact that their souls will carry on after their bodies have died and seem to rest assure in the fact that there is more to life than the experiences they had on earth. Similar to the way souls are regarded by today's standards, it is something that departs from person upon death and carries the memory of an individual forever. I think John Donne would have agreed with this idea.
In the beginning of the poem, the speaker seems to not mind death’s coming for her as she talks about how nice death is: “He kindly stopped for me— . . . For His Civility—” (2, 8). The speaker also states she is picked up by death in a carriage which seems somewhat luxurious: “The Carriage held but just Ourselves—/ Add Immortality—” (3, 4). The speaker in the prior quote states she was with “Immortality” in the carriage, which leads to the understanding she will never die in the state she is currently in. The speaker initially seems to be at peace as she rides in the carriage as she says, “And I had put away / My labor and my leisure too,” (6, 7). However, at the end of the prior quote, the speaker states she also put away her leisure too, which is the first sign of negativity in the poem. This boredom escalates further as she watches children at recess play, fields of grazing grass, and the sunset. As time went on she began to become to grow cold, which may have been symbolism for how she felt: “The Dews drew quivering and chill— / For only Gossamer, my Gown— (14-15). Next, she presumably speaks of the carriage stopping at her grave: “We paused before a House that seemed / A Swelling of the Ground— / The Roof was scarcely visible—” (20-22). However, the carriage only stopped briefly as it began to move again towards eternity: “I first surmised the Horses’ Heads / Were toward Eternity—” (27, 28). It is at this point the speaker truly grasps the concept of eternity and how she will be stuck in this carriage alone forever. This poem points out that maybe eternal consciousness is not as pleasurable as it may seem, and living people cannot truly grasp how long eternity is. This ending is why I believe this poem should be considered that of eternal misery, although it began with a positive
Over the past few decades, a considerable number of comments have been made on the idea of eternity in Emily Dickinson's poetry. The following are several examples: Robert Weisbuch's Emily Dickinson's Poetry (1975), Jane Donahue Eberwein's Dickinson: Strategies of Limitation (1985), Dorothy Huff Oberhaus' Emily Dickinson's Fascicles: Method and Meaning (1995), and James McIntosh's Nimble Believing: Dickinson and the Unknown (2000). However, opinions vary as to how Dickinson explored the question regarding eternity; much ink has still been spent on the issue. This paper, therefore, provides another discussion of the idea of eternity depicted in Dickinson's poetry. I will discuss the issue by considering how her poems describe the process through which the poet finally reaches the belief in eternity-overcoming the feud between Christianity and scientific knowledge and that between Romanticism and existentialism.
Emily Dickinson was known to be one of the best poets in the 19th century as she displayed a unique writing style discussing her experiences and beliefs. Throughout her life, she wrote over one thousand poems with many recurring themes, all tied to religion, nature, and death. Even though the theme of the afterlife is not one of her major topic she wrote about, Dickinson somehow found a way to express her interest in eternity. Poems 160 and 271 show Dickinson portraying a narrator’s desire to live in the afterlife for eternity while questioning if true happiness can be found in that world.