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Introduction to poetry poem analysis
Literature in the romantic period
The meaning of life and death in literature
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A literary time period began in 1800. During this time, short stories and poetry were read and written frequently. This period was known as the Romantic Period. This period birthed the Fireside Poets, which included William Cullen Bryant and Henry Wadsworth Longfellow. Both Bryant and Longfellow express three common themes relating to death. The themes that they share are life goes on after death, death is inescapable, and live a meaningful life while here. After death, life does cannot be put on hold. Life will continue as usual because death is a part of life. In Henry Longfellow’s “A Psalm of Life,” he explains how the continuation of everyone else’s life after someone’s is the future and death should be left in the past. For example, this theme is represented by the statement “Let the dead Past bury its dead! Act,-act in the living Present!” in “A Psalm of Life” (659). In Bryant’s “Thanatopsis,” he expresses this theme by the statement …show more content…
“Earth, that nouris’d thee, shall claim, Thy growth, to be resolved to earth again; And, lost each human trace, surrend'ring up, Thine individual being, shalt thou go To mix forever with the elements, To be a brother to th' insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon” (493). Death in unavoidable. Death can happen to anyone at any given time. Death is an aspect of life that is guaranteed. The statement “Not enjoyment, and not sorrow, is our destined end or way; But to act, that each to-morrow Find us farther than to-day” from Longfellow’s “A Psalm of Life” displays the said theme (658). Bryant also exemplified this theme in “Thanatopsis,” which can be represented by the statement “So live, that when thy summons comes to join The innumerable caravan, that moves To the pale realms of shade, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but sustain'd and sooth'd By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams” (494). The last common theme shared by the two writers is that life should be lived meaningful and to the fullest while you are here.
The time you get here on earth varies from person to person. Since the time frame is unknown, you should make the best of everyday. In Longfellow’s “A Psalm of Life,” he express this by stating, “Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints in the sands of time” (659). Bryant expresses the same thing, but his example is a little more in depth. He goes to further that explain that you should live a life worth dying before your time runs out. He expresses this in the statement “As the long train of ages glide away, the sons of men The youth in life's green spring, and he who goes in the full strength of years, matron, and maid, The bow'd with age, the infant in the smiles And beauty of its innocent age cut off, -- Shall one by one be gathered to thy side, By those, who in their turn shall follow them,” which is from “Thanatopsis”
(494). Though Longfellow and Bryant go a different route in expressing these themes, they poems reach a mutual agreement on the idea of death. The mutual agreement is that death is inevitable. Death is part of life’s natural cycle. Henry Longfellow’s poem explains how life should be lived to the fullest. If you do not make your life relevant while here, you will be forgotten and life will continue. On the other hand, William Bryant’s poem explains that you should live your life how you please without worrying yourself with the fear of death. In the end, both poems come to the conclusion that everyone will one day die. Works Cited Bryant, William Cullen. “Thanatopsis.” The Norton Anthology of American Literature. Eds. Nina Baym and Robert S. Levine. New York: W. W. Norton & Company, 2013. 493-494. Print. Longfellow, Henry Wadsworth. “A Psalm of Life.” The Norton Anthology of American Literature. Eds. Nina Baym and Robert S. Levine. New York: W. W. Norton & Company, 2013. 658-659. Print.
Chuck Palahniuk once said, “The first step to eternal life, is you have to die.” In William Cullen Bryant’s poem “Thanatopsis”, he does not mention eternal life or anything religious, but speaks about death. He tells his readers that death is a natural thing and they should not worry about it. William Cullen Bryant, in his poem “Thanatopsis”, portrays a comforting view of death. Throughout the poem, Bryant encourages his readers by explaining that in death they are not alone, that death, like life, is a natural process, and that they will be among some of the finest people who walked the earth.
Death is a theme that has been used in literature since literature has been written from
Indeed, no person can live forever because our bodies are mortal. Therefore, everyone should seize the chance given in the few years on earth to accomplish his or her desires. Historically, no human has lived past 130 years, except the narrations in the Bible or other religious books. Accordingly, this demonstrates the limited life that humans have, which is prone to a premature end due to diseases, accidents, and calamities. For this reason, the uncertainty of the human life makes it necessary for the people to live each day as their last on earth so that they can strive to perfect the desires, duties, and responsibilities bestowed on them. Furthermore, the completion of the tasks should not be a routine but rather a passion for creating a better environment for the success of
When people ponder death they wonder about the unknown with trepidation. As a young man, William Cullen Bryant wrote the "Thanatopsis." His thoughts progress from the fear of death to the acceptance of the event. People should not fear death because everyone dies and becomes a part of nature.
For example, Whitman’s “Crossing Brooklyn Ferry” discusses the experiences of one man and how despite “A hundred years hence, or ever so many hundred years hence, others will see them,” (3293). This very line suggests that time and death as a result of time passing cannot subdue the eternity of experiences. Whitman even goes as far as to say “It avails not, time nor place - distance avails not, I am with you, you men and women of a generation, or ever so many generations hence,” (3293). Emily Dickinson’s also manifests the theme of deaths limits. Dickinson writes: “Because I could not stop for Death - He kindly stopped for me,” (3368). These lines suggest that death itself waited (or rather had to wait) for a time when he could intervene this woman. Subsequently, this would mean that death must abide by time and therefore limited by time itself. “We slowly drove- He knew not haste” (3368), also provides support for this idea. This line of the poem infers that death is unaware of the concept of faster thus clearly through his unknowing is bounded or limited once again. Two of the most renowned poets in American literature are Dickinson and Whitman. Their styles are so hard to define yet so easy to understand. The all too familiar swift liquid that is Dickinson is a decent put side by side to Whitman’s hearty melancholy. That being the case, through combination one realizes that both Whitman and Dickinson share the common theme of death’s limits in their work. While Walt Whitman and Emily Dickinson 's works seem to be quite different, they share common themes, namely death and religion. While their views may differ, there is a sense of commonality when reading their works side by side. Both poets are acclaimed American writers, offering up distinct voices and beliefs that echo still
William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
Although death seems to be a theme for many literary poems, it also appears to be the most difficult to express clearly. Webster’s Dictionary defines the word “death” as, “A permanent cessation of all vital function: end of life.” While this definition sounds simple enough, a writer’s definition goes way beyond the literal meaning. Edwin Arlington Robinson and Robert Frost are just two examples of poetic writers who have used death successfully as the main theme of their works. Robinson, in the poem “Richard Cory,” and Frost in his poem, “Home Burial,” present death in different ways in order to invoke different feelings and emotions from their readers.
William Cullen Bryant is one of the most influential people of his time. He was born on November 3, 1794. He is most well-known for writing his poem “Thanatopsis”, which would roughly translate from Greek to “a meditation upon death” in English. This poem is by far his most popular poem. He spent majority of his life studying law, then died as the editor of the New York Evening Post. He was extremely politically fueled and also did not agree with the commonly accepted view of heaven and religion; this idea is shown in his poem. Overall, William Cullen Bryant is the most important American romantic poet of his time.
Why Dylan Thomas and Emily Dickinson used a theme of death in their poem and what are the effects of the metaphorical expressions.
A time in literary history, where one writes with the mindset that consists of augmenting the truth and creating an ideal world through literature, is known as the Romantic period. The Romantic period started in the early 1800s and continued throughout the 1860s. Throughout this era, the efforts of great writers are seen and admired. Nathaniel Hawthorne is a well known writer during the period. He is an example of a writer who understood the idea of Romanticism and incorporated it in his works of literature. Through his writing he embodies romanticism by putting an emphasis on the sinful nature of humans and how it affects the sinner and the people around them, and this is done through symbolism. Symbolism is an important element in the writing
The poetry of William Wordsworth initiated the Romantic Era by emphasizing emotion, intuition, and pleasure rather than form and affectation. His poems set the stage for John Keats, a central figure in early 19th century Romanticism. The fundamental themes in the works of both poets include: the beauty of nature; the consanguinity of dreams/visions and reality and yet the tendency of dreams to mask reality; the intense emotions brought about by beauty and/or suffering; and the transience of both sensation and human life. Although William Wordsworth and John Keats wrote poetry with entirely different senses of purpose, they came together in the worship of a song that each found in nature. Both Wordsworth and Keats were able to internalize their own experience and then re-externalize it in a piece of poetry – “The Solitary Reaper” and “Ode to a Nightingale” respectively – describing the effect of a stirring song each encountered in a natural setting.
Due to the personal nature of the romantic poetry, there has always been a fascination with the lives of Romantic poets. Taking place from 1780-1830 the Romantic period began as a reaction to the Enlightenment ideas. It started a new emphasis on feelings of sadness and happiness. Along with believe in imagination and the idealism of nature. The Romantic poets saw nature as a source of spiritual renewal and means of escaping there troubled lives.
When glancing through the capacious history of literature, an ample amount of literary categories can be classified. One section of history that is a league of its own is the Romantic Era (1785-1832). This era of literature emphasizes emotion, imagination, personality, vision and even irrationality. It is truly an era based on nature and celebrates the ordinary people over the aristocrats. Authors who wr ote during this time rebelled against the conventional forms of Neoclassicism and rather created works that sparked a dramatic change in literature's history. One author that precisely emanates these elements is William Wordsworth (1770-1850). With the utilization of nature as an embolden force, the use of personal experience to inspire impeccable writing, the use of enlightenment through the process of raw emotions, and the implement of uncomplicated language to convey complex representations; he was able to produce everlasting works that would transpire into making people believe that life is something worth living for.