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Melville and hawthorne compare and contrast
The theme of death used in literature
Death as a theme in literature
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Group 1: Judgment Being Clouded Considering, Melville’s and Hawthorne’s views of humanity and how they perceive the world in an accurate manner just goes to show that people can be thrown off by false views. In “Benito Cereno”, Caption Cereno is blind to the evil within Babo, his faithful servant. Caption Cereno’s judgment is clouded by the one person he believes is taking care of him and in trusted him with more power then he deserves. While in “The Minister’s Black Veil”, Mr. Hopper judgment is clouded by the veil he wears, and the congregation minds are clouded by the veil that Mr. Hopper wears. They believe he is not the same man due to the fact that he wears this black veil now; however Mr. Hopper ends up blinded by the veil that he …show more content…
For example, Whitman’s “Crossing Brooklyn Ferry” discusses the experiences of one man and how despite “A hundred years hence, or ever so many hundred years hence, others will see them,” (3293). This very line suggests that time and death as a result of time passing cannot subdue the eternity of experiences. Whitman even goes as far as to say “It avails not, time nor place - distance avails not, I am with you, you men and women of a generation, or ever so many generations hence,” (3293). Emily Dickinson’s also manifests the theme of deaths limits. Dickinson writes: “Because I could not stop for Death - He kindly stopped for me,” (3368). These lines suggest that death itself waited (or rather had to wait) for a time when he could intervene this woman. Subsequently, this would mean that death must abide by time and therefore limited by time itself. “We slowly drove- He knew not haste” (3368), also provides support for this idea. This line of the poem infers that death is unaware of the concept of faster thus clearly through his unknowing is bounded or limited once again. Two of the most renowned poets in American literature are Dickinson and Whitman. Their styles are so hard to define yet so easy to understand. The all too familiar swift liquid that is Dickinson is a decent put side by side to Whitman’s hearty melancholy. That being the case, through combination one realizes that both Whitman and Dickinson share the common theme of death’s limits in their work. While Walt Whitman and Emily Dickinson 's works seem to be quite different, they share common themes, namely death and religion. While their views may differ, there is a sense of commonality when reading their works side by side. Both poets are acclaimed American writers, offering up distinct voices and beliefs that echo still
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
Throughout Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the sensation of the veil, the separation it creates from good things in life, and the persistence of the black veil on earth symbolize sin in mankind. During the whole parable, Mr. Hooper is restrained by the black veil and cannot live a free, enjoyable life. Also, people around him cannot tolerate the overwhelming, dark feeling that the black veil generates. Similarly, sin can take over people’s lives and create a feeling of hopelessness and gloom. Hawthorne’s parable overall demonstrates power and impact of sin on
Dickinson gives us a joyous and happy view of death, which is like a kind gentleman that takes her on a journey. He is so civil, therefore. she willingly gives him her “labor” and “leisure”. She is not afraid of death, she instead receives it calmly. Whitman’s view is the contrary.
While these works by Whitman and Dickinson are different in many ways, a few similarities can be found between the two. The most obvious of these similarities involves the themes and subject matter of the pieces. Both poems present the idea that life is a continuous and constant circle and that no one is ever really dead as long as he is remembered. Each also suggests that Earth is a living thing which all humans are a piece of in both life and death. Another likeness which can be found in these two poems is the imagery used by the authors. Through Whitman's detailed and vivid description, he allows the reader to form a clear picture of the scene in his head. Likewise, Dickinson use of personification causes the poem to come alive in the reader's mind. Indeed, by observing the themes and imagery found in these two poems, one can see that they do contain some similarities.
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives. “Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1).
The year is 1729 and the Puritans are going about their daily life of strict, religious life. Nathaniel hawthorne is not part of this crowd but he likes to pick fun at their lifestyle. In "The Minister 's Black Veil" and "Young Goodman Brown" he does just that. In both these stories he makes fun of their idea that everything is a sign, and has a double meaning. These allegories that Hawthorne uses may confuse the average reader. In both stories there is something that has a meaning based on reality, and a more mystical meaning. The word faith, when used in "Young Goodman Brown" can either mean Faith, as in the name of Goodman 's wife, or faith in God. The black veil, is it just a veil, or does it have a deeper, darker meaning of sin?
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
If we claim to be without sin, we deceive ourselves and the truth is not within us. (1 John 1:7-9) All of us have become like one who is unclean, and all our righteous acts are like filthy rags; we shrivel up like a leaf, and like the wind our sins sweep us away. (Isaiah 64:6) The conscience is the eyes to the truth. You carry the load of someone’s misconduct, misbehavior, someone’s iniquity, and Mr. Hooper and his veil is symbolic for mankind keeping their sins veiled.
Emily Dickinson and Walt Whitman are both considered as the most original poets who has boldly revolutionized the subject and style of 20th-century American poetry. Both the poets come from vastly different backgrounds but they share common inspirations but in a distinctive way. They both lived polar opposite personal lives as Walt was friendly, outgoing and influential, while Emily was very simple, shy, isolate and content. A lot of poems written by them were based on nature, death, and immortality and they focused on the importance of individualism in the society like in “I Hear America Singing” by Walt and “Much Madness is most divine Sense” by Emily. Together, they both have huge hands to shape the American poetry, and their influences
Life and death are but trails to eternity and are seen less important when viewed in the framework of eternity. Emily Dickinson’s poem Death is a gentleman taking a woman out for a drive.” Because I could not stop for death, He kindly stopped for me” (Dickinson 1-2). Emily describes being a busy woman who is caught up in everyday situations.
Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems.
Throughout Emily Dickinson’s poetry there is a reoccurring theme of death and immortality. The theme of death is further separated into two major categories including the curiosity Dickinson held of the process of dying and the feelings accompanied with it and the reaction to the death of a loved one. Two of Dickinson’s many poems that contain a theme of death include: “Because I Could Not Stop For Death,” and “After great pain, a formal feeling comes.”
Death is a prevalent theme in the poetry of both Sylvia Plath and Emily Dickinson. They both examine death from varied angles. There are many similarities as well as differences in the representation of this theme in their poetry. Plath views death as a sinister and intimidating end, while Dickinson depicts death with the endearment of romantic attraction. In the poetry of Plath death is depicted traditionally, while Dickinson attributes some mysticism to the end of life.