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The theme of death used in literature
Death in literature
Death theme in literature
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William Cullen Bryant is one of the most influential people of his time. He was born on November 3, 1794. He is most well-known for writing his poem “Thanatopsis”, which would roughly translate from Greek to “a meditation upon death” in English. This poem is by far his most popular poem. He spent majority of his life studying law, then died as the editor of the New York Evening Post. He was extremely politically fueled and also did not agree with the commonly accepted view of heaven and religion; this idea is shown in his poem. Overall, William Cullen Bryant is the most important American romantic poet of his time.
Poets such as Bryant have forever been trying to write their thoughts and feelings down on paper. They write their words like a painter lays their brush to a canvas. They express ideas that not only exemplify the beauty of life and nature, but also the darkest side of one’s life; death. This notion of death is what most people see as a sad ending to a life filled with beauty, though William Cullen Bryant does not see death in that way. In his poem “Thanatopsis” he offers an optimistic outlook on death. He views it as nothing more than the moment you become one with nature and venture through its beauty for all eternity. It is truly a work of art. This is shown by the use of his effective writing skills he uses skills such as, alliteration, similes and personification that make the poem come alive, just as a painter strives to make his art come alive. Also, this poem is art due to the deep thinking required to grasp its concept of death, you cannot read it just once you must read in between the lines and analyze what the poet is saying.
I believe this is art because it truly brings out the emotions of the reader throug...
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...omfort and visualization throughout the poem.
Overall “Thanatopsis” is one of the great works of romantic writing in America and is a work of art. Art is supposed to bring out feeling in the person observing it. This poem could not do a better job at that. Although this poem is limited to words on paper, it expresses infinity of feelings, thoughts, and emotions. When I first read this poem I did not have a gut reaction, I just didn’t understand it. But as I dove into the poem and read deeply, and I let my mind walk freely in the deep thoughts of death, nature, and comfort I truly started to understand it. I chose this poem because it represents poetry as an art form better than any poem I have ever read. Its uses of alliteration, personification, and similes truly exemplify the writer’s thoughts and feeling so that the reader reads the poem with emotion
Millay’s poem “Thou famished grave” explores death’s inevitable success and the speaker’s resistance against it to gain victory within loss. The first way Millay achieves this is through the animalization of death. The poem describes death throughout with words such as, “roar” (2) and “jaws” (7), which leads to a portrayal of death as a predatory animal. A further description in the poem of the speaker as “prey” (9), helps to strengthen this portrayal. As a result, this animalistic depiction of predator and prey shows death’s advantage and dominance over life. In addition, it shows that the speaker is like a gazelle being hunted by a lion. They will not stand motionless and be defeated, but will run away to survive death and “aim not to be
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
I personally loved everything that this poem stood for. I liked that this poem had two average people at its center. They were not young or insanely beautiful, but they still showed how amazing love can be and how love goes beyond everything. When it comes down to it love has no gender, age, race, or time it is just about humans loving other humans. In this week’s chapter it is discussed how romance itself has a huge cultural impact and this poem definitely connects with this idea. This poem also follows the cliche of love. The way that love is blinding and will conquer all is presented in a real and believable way, but then it can also be considered unrelatable for some because how romance is set up to be and how high the standards are for true love. Furthermore, I like the idea of love going beyond age, beauty, and time but realistically for most people they will never experience a love so intense. People can though understand how what is portrayed in the media is not how everyone experiences love and that people who differ from this unrealistic standard can still be in love in their own intense beautiful way.
First, tone is a very important aspect of the poem “Thanatopsis.” While reading the poem, the reader may feel a slight change in the tone of the poem. At first the poem seems as though it were about nature and its beauty. For example, in the poem Bryant writes “She has a voice of gladness, and a smile/And eloquence of beauty, and she glides.”(4-5) Here, the tone is happy and elegant. Also, the reader is under the impression that nature is a safe and beautiful place. However, as the reader continues on, one may notice a sudden shift in tone. Bryant writes, “Into his darker musings, with a mild/And gentle sympathy, that steals away/ Their sharpness, ere he is aware.”(6-8) Here, the tone shifts to dark and gloomy. Throughout the poem Bryant uses numerous words or phrases that relate to death. One very noticeable instance of this is in lines nine and 11. Bryant uses the words such as shroud, pall, and narrow house. Shroud and pall are both word related to coffins. A shroud is a cloth used to wrap a body before burial. A pall is the cover to a coffin. This depicts the sinist...
She personifies death as a gentleman who kindly takes her for a journey in his carriage. She also personifies immortality as a person riding with them in the carriage of the. She uses the paradox “The Cornice on the ground”. Whitman’s language is poetic and realistic. Both poems discuss the view of death, but from different perspectives.
Not only does Bryant close the poem by calling the body to “join The innumerable caravan” (869 Bryant) that is returning to nature, but also by referencing what seems to be the soul or spirit as moving “To that mysterious realm” (869 Bryant). While it is true that some people may disagree as to what type of afterlife they believe the poem to reference. There are many others who believe it references both nature and ascension equally. A.F. Bridges who wrote “The Centenary of “Thanatopsis”” in The North American Review for the University of Iowa stated in his own analysis of the poem that the subject was “as universal as it is eternal, and it is strongly both.” (2 Bridges). Another author, A.F. Mclean Jr., seemed to be under the same opinion because he similarly wrote that Bryant “sought a mediating position between the blunt supernaturalism of Calvinism and the commitments of the deists to impersonal, natural law.” (3 McLean Jr.). The original question may have asked if the poem was referring to nature or to spiritual ascension, but there are two sides to every story and often the truth is somewhere in between. It seems that a few others have come to the same conclusion, that it is not about one or the other, but it is written in a manner that beautifully portrays the role of both nature and spirit in the act of
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
William Cullen Bryant was an American poet, born on November 3, 1794, in the rural town of Cummington, Massachusetts, to encouraging and supportive parents. He was widely recognized as child-prodigy, for the publication of his first poem in the Hampshire Gazette in Northampton, Massachusetts at the age of twelve(Byam and Levine, 491). It was no more than a year later that he wrote the long anti-Jefferson poem, The Embargo, that was printed as a pamphlet by his father. In the year 1810, Bryant was admitted into Williams College but stopped attending after his father could no longer afford the expenses. Despite this, Bryant continued to write poetry as he prepared for a legal career by working in a law office and was admitted into the bar in 1815. Unlike poets such as Poe, Emerson, and Whitman who poetic manifestos in celebration of their individual approaches to poetry, Bryant quietly published his works without making claims of its importance (Byam and Levine, 491).
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
The themes in "Thanatopsis" center completely on death, but the temper is somewhat joyful and enriching. Bryant doesn 't look at decease as something to fear. He examines it as a natural, and unavoidable, part of human existence. The poem focuses on the significance nature pieces
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
As “Thanatopsis progresses, the tone of nature becomes darker and more death oriented, but it still conveys a component of consolation to them. When it is said that, “Bryant had written that, although in death one may lose his "individual being . . . to mix forever with the elements, / To be a brother to the insensible rock," nature taught that one may learn to approach death with trust by living life” (Kagle 152). In this passage, Bryant is saying that once we die, our physical bodies will return to nature forever. He says that a person should prepare for death by living a meaningful life and trusting in nature. To make nature come across as a powerful force, Rio-Jelliffe states that, “Enhancing nature's grandeur heightens the attractiveness of man's final resting place, but contrarily, intensifies rather than mitigates feelings of sorrow and loss which, from the start, imbues natural objects in the body of the poem” (Rio-Jelliffe). A possible reason as to why Bryant chose a more somber tone in parts of “Thanatopsis” is for the effect of making nature appear more powerful. People both fear and respect power. The fearing of God is a prevalent part of most Puritan literature. This fear caused people to obey and trust God’s word in order to save their souls from damnation after they had died. Similarly, Bryant wants to get the reader to trust the power and grace of nature so that death will be
Humans have these closed-mind thinkings, which limit their ability to surpass their crativity, rejecting the idea that everything can be debatable, such as the idea that something bad can be good or something good can be bad. This concept is clearly ignored and refused in William Brayant’s extravagant poem “Thanatopsis”. Brayant’s unique creativity lead him into writing with just 17 years old, the “meditation on death” or Thanatopsis. Different elements such as imagery, language or structure among others are the key of the poem, the heart of the body, that without them, the poem would only be no more than just madness and
Throughout Emily Dickinson’s poetry there is a reoccurring theme of death and immortality. The theme of death is further separated into two major categories including the curiosity Dickinson held of the process of dying and the feelings accompanied with it and the reaction to the death of a loved one. Two of Dickinson’s many poems that contain a theme of death include: “Because I Could Not Stop For Death,” and “After great pain, a formal feeling comes.”