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Recommended: Nature during romanticism
William Cullen Bryant, perhaps one of the most accomplished writers of the American Romantic Era, wrote about subjects which followed the precedent of his fellow Romantic Era writers. In his poems, “To a Waterfowl” and “Thanatopsis.” In “To a Waterfowl,” Bryant is addressing a migrating waterfowl as he flies south. “Thanatopsis” discusses the cyclical relationship between death and nature. In each poem, Bryant writes about nature, a subject very common in the literature of this era. Nature speaks to Bryant in different ways, as well as in different tones; the poems are unique in the sense that Bryant’s aspect of nature vary as well as agree differently in each of Bryant’s work. Bryant discusses the spirituality associated with nature in “To …show more content…
“To a Waterfowl” serves as an allegory to life. Bryant uses the waterfowl’s journey to compare it to his own. He especially compares God’s guidance of the waterfowl to God guiding him. As previously stated, God is guiding the waterfowl so that it is able to find its way. Bryant finds that God is guiding him as well, “He who, from zone to zone,/ Guides through the boundless sky thy certain flight,/ In the long way.../ Will lead my steps aright” (Bryant 29-32). Bryant realizes that the very God that he observes showing the waterfowl the right way is actually showing him the right way as well. Also, in “Thanatopsis” Bryant discusses a more morbid portion of life: death. Although Bryant discusses it in a way to avoid morbidity. Bryant focuses on the beautiful parts of death, “Yet not to thine eternal resting place/ Shalt thou retire alone, nor couldst thou wish/ Couch more magnificent. Thou shall lie down/ With patriarchs...with kings” (Bryant 31-34). Instead of writing about the journey through life, Bryant writes about the journey after life: going back to nature, “Earth, that nourished thee, shall claim/ Thy growth, to be resolved to earth again” (Bryant 22-23). Bryant instead of writing with a tone of morbidity chooses to use a cheerful tone when discussing
In his poem “The Great Scarf of Birds”, John Updike uses a flock of birds to show that man can be uplifted by observing nature. Updike’s conclusion is lead up to with the beauty of autumn and what a binding spell it has on the two men playing golf. In Updike’s conclusion and throughout the poem, he uses metaphors, similes, and diction to show how nature mesmerizes humans.
The purpose of the poem was to express my interests of nature and how I felt and what I experienced when I was in the woods at that time. There’s also that life and death aspect in this poem, in which the bird has the lizard in his mouth and also by the word “fire”.
The diction surrounding this alteration enhances the change in attitude from self-loath to outer-disgust, such as in lines 8 through 13, which read, “The sky/ was dramatic with great straggling V’s/ of geese streaming south, mare’s tails above them./ Their trumpeting made us look up and around./ The course sloped into salt marshes,/ and this seemed to cause the abundance of birds.” No longer does he use nature as symbolism of himself; instead he spills blame upon it and deters it from himself. The diction in the lines detailing the new birds he witnesses places nature once more outside of his correlation, as lines 14 through 18 read, “As if out of the Bible/ or science fiction,/ a cloud appeared, a cloud of dots/ like iron filings, which a magnet/ underneath the paper
This poem is written in unrhymed iambic pentameter. It is blank verse. Although it doesn't rhyme, each line relates to the one before it. The tone of the poet changes throughout he poem. At first it is sad. Bryant uses words such as guilt, misery, sorrow, and crimes to explain the world. Than when he begins explaining how the woods are the answer to your problems, the tone becomes happy. In the middle of the poem, Bryant talks about birds singing, breezes, and happy, soft, nice things that can happen if one uses the woods as a playground, and finds comfort in them.
... to understand one another. Furthermore, while both poets encase aspects of the fish into their poems, Bishop’s interpretation of the fish places it at a distance because her block of text loaded with descriptions is how she sees the fish, which gives the image that she just feels pity for the fish but doesn’t really feel the need to delve deeper in understanding the essence of the fish. By contrast, Oliver’s interpretation of the fish embodies its’ essence because she does not rely on its appearance to understand it but rather when she consumes the fish, its’ spiritual aura merges within herself. Oliver captures the soul of the fish within her poetic writing as evidenced by the constant alliteration with “f” letter words including, “first fish”, “flailed” , “flesh”, “fall”, “feed”, and “feverish”, which give the image that the poem is alive and is the fish.
"The Yellow Violet" vividly expresses the nature of life in a very simple way. Bryant takes the cycle of a yellow violet and uses it to describe the humanistic world around him. It is very clever, too, that when he does this, he uses personification. A "modest flower" (2674) pops out from the dark, damp leaves below and "[makes] the woods of April bright" (2675). While the rest of the forests and fields go on with their life cycle this tiny flower does itsí best to make things pretty and happy. The persona describes this sight as an "early smile" (2675) and that is what kept a smile on his own face. Even the various blooms and colors that surface in May are not as joyful because when the violet blooms, it is the first color you see after a long winter of gray. This modesty of the meek flower is compared to that of a person. It's usually the poorer, less known people in the world that are the ones who really cheer you up. They will never let you down. As the persona in the poem points out, "So they, who climb to wealth, forget" (2675). This is the most important line of the entire poem. It is basically saying that those who are wrapped up in material things are just th...wrapped up. They are not dependable. Thus, the yellow violet is the modest person, which are far and few, who you can always count on to stand by you in the end and brighten up your day. This is the illustration of the nature of life.
In Walden, Henry David Thoreau explains how a relationship with nature reveals aspects of the true self that remain hidden by the distractions of society and technology. To Thoreau, the burdens of nineteenth century existence, the cycles of exhausting work to obtain property, force society to exist as if it were "slumbering." Therefore, Thoreau urges his readers to seek a spiritual awakening. Through his rhetoric,Thoreau alludes to a "rebirth" of the self and a reconnection to the natural world. The text becomes a landscape and the images become objects, appealing to our pathos, or emotions, our ethos, or character, and our logos, or logical reasoning, because we experience his awakening. Thoreau grounds his spirituality in the physical realities of nature, and allows us to experience our own awakening through his metaphorical interpretations. As we observe Thoreau¹s awakening, he covertly leads us to our own enlightenment.
Along with the selected reading above, Dickinson’s work reflects a strong reverence for the natural world. This appreciation for nature is conveyed through a number of references and reoccurring images. In poem #627,
Robert Frost, an Americian poet of the late 19th century, used nature in many of his writings. This paper will discuss the thought process of Frost during his writings, the many tools which he used, and provide two examples of his works.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
The poem, “Traveling through the Dark” by William Stafford, offers readers a story about a tragic, but common encounter between man and animal. The speaker of the poem is faced with a difficult decision when he discovers a dead deer in the road. “Woodchucks,” by Maxine Kumin, also presents the audience with a poem about humans and animals; however, her poem takes a darker approach on the subject. The speaker is trying to eradicate all of the woodchucks from his garden. In the two poems, tone, imagery, personification, and allusion, are used in order to reveal the intricate relationship between humans and animals.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
“A Bird came down the Walk,” was written in c. 1862 by Emily Dickinson, who was born in 1830 and died in 1886. This easy to understand and timeless poem provides readers with an understanding of the author’s appreciation for nature. Although the poem continues to be read over one hundred years after it was written, there is little sense of the time period within which it was composed. The title and first line, “A Bird came down the Walk,” describes a common familiar observation, but even more so, it demonstrates how its author’s creative ability and artistic use of words are able to transform this everyday event into a picture that results in an awareness of how the beauty in nature can be found in simple observations. In a step like narrative, the poet illustrates the direct relationship between nature and humans. The verse consists of five stanzas that can be broken up into two sections. In the first section, the bird is eating a worm, takes notice of a human in close proximity and essentially becomes frightened. These three stanzas can easily be swapped around because they, for all intents and purposes, describe three events that are able to occur in any order. Dickinson uses these first three stanzas to establish the tone; the tone is established from the poet’s literal description and her interpretive expression of the bird’s actions. The second section describes the narrator feeding the bird some crumbs, the bird’s response and its departure, which Dickinson uses to elaborately illustrate the bird’s immediate escape. The last two stanzas demonstrate the effect of human interaction on nature and more specifically, this little bird, so these stanzas must remain in the specific order they are presented. Whereas most ...
All in all, throughout all the history of American poetry, we can easily find numerous poems concerning nature from different angles, for nature will never betray a nature-loving heart just as William Wordsworth says.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.