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Role of Nature in poetry
Romantic period history influence
Romantic period history influence
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Nature’s beauty can be seen all around us and has been and will always be there for us to appreciate; yet the way we experience and interpret nature is ever changing. The Romantic Era was a literary movement that gave a new attitude towards nature that was unique and spiritual. The Romantic movement, beginning around 1798, and carrying on well into the mid 1800s, expanded into almost every corner of Europe, into the United States, and Latin America. The ideology of the romantic era, of being completely humanistic, was the opposite of the new ideas of logic and reason of the Enlightenment. Many Romantic poets, authors and artists are famous for their wondrous work about the world around us; focusing mainly on nature and the majestic aspects …show more content…
Wordsworth truly emphasized the influence nature had on human morals and emotion. He spiritualised nature and regarded the environment as a philosophical moral teacher, as a mother and even guardian, as the one true elevating influence that was greater than any other. He believed that between man and Nature there is mutual consciousness and understanding, as well as a spiritual connection. According to him, human beings who grow up in the lap of Nature like he did were the ideal humans, the perfect kind. Above all, Wordsworth emphasized the moral influence of Nature as this pastoral influence. “They are second only to nature, which is "the breath of God." (Wordsworth 221). It was his special characteristic to concern himself, not with the strange and remote aspects of the earth, and sky, but nature in ordinary, familiar, everyday moods.Wordsworth stressed upon the moral influence of Nature and the need of man’s spiritual discourse with it “Great and benign, indeed, must be the power/ Of living nature,” (Wordsworth 167). He did not recognize the scary, hideous side of nature, only its …show more content…
Compared to the the shell which represents art and poetry. As the arab leaves to bury the two items the realization that the two objects represent human knowledge in a tangible form and nature, who is in the form of an Arab and a Knight on a camel are there to help guide the human race to have our knowlege from decay and destruction by burying the objects. A major aspect of Romantic poetry is the surreal concept of the sublime. Sublime to romantics meant a heightened emotion expressed through terror, especially seen in nature. It gives evidence of the God’s power- a theme that artists and poets explored as romantics. This term conveys the human emotion people experience when they see something that leaves them in awe; for example, magnificent landscapes, the endless sea or horizon, or finding themselves in certain situations that can inflict feelings like fear or admiration. The sublime is used by Turner and many other Pre-Romantic painters. in the painting, the sails of the ship are rolled up, and water splashes and flies around and over it the ship, almost consuming it. The jagged, dark, clouds point to a forming storm and just shows how utterly consuming and unpredictable nature can be. In addition to the water and storm clouds, the symbolism of the blood-red color of the sunset, and the brown of the
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
In my opinion, Walden, or Life in the Woods by Henry David Thoreau is an excellent example of a Romantic point of view. Thoreau successfully conveys his Romantic ideas through his literature, and makes clear where he stands.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
As we look back on intellectual movements throughout history, it can be seen that the perceptions of nature changed drastically. The Enlightenment and Romantic movements are not separate from this observation; in fact they are prime examples, seeing as that in both eras nature is a major theme and exploration point for the people of the time. This interest in nature, however, is where the majority of similarities end between the two movements. In order to fully understand the differences in ideals between the two movements, we must focus on the disciplines they study most, the themes created when they are studied, and the way humanity is compared to nature.
"Romanticism -- Britannica Online Encyclopedia." Encyclopedia - Britannica Online Encyclopedia. Web. 3 Dec. 2010. .
Romanticism was an artistic and philosophical time period that occurred in Europe during the late 18th century. Many forms of art were introduced at this time, as were forms of poetry and unorthodox ideals coming from the creators of these pieces. The poetry of Blake, Wordsworth, and Keats all shared aspects of nature and their personal emotions displayed through literary allusions. They break away from social norms, and even artistic norms, which was the aim of the artists during this part of literary history.
Despite its name, the Romantic literary period has little to nothing to do with love and romance that often comes with love; instead it focuses on the expression of feelings and imagination. Romanticism originally started in Europe, first seen in Germany in the eighteenth century, and began influencing American writers in the 1800s. The movement lasts for sixty years and is a rejection of a rationalist period of logic and reason. Gary Arpin, author of multiple selections in Elements of Literature: Fifth Course, Literature of The United States, presents the idea that, “To the Romantic sensibility, the imagination, spontaneity, individual feelings and wild nature were of greater value than reason, logic, planning and cultivation” (143). The Romantic author rejects logic and writes wild, spontaneous stories and poems inspired by myths, folk tales, and even the supernatural. Not only do the Romantics reject logic and reasoning, they praise innocence, youthfulness and creativity as well as the beauty and refuge that they so often find in nature.
William Wordsworth is easily understood as a main author whom expresses the element of nature within his work. Wordsworth’s writings unravel the combination of the creation of beauty and sublime within the minds of man, as well as the receiver through naturalism. Wordsworth is known to be self-conscious of his immediate surroundings in the natural world, and to create his experience with it through imagination. It is common to point out Wordsworth speaking with, to, and for nature. Wordsworth had a strong sense of passion of finding ourselves as the individuals that we truly are through nature. Three poems which best agree with Wordsworth’s fascination with nature are: I Wandered as a Lonely Cloud, My Heart leaps up, and Composed upon Westminster Bridge. In I Wandered as a Lonely Cloud, Wordsworth claims that he would rather die than be without nature, because life isn’t life without it, and would be without the true happiness and pleasure nature brings to man. “So be it when I shall grow old, Or let me
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
Wordsworth is deeply involved with the complexities of nature and human reaction to it. To Wordsworth nature is the revelation of god through viewing everything that is harmonious or beautiful in nature. Man’s true character is then formed and developed through participation in this balance. Wordsworth had the view that people are at their best when they are closest to nature. Being close creates harmony and order. He thought that the people of his time were getting away from that.
It is obvious that through this perception Wordsworth is generally speaking of past experiences. Wordsworth believed that nature played a key role in spiritual understanding and stressed the role of memory in capturing the experiences of childhood.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.