Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Wordsworths treatment of nature
Romanticism and nature
Nature in william wordsworth's poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Wordsworths treatment of nature
William Wordsworth's Use of Nature
William Wordsworth was known as the poet of nature. He devoted his life to poetry and used his feeling for nature to express him self and how he evolved.
Wordsworth had two simple ideas that he put into his writing of poetry. One was that “poetry was the spontaneous overflow of powerful feelings.” The second idea was that poets should describe simple scenes of nature in the everyday words, which in turn would create an atmosphere through the use of imagination (Compton 2).
Wordsworth is deeply involved with the complexities of nature and human reaction to it. To Wordsworth nature is the revelation of god through viewing everything that is harmonious or beautiful in nature. Man’s true character is then formed and developed through participation in this balance. Wordsworth had the view that people are at their best when they are closest to nature. Being close creates harmony and order. He thought that the people of his time were getting away from that.
In poetry the speaker describes his feelings of what he sees or feels. When Wordsworth wrote he would take everyday occurrences and then compare what was created by that event to man and its affect on him. Wordsworth loved nature for its own sake alone, and the presence of Nature gives beauty to his mind, again only for mind’s sake (Bloom 95). Nature was the teacher and inspirer of a strong and comprehensive love, a deep and purifying joy, and a high and uplifting thought to Wordsworth (Hudson 158). Wordsworth views everything as living. Everything in the world contributes to and sustains life nature in his view.
This can be seen in the following quote from Wordsworth, “He who feels contempt for any living thing hath faculties ...
... middle of paper ...
...w Jearsey: Prentice Hall, 1972.
Compton. William Wordsworth. Online. May 1, 2000. Compton’s Encyclopedia Online.
Durrant, Geoffrey. Wordsworth and the Great System, A Study of Wordsworth’s Poetic Universe. Cambridge: University Printing House, 1970.
Gill, Stephen. William Wordsworth a Life. Oxford: Clarendon Press, 1989
Hirsch, E. D. Jr. Wordsworth and Schelling a Typical Study of Romanticism. New Haven: Yale University Press, 1960.
Hudson. Studies in Wordsworth. *
Jones, John. The Egotistical Sublime, A History of Wordsworth’s Imagination. London: Chatto & Windus, 1960.
Lacey, Norman. Wordsworth’s View of Nature and its Ethical Consequences. Hamden: Archon Books, 1965.
Mahoney, John. William Wordsworth a Poetic Life. New York: Fordham University Press, 1997.
Purkis, John. A Preface to Wordsworth. New York: Charles Scribner’s Sons, 1970.
William Wordsworth’s view on imagination can easily be seen in the two poems Expostulation & Reply and The Tables Turned. In these two short poems Wordsworth gives respect to the sciences; he does not look down on them. However, he does argue that ignoring nature, and by extension, imagination, would be to ignore part of what it means to be human. Another poem, I wandered lonely as a cloud, shows Wordsworth’s appreciation for imagination, as he reflects on the joy of being able to look inward and see the beauty of nature as he sees it, not as science does.
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
Wordsworth, William. “The Thorn.” The Longman Anthology of British Literature: Vol. 2B. Ed. David Damrosch, et al. New York: Longman, 1999. 319-325.
G. Ed. The Norton Anthology of English Literature: The Romantic Period. New York: Norton, 2000. Barth, Robert J. Romanticism and transcendence: Wordsworth, Coleridge, and the Religious Imagination. Columbia: University of Missouri Press, 2003.
Kroeber, Karl. Romantic Landscape Vision: Constable and Wordsworth. Madison, WI: University of Wisconsin Press, 1975.
Peters, John G. “Wordsworth’s TINTERN ABBEY” The Explicator(Washington) , Winter 2003, Vol. 61, Iss. 2, pg. 77 : eLibrary. Web 05 Mar 2002
William Wordsworth, like Blake, was linked with Romanticism. In fact, he was one of the very founders of Romanticism. He wrote poems are about nature, freedom and emotion. He was open about how he felt about life and what his life was like. Also, Wordsworth wrote poems about the events going on around him ? for instance the French Revolution. Mainly, Wordsworth wrote about nature, however, rarely used simple descriptions in his work. Instead, Wordsworth wrote complexly, for example in his poem ?Daffodils?.
As a result of Wordsworth's many memories of Tintern Abbey, his life appears to be happy. The recollection of Tintern Abbey influences Wordsworth to acts of kindness and love. Likewise, Wordsworth is influenced from the natural surroundings of Tintern Abbey. Bloom said, "The poet loves nature for its own sake alone, and the presence of nature gives beauty to the poets mind…" (Bloom Poetry 409). Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind. This helps Wordsworth become inspired in his writings while at the same time he is inspired in his heart (B...
Davies, Hugh Sykes. “Another New Poem by Wordsworth.” Essays in Criticism XV(2) (April 1965): 135-161. Web. 18 Sep. 2011.
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
William Wordsworth is a British poet who is associated with the Romantic movement of the early 19th century. Wordsworth was born on April 7, 1770, in Cockermouth, Cumberland, England. Wordsworth’s mother died when he was seven years old, and he was an orphan at 13. This experience shapes much of his later work. Despite Wordsworth’s losses, he did well at Hawkshead Grammar School, where he firmly established his love of poetry. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry.
... nature is affected by their attitudes and the degree to which their attitudes are in place because of their experiences with nature. Wordsworth seems to hold back from committing himself to any one view of the relationship between experience and attitude, sensual perception and imagination. He seems to best appreciate the two way street that the aspects of unified perception operate on.
William Wordsworth. “Lucy Gray.” English Romantic Poetry .Ed. Stanley Appelbaum. New York: Dover Publications, 1996. 33 – 4.
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...