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Influence of the romantic literary period
Romanticism importance in literature
Romanticism importance in literature
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For many, saying or hearing the word romanticism evokes numerous stereotypical and prejudged definitions and emotions. The biggest reason this probably happens is because of how closely romanticism sounds like romance. The similarity of the sounds and spelling of the two words can lead to some thinking that the two words mean the same thing or are closely related. Although romanticism and romance do share some similarities in their spelling and pronunciation they couldn’t be more different. In the Merriam Webster Dictionary romance is defined as, “a love story”. The Romantic Period was not necessarily a time of true romance and love stories, although love was written about, but was instead a time of extreme emotion expressed in many different ways. One of the many ways emotion was expressed was through the use of supernatural and gothic literature and a lot of it contained horrific subject matter for the time it was written, making it anything but romantic. Expressions of thought and emotion were shown through horror and the supernatural just as much as emotion was expressed through love and romance. Many of the authors during the Romantic period submitted works, “dealing with the supernatural, the weird, and the horrible” (Britannica Online Encyclopedia). In many ways, gothic tales of horror and suspense defined the Romantic period just as much as any other type of literature at the time. Many of the great Romantic authors wrote gothic literature at some point in their literary careers and some even created their literary legacies, perhaps unintentionally, with their tales of horror and suspense. One of the most notable authors during the Romantic period that is well known today for creating one of the greatest literary ... ... middle of paper ... ... New York: Fall River, 2008. Ix-Xii. Print. Hellraiser. Dir. Clive Barker. Perf. Ashley Laurence and Doug Bradley. New World Pictures, 1987. DVD. "Herman Melville Quotes." Quotes and Quotations at BrainyQuote. Web. 3 Dec. 2010. . Huston, Kristin N. "Percy Shelley and Lord Byron." UMKC Campus, Kansas City. 20 Sept. 2010. Lecture. Huston, Kristin N. "Romanticism." UMKC Campus, Kansas City. 25 Aug. 2010. Lecture. "Romance." Def. 3. The Merriam Webster Dictionary. 11th ed. Springfield: Merriam-Webster, Incorporated, 2004. 630. Print. "Romanticism -- Britannica Online Encyclopedia." Encyclopedia - Britannica Online Encyclopedia. Web. 3 Dec. 2010. . Shelley, Mary Wollstonecraft. Frankenstein. New York: Barnes & Noble Classics, 2003. Print.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
“Lord Byron.” Gale Contextual Encyclopedia of World Literature. Vol. 1. Detroit: Gale, 2009: 269-272. Student Resources in Context. Web. 25 Mar. 2014.
Edgar Allen Poe notes, “Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.” Poe is renowned for composing many successful works under the gothic literature category. Gothic works are characterized by the certain elements combined from both horror and romanticism. Various elements of gothic literature are presented in Mary Shelley’s Frankenstein, or the Modern Prometheus, as well as The Phantom of the Opera.
Throughout history, several intellectual and cultural movements have shaped the way that humanity thinks and, subsequently, the formation of our modern society as a whole. Perhaps one of the most remarkable of these movements is simply known as Gothicism. An offshoot of the movement known as Romanticism, the emergence of Gothicism introduced unconventional literary tropes for its time and it introduced many legendary novelists, poets, and storytellers whose works continue to inspire modern authors today.
Romanticism has been described as a “‘Protestantism in the arts and letters’, an ideological shift on the grand scale from conservative to liberal ideas”. (Keenan, 2005) It was a movement into the era of imagination and feelings instead of objective reasoning.
Spiegelman, Willard. "Revolutionary Romanticism." The Wall Street Journal. Dow Jones & Company, Aug. 2009. Web. Mar. 2014. http://online.wsj.com/news/articles/SB10001424052970204119704574236393080650258
Romanticism played a large role in the creation of gothic literature, and it was considered to be “a lunatic fringe version of romanticism” (Tiffin). Gothic novels often had a powerful unleashing of emotions to very extreme levels “beyond social constraining” (Tiffin). The genre’s character often had an excess of a specific type (Tiffin), and in an analysis of Frankenstein and Northanger Abbey, this excess can be seen in Frankenstein’s ambition and Catherine’s curiosity.
The Romantic Movement was a time of huge changes in the values of many humans. It was a movement during the late 1700's-early mid 1800's that had totally opposite values to the values of the enlightenment and industrial revolution. The Romanticism Movement started as a reaction to the age of enlightenment and industrial revolution. The age of enlightenment was all about science, logic, and progressing technology which led to the industrial revolution. The industrial revolution took on the values of the age of enlightenment, making huge progresses in technology, however that being done in the exchange of destroying nature. On the other hand, romantics went totally against these values. Romantics believed in individual freedom, nature, art, and feelings and emotions. The contrasting values of the Romantic Movement and the age of enlightenment are shown through the characteristics that are in Romantic Literature. For example, in romantic literature, there is value of nature while the industrial revolution only destroyed nature. There is also value of human feelings, emotions and behaviour in romantic novels-the enlightenment valued logic and science, being totally opposite from each other. Imagination and individual freedom are other concept shown in romantic novels while the enlightenment valued science and a place in society. Using these characteristics, Mary Shelly makes Frankenstein a piece of Romantic literature.Specifically, she uses the ideals of nature, emotions and feelings and knowledge being harmful to express the values of the romanticism in this novel, Frankenstein.
Mary Shelley’s work, Frankenstein, and Edgar Allen Poe’s, “The Masque of the Red Death,” combine precise environment, society, and character description to formulate works of literature that contrast the finesse and light themes of romantic works. Specifically, auroras of mystery and suspense, grandeur and eerie setting, imperfect society, and character flaws develop into classic pieces of gothic romantic literature.
The misshapen, the ominous, and the gruesome; these are all words from the fascinating movement of Dark Romanticism which took place from 1828-1865. This movement embraced all of these irrational elements and shaped them into the most popular sub-genre of American literature. Life to the Dark Romantics was colorful, impulsive, and paradoxical. Unlike the Romantics, the Dark Romantics set their stories based on the wickedness of man and the repulsion of evil. The dark romantics believed that humans were equally capable of good or evil. While the Romantic’s tried to ignore the wickedness and immorality actions of man, the dark Romantics decided to remind people of the evil doings of man. Like the Romantics and Transcendentalists; however, the Dark Romantics valued instinct and feelings over judgment and rationale and saw symbols and signs in nature and everyday events. They also paid attention to the mysteries of life that were impossible to explain by reasoning. Although they did focus on the morbid and the dreadful, they were not cynical. Edgar Allen Poe and Nathaniel Hawthorne were both associated with this movement and were both key figures in it.
There have been many movements in Romantic Literature, Romanticism being one. Despite the idea that romanticism is an outdated literary form, romantic literature is very important to English Literature; no other period in English Literature shows the type of style, theme, or contain information like how the Romantic movement was. Romanticism was virtually around in every country of the US, Europe, Latin America and it lasted from 1750-1870. Romanticism gave a rise to a new type of literature it was an exercise of free choice in peoples lives. Romantic Orientalism brought together two concepts and among the two concepts, theorists and literary historians were dispute. Romanticism saw a movement from faith in reason to faith in senses, feelings, and imagination.
Romanticism which is an artistic, music, literary, and intellectual movement that originated in Europe in the late 18th century. Romanticism was between realistic and imaginary. Often Romanticism is tied to the emphasis on women and children, the respect to nature, and the criticism to the history. Individual expressions are very important in Romanticism as well.
I bet since you read the topic of my paper that you think that this will be a “kissy kissy, lovey gooey” story about two British and American lovebirds. Well, the truth is that it’s not, in fact, it is totally different! The word “romance” has changed very much since our ancestral fathers had defined it. Unfortunately, I cannot write about Valentines Day, and things pertaining to that, but I will tell you how romance used to be and what exactly romance was like before modern day life changed the definition. So now, I’ll explain the differences, as well as the similarities between the British and American Romance.
The word "romance" in romanticism is not in the sense of hearts and flowers or infatuation but rather, we use "romance" in the sense of glorification. (Esaak, 1) Romanticism emphasizes on inspiration, subjectivity, and the importance of the human individual. It praises imagination over reason, emotions over logic, and intuition over science. (“The Romantic Era” 1) Romanticism started to develop in the late 18th century early 19th century in Europe. It emerged as a response to the disillusionment with the Enlightenment values of reason and order and partly a reaction due to the Industrial Revolution. This movement also appealed to those in opposition of Calvinism, which involved the belief that the universe and all the events within it are subject to the power of God. Romanticism was so prominent in the 19th century they even called it the “the romantic era”