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Analysis of the poem woman by nikki giovanni
Analysis of the poem woman by nikki giovanni
Glory of women poem analysis
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The poem “Woman”, written by Nikki Giovanni, uses several metaphors to describe the journey of a woman and what she feels the man should do but will not do. She describes in many different ways how she wants support from the man, but he is unwilling to give it.
In the first stanza, she starts the poem with the woman being a simple, insignificant thing. “She wanted to be a blade of grass amid the fields” (lines 1-2). Grass grows under your feet. Blades of grass are plentiful and ordinary. She just wanted to be just like every other woman. “But he wouldn’t agree to be her dandelion” (line 3-4). A dandelion is a deeply rooted weed. If it is pulled up by the roots, one has to get every single root up or the dandelion will grow back. This signifies that the woman wanted the man to be the solace in her life.
In the second stanza, the woman in the poem is now referring to herself as a robin. “She wanted to be a robin singing through the leaves” (lines 5-6). Robins mostly stay in their own climate during the winter, and feed off of the berries in the tree. When spring is coming the robin starts to sing. “But he refused to be her tree” (lines 7-8). She wanted the support when she needed, but she also wanted the freedom to fly away when she needed to. The tree signifies structure and stability. She needed that stability, but he did not want to give it.
In the third stanza, the woman has progressed into a spider. “She spun herself into a web and looking for a place to rest turned to him but he stood straight declining to be her corner” (lines 10-14). Spiders are normally very independent by nature. However a spider’s most desired place for a web would be a corner. A corner allows the spider a safe haven and many exit routs to esc...
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...endent, aggressive, and predatory. Then she tried to be a book, a great resource. In her final attempt to get a response from him, she turned herself into a bulb, his vital life source. However she was a woman the whole time.
The author could have been using metaphors to show what she thought were the characteristics of men and women. The poem more likely shows the progression of women over time to find their place in society and the man’s struggle to deal with it. The woman in the poem was desperately trying to find her place of significance. She learned in the end, that being who she was in other people’s eyes was less important than being who she was in her own eyes.
Work Cited
Giovanni, Nikki. “Woman”. Literature: An Introduction to Reading and Writing.7th ed. Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River, N.J.: Prentice Hall, 2004. 1098.
Right from the first stanza, we can clearly see that the girl emphasizes her passionate feelings towards the boy by explaining how she desires to be close to her love. Moreover, she expresses the theme of love through using a narrative of how she is prepared to trap a bird. Apparently, this symbolizes how she is prepared to trap her lover’s feelings with the desire to live together all through her life. Additionally, the young lady emphasizes on her overall beauty, her beautiful hair, and clothing which is of the finest linen which she uses to attracts her lover’s attention (Hennessy & Patricia, p.
...es her. The imageries of pink Mustang signifies her social class, while “Road” indicates her location as nowhere within a community. The commodification of her body means it can be touched in ways derogatory to her dignity whether she likes it or not because it is a saleable commodity that doesn’t belong to her. Her silver painted nipples identifies silver coins. Silver coins represent monetary value put on her body. Silver painted nipples also mean the attractive way in which a product is packaged. The poem also depicts the defiance of women against how she has been treated. She identifies man as the one that kisses away himself piece by piece till the last coin is spent. However, she cannot change the reality of her location, and temporal placement.
The time that began the poem is completely shattered and served as a jolt of reality to the reader. Yet that raises a pertinent question: why is, in line 4, she is weaving a garland for “your living head”? In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women faced. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise. He encapsulates the societal mindset that men were dominant and women were there to benefit them. In all the allusions to the Greek myths, Zeus disguises himself in order to trick the women of his desires. The entitlement men felt towards women and their bodies was easily guised as the “social norm”. Embracing a wider meaning to “you” than just as a reference to a single person adds complexity to the poem; it creates a sense of universality. Not all women can identify with an act of violence
Fisher, Jerilyn, and Ellen S. Silber. Women in Literature: Reading Through the Lens of Gender. Westport, Conn: Greenwood Press, 2003. Print.
Delany, Sheila. Writing Women: Women Writers and Women in Literature: Medieval to Modern. New York: Schocken, 1983.
context out of which a work of literature emerges molds the interpretation of gender in that work.
In the final moments of this story, the woman’s husband returns to see her. She writes, “He stopped short by the door. ‘What is the matter?’ he cried. ‘For God’s sake, what are you doing!’ I kept on creeping just the same, but I looked at him over my shoulder. ‘I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’ Now why should that man have fainted, but he did, and right across my path by the wall, so that I had to creep over him every time!’” This final passage shows that, when this woman rebels, and “escapes the wallpaper”, it is not highly looked upon. The woman made a power statement, by telling her husband that she had, in essence, found a new role in life, and he can not push her back. When he can not handle her actions, she continues her new ways right over him.
Fisher, Jerilyn, and Ellen S. Silber. Women In Literature : Reading Through The Lens Of Gender..
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
It's about sisters named Katharina and Bianca. Out of the two sisters Bianca is the more desirable one. She has what men want in a girl and she plays all the roles she should as a women. On the other hand there is Katharina who is the exact opposite of what a man wants. Bianca is quiet, humble, caring person. Katharina is loud, rude, crazy and violent. No man wants a woman who is not the “ideal woman”. “I say, a devil. Thinkest thou, Hortensio, though her father be very rich, any man is so very a fool to be married to hell?”(stanza 100)Gremio sees that Katharina is evil and no one will want her, while everyone wants to be with sweet Bianca.”Gentlemen, that I may soon make good What I have said, Bianca, get you in: And let it not displease thee, good Bianca, For I will love thee ne’er the less, my girl.”(stanza 87) This says“good Bianca” showing what the men like in a women. The authors purpose is to show that people can change and truly fall in love even though it may take time. This poem ties into gender roles because it shows what men want a women to be. Women are supposed to be nice, quite, polite, respectful and more. These are all gender roles that Bianca does play. It also shows what women are not supposed to be which is rude, loud, obnoxious, hateful, violent and all the traits that have anything to do with any of
...en a woman conforms to a society’s standards she is not as beautiful as someone who is unrestricted of these limitations. Consequently, comparing her to a “goldenrod ready to bloom” (19) draws implications of flowers blooming in springtime, which are lovely. This allows the reader to see natural life growing from the woman and beginning to break free of the shell society creates. She shows resistance to the ideas of how women should act be look like. The poem ends with potential: the women can change how she is viewed in the world but she has to take the first step.
Several people regard women as inferior figures in this global world. Women have challenged the traditional female roles and have gradually climbed up the ladder of equality. They portray a distinct perspective that proves that womanhood can accomplish anything they set their mind to and search for equal gender status. The poems celebrate femininity and highlights the traits necessary for a women to be successful. The ladies in the poems are female-figures that carry themselves with high self-esteem and fearlessness. This essay identifies various literary techniques that describe feminine strength in Angelou and Clifton.
Society has redefined the role of woman by their works thru poetry that has changed their life
She then talks about great men such as Mussolini, Pope, Napoleon and Goethe and how they viewed women. After discovering their opinions, the narrator is bewildered at her findings. These men are praised for their philosophies and wisdom, yet they all view women as being inferior. The narrator is pointing towards the fact that these men in reality are quite ignorant. During th...
This, in fact, is an example of “dynamic decomposition” of which the speaker claims she understands nothing. The ironic contradiction of form and content underlines the contradiction between the women’s presentation of her outer self and that of her inner self. The poem concludes with the line “’Let us go home she is tired and wants to go to bed.’” which is a statement made by the man. Hence, it “appears to give the last word to the men” but, in reality, it mirrors the poem’s opening lines and emphasises the role the woman assumes on the outside as well as her inner awareness and criticism. This echoes Loy’s proclamation in her “Feminist Manifesto” in which she states that women should “[l]eave off looking to men to find out what [they] are not [but] seek within [themselves] to find out what [they] are”. Therefore, the poem presents a “new woman” confined in the traditional social order but resisting it as she is aware and critical of