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Rodrigo's role in Othello
Rodrigo's role in Othello
Rodrigo's role in Othello
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Recommended: Rodrigo's role in Othello
Does temptation ever have the ability to be good? Temptation is often seen as a social stigma. It is lesser known to hear someone speak about good or positive temptation. For example, you can be tempted to want to donate to a charity because you want to help others. Good temptation encourages one to get things done, and not put them off. Overall, temptation comes in many different sizes, shapes, and forms. Shakespeare often uses his plays to to reveal how people fail to notice temptation because it is sometimes hard to distinguish from normal desires and ultimately leads to destruction. For example, in Othello Roderigo desires Desdemona so much that he willingly waits to kill Cassio.Temptation ultimately leads to destruction because one will do anything to get what one desires
Roderigo’s temptation is his lack of self-awareness which shows how easy it is to be tempted.He is young, rich and foolish. Roderigo’s foolishness is seen when Iago tells Roderigo again and again to "Put money in thy purse" (I. 3.341-360). When Roderigo complies to keep fillng Iago’s purse with money this sho...
In this scene we learn of Roderigo’s love for Desdemona. He tells Iago that he plans to drown himself out of lovesickness. Iago speaks to him as if he were a fool. He tells him that he must take charge of his life. That if he wants Desdemona, he must put in the work for her. He relates his life to the garden. “Our bodies are our garden to the which our wills are gardeners: od that if we will plant nettles, or sow lettuce […] either to have it sterile with idleness or manured with industry, why the power and corrigible authority of this lies in our wills.” This is not only showing the audience that he has control over his actions, but that he is starting to plant his own seed in other peoples’ brains. We see this in this scene when Iago starts to persuade Roderigo to “put thy money in thy purse”. He has been spending his money intuitively and tells him to focus on making money rather than
For Shakespeare’s Iago, humans are affected by their emotions - these can be empowering or debilitating. Literature naturally mirrors this and within Othello Iago is empowered by Roderigo’s infatuated debilitation. In Act I Scene III, Roderigo is brought into a deep despair due to his inability to court Desdemona. He proclaims, “I will incontinently drown myself”; the hyperbole represents how much he craves for Desdemona. However, Roderigo is not the focal point; it is in fact Iago who feeds off his vulnerability by manipulating him into fighting with Cassio. This represents Iago’s Machiavellian nature in that he is able to make Roderigo give him money as well as bringing Cassio into a state of fury; this is so he is stripped of his Lieutenant rank and in turn promoting Iago to Lieutenant. This parallels what Iago’s monologue at the very end of Act I Scene III is trying to establish; the foreshadowing of the events that will occur. In a way this does allow for the concept that through Iago’s seeming adversity, he has strengthened his motives. On the other hand, Rodrigo’s adversities have led him down a path of turbulence making
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
Thus do I ever make my purse fool? For I mine own gain’d knowledge should profane. If I would time expend with such a snipe But for my sport and profit. 1.3.374-377. Iago states that the only reason he spends time with Roderigo is for his own wealth and pleasure.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory.
due to his race are vast, for example at the start of the play when
In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
Examine the role of jealousy, love, and/or betrayal in Othello. You may want to pick one character (Iago or Othello perhaps?) and focus on one issue.(O) 15
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.
The rage Othello displayed on the 22nd has come through again. He is having irrational thoughts and ideas about how to get revenge on his wife, Desdemona, and her supposed lover. His up and down, back and forth emotional wellness is very troubling to me. I worry that he may be a danger to himself and to those around him. “Damn her, lewd minx! Oh, damn her, damn her! / Come, go with me apart. I will withdraw / To furnish me with some swift means of death / For the fair devil.”(3.3.494-497), he rambled on troublingly. Othello has clearly been trying to think of the best way to murder his wife. He is on a total path of destruction, and I don’t know how to stop him or turn things around. When talking about his predicament, he went on to say, “I