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Race and cultural difference shown in othello
Examine the significance of othello
Examine the significance of othello
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William Shakespeare's Othello as a Victim
Not All Works Cited Included
In "Othello" Shakespeare shows that Othello is victimised in many
ways, for instance; his race, his culture, his social position and
naïve. Othello's victimisation could also show Shakespeare's meaning
of the term "tragedy". In other Shakespearean tragedies the lead
character is shown as cunning, ruthless and manipulative, more similar
to Iago than Othello. This could represent a change in Shakespeare's
opinion of a true Shakespearean tragedy.
The main cause of Othello's victimisation is his race. Unlike the
other characters in "Othello" he is a Moor, a natural figure of hatred
and disgust. In the play he is very rarely referred to as "Othello",
but more often as; "moor" or "negro", Desdemona even refers to Othello
as "my noble moor" not Othello. The event where Othello is victimised
due to his race are vast, for example at the start of the play when
Iago is talking to Roderigo, Othello's race is a major issue,
"To the gross clasps of a lascivious Moor-".
Here evidence of racism is shown. There is also a case that this shows
the imperial and colonial nature of Venice in the Sixteenth century.
"Othello" can be seen to show the stereotypical contemporary
Elizabethan belief of blackness and the barbarous nature of the
"black" man as evil and devilish. Othello's race also helps to
highlight his jealousy and gullibility, due to his race Othello is
always subconscious of his weaknesses, his "tragic flaw". This may be
a reason for why he befriends Iago, who would act as his link to the
"white" world, informing Othello of the opinions white society.
Othello...
... middle of paper ...
...d social figures.
In conclusion I feel that Othello is more "sinned against than
sinning". This is not to say that he is a innocent, it most be
remembered that he killed Desdemona, not Iago and that no matter how
big a part Iago has it is still Othello's fault. But, Othello is
victimised, he is portrayed as an "other",
"if this be known to you, and your allowance".
He is also presented as a savage, barbarian and a inferior, a
parasite, living of the healthy Venetian state. But, this is all due
to the fact that he is different, it has been noted that if you are
different you will never be equal, "if you are different you will
always be different" (Marx - CM 1848) and Othello's difference is no
fault of his own.
Works Cited:
Shakespeare, William. Othello. Ed. Alfred Harbab. Middlesex, England: Penguin, 1970.
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
... Iago has been put in a job in which he has to be near Othello and is considered a friend of his. Iago is very trusted by all the characters. that he is able to use in his plot, therefore making it much easier. for himself, often referred to as 'honest Iago'.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
He continues to argue that there are emphasis about whiteness, seeking to emphasise that the only great man to have existed on earth is a white man that the only thought of wisdom will come from a white man that good things will come from a white
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
...is his trust. He foolishly entrusts his new bride to Iago. Iago has already been depicted as an untrustworthy, scheming character and it is quite possible that he will take advantage of the new situation.
In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
The Development of the Character of Othello as Shown by his Use of Language and Imagery in William Shakespeare's Play
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.