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In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
The distortion of gender roles and the diminishing worth of women causes the power Iago attempts to have over Emilia to be more obvious. Because Iago thirsts for power he attempts to force others into keeping his plans a secret from others. Emilia realizes that this is not going to help anyone other than Iago. At the end of the play Emilia overcomes Iago’s power by saying’ “I will not charm my tongue: I am bound to speak” (5, 2, 181). This means that she will not stay quiet like every other person, she will speak the truth. By saying this, Emilia ends Iago’s overbearing power over her and allows herself to tell the truth about Iago’s plans. Emilia is fed up with Iago’s selfish antics, thus causing her to tell the tr...
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The term of address 'valiant Moor' is used by the senator and conveys the idea that Othello is the protector and saviour of Venice. Othello is a black man of a very high status and can be see as valuable and indispensible to the state, as he is needed to fight in the war.
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
Emilia represents another aspect of female strength, less logical character, which relies on her sense of instinct. She understands her role as a wife (act 4, scene 3) Emilia is talking to Desdemona about husbands. " Yet we have some revenge. Let husbands know Their wives have sense like them. They see, and smell, and have their palates both for sweet and sour, As husbands have. What is it they do When they change us for others? Is it sport? I think it is. And doth affection breed it? I think it doth. Is't fraility that thus errs? It is so too. And have not we affections, Desires for sport, and frailty, as men have?"(page 217 line 104-113). Emilia and her husband Iago have different affiliation than Desdemona and Othello. Desdemona and Othello truly love each other, while Emilia, having no common sense of hatred towards Othello, has never actually loved Iago. She educate Desdemona, she is ignorant of Iago's evil nature and is also unsuspecting of his plot against Othello.
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In Othello, the titular character is a visible minority who holds a high position in the army but falls victim to manipulation by his seemingly trustworthy ensign and friend. While the theme of jealousy remains the main reason for the eventual death of both Emilia and Desdemona, the preservation of honour and reputation also fuel the characters’ actions toward the women. Therefore, the men in the play act cruelly and unjustly in order to defend their honour. While the conflicts between the Othello and Iago seem to be due to jealousy, the play suggests that the men are scared of the women and their power to destroy their honour and reputation.
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past