Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
Aristotle the famous philosopher outlined several requirements in which a play or piece of drama is to follow.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
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Works Cited
Catherine Bates, "Weaving and Writing in Othello," in Shakespeare Survey, Vol. 46, edited by Stanley Wells, Cambridge University Press, 1994, pp. 51–60.
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Newton, K.M. "Othello: Overview." Reference Guide to English Literature. Ed. D. L. Kirkpatrick. 2nd ed. Chicago: St. James Press, 1991. Literature Resource Center. Web. 11 Dec. 2011.
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-687. Gale Virtual Reference Library. Web. 11 Dec.
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Shakespeare, William. Othello, the Moor of Venice.
Literature. Boston: Bedford/St. Martins, 2009. 368-455. Print.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
How Othello Follows the Rules of Tragedy Tragedy is not just simply one sad event, in ancient Greek plays and in Shakespeare's tragedies it usually follows a number of common ingredients or rules. Firstly it involves a conspicuous or exceptional personality. For example in the occurrence of Princess Diana's death she was the exceptional character. She was a woman who had done an astonishing amount of work for charities and a Princess. The second rule of tragedy is that it must be unexpected and constructed with previous happiness or glory.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Shakespeare, William. "The Tragedy of Othello the Moor of Venice" The Norton Shakespeare. Ed. Stanley Wells & |Gary Taylor. New York/London, W.W. Norton Company,1997. 2100-2174
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
- - -. Othello. 1968. Ed. Kenneth Muir. The New Penguin Shakespeare. London: Penguin Books, 1996.
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-87. Gale Virtual Reference Library. Web. 30 Oct. 2013. .
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.