Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Othello and iago comparison wikipedia
Othello vs iago essay
Othello and iago comparison wikipedia
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Othello and iago comparison wikipedia
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.
Pride and ambition are shown in Othello, the tragic hero, and in Iago, the villain. Othello shows pride throughout the entire play. When Iago tells Brabantio, Desdemona’s father, that Othello took Desdemona, Othello is proud. He is proud of his status, proud of taking Desdemona as his bride, and he is blinded by pride when he kills himself. Othello had false ambition when he went to kill Desdemona though. He killed her because he was blinde...
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins the play with high status, which is often lost in the exodus of the play. For example, in another of Sophocles’ plays, “Oedipus Rex”, in which Oedipus is the undisputed tragic hero, Oedipus begins the play as an illustrious king and ends as a blind beggar. His plight encourages sympathy from the audience because of the curse that had been on him since he was a child.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
Friar Lawrence is one of the most controversial figures in Romeo and Juliet who paved the way to hell with good intentions. Some argue that he is the centripetal force leading to the tragic resolution while he remains in repentance for his sins. However, others simply express their empathy for Friar Lawrence’s ending and magnified condemnation as a result of this good intention. By definition, tragic heroes are prestigious and free-spirited individuals who lead themselves to downfall from a lapse in their judgment. Friar Lawrence is portrayed as an archetypal tragic hero in Shakespeare’s Romeo and Juliet as he acquires strong influence on others, arranges precarious plans, and witnesses his demise along with the tragic ending derived from
To conclude, the audience feels pity towards Othello because throughout the play they are helplessly witnessing the downfall of this powerful and admirable general, triggered by his fatal flaw and miscommunication between characters. What makes this play tragic is that one realises that having a fatal flaw like Othello’s and being naïve can have serious consequences. The perfect balance between terror and pity, sympathy and judgment is what makes Othello a character that is somewhat relatable, likeable and very real.
Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.
Tragic heroes, who destined for a serious downfall, are the protagonist of a dramatic tragedy. A tragic hero is usually a great hero, who gets the most respect from other people; on the other hand, a tragic hero can also lose everything he gained because of his mistakes. His downfall is the result of a wrong judgment, a flaw which might combined with fated and external forces. The downfall can cause the tragic hero to suffer for the rest of his life. In many literary works, the downfall of the tragic heroes usually happen in their highest point. In the same way, Macbeth is a tragic hero in the play called “The Tragedy of Macbeth” which is written by a legendary writer, William Shakespeares. Macbeth is a great general who gained many respect from the people and even the king. In the highest point of his life, because of seeking for greater power, it created Macbeth’s downfall. Macbeth, a tragic hero, causes suffering for himself and others by committing murders and creating distress, which are the negative effects of seeking for a greater power.
due to his race are vast, for example at the start of the play when
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them.
Mrs. Cornwall ENG3U1 October 14 2015 A Tragic Hero’s’ Path Towards His Downfall In society there are always people who are easily manipulated and possess poor judgment. This leads them to make wrong decisions and negatively affect their lives and the lives of the people around them. The reason for Othello’s tragic downfall was because of his poor judgement, his easily manipulated conscience and his jealousy and obsession with the world. These traits displayed why Othello was responsible for the play’s tragic outcome. The first trait that led to Othello’s downfall was his easily manipulated conscience.
In the play “Othello” by William Shakespeare love, jealousy, and conspiracy defined the tone of the play. Desdemona’s beauty makes two men fall desperate in love with her, but their differences make Othello the tragic hero of the play and Iago the despicable villain. Othello is a "tragic hero" because of his self-centered nature and his gullibility. Othello also has a noble stature and a high position in his culture. Othello is great and an honest solder but not perfect He also allows himself to be manipulated by other people for instance, Iago instead of trusting his own heart Othello easily believe other people or his friends. Othello is a tragic hero because he is noble, he suffers from a fatal tragic events and he goes through a tragic downfall. Iago is an envious and resentful men whose ambition is to have everything that belongs to Othello. Iago’s ambition is to obtain Othello’s position, love, and fortune. Although, Othello kills his wife Desdemona, Iago is responsible for her death, and the downfall of Othello and himself.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.