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Racism in literature
Racism in American Literature
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All tragedies eventually end in chaos; however, Othello and The Great Gatsby both begin with innocent characters thinking little about the possibility of disarray. During the climax of both works it becomes evident that the idea of order is doomed, inevitably leading to a bounding spiral of problems. The Great Gatsby and Othello both end in chaos because the protagonists, Othello and Gatsby are outsiders entering an ordered society. The actions of many characters cause confusion in the storyline, and the chaos in both works gradually impact the downfall of every character.
Both protagonists, Othello and Gatsby are outsiders entering an ordered society. Othello, “the Moor”, has a very important role as a military and public servant for the Venetian Army. Othello is prone to many problems because of his race and is often criticized by others in his community. Jay Gatsby is a man of wealth and an outsider in New York society. Everyone has heard of Gatsby because of his large and extravagant parties but nobody knows who he really is. As outsiders, both characters have problems. Gatsby is a stranger trying to reunite with Daisy and Othello is a target for racism because of his complexion. Iago dislikes Othello because of his decision to make the young and handsome Cassio, lieutenant for the army. This makes Othello a target for Iago’s trickery. Othello is sent to the Duke after Iago tells Brabantio, Desdemona’s father, that “an old black ram is tupping your [his] white ewe” (Shakespeare 1.1.98) when in reality Desdemona and Othello are happily married because she truly loves him. Gatsby re-enters society in search for his lost love, Daisy, but finds that she has a new life with Tom Buchanan. Gatsby and Daisy fall in love all over agai...
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...ems end up affecting everyone.
During the first few chapters, the reader begins to examine the plot, absorb the characters lives and take in the setting. One would never guess what terrible tragic events would occur as each page is turned and more information is gathered. As the reader continues, each page dramatically changes the plot. Othello and Gatsby both commence as outsiders, unaware of their surroundings. Disorder initiates when other characters begin to take action, influencing madness, eventually leading to the climax, where everything turns into turmoil. In the end, consequence leads to every character’s boundless downfall.
Works Cited
Fitzgerald, F. Scott. The Great Gatsby. Charles Scribner’s Sons: New York, 1925. Print.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
‘The Great Gatsby’ and ‘Othello’ have more drastic effects of their obsession as they result in death, both with the ones they love and to them and consequently no fuel for their obsession causing it to finally end. All three texts highlight the dangerous nature of obsession and the damage it will cause to each individual character’s life.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Struggling for perfection and reaching for the impossible are the driving factors in the lives of Gatsby, and Hamlet. In both The Great Gatsby, by F. Scott Fitzgerald, and Hamlet, by William Shakespeare, the theme of idealism is demonstrated as the main contributing factor into the evident downfall of both Gatsby, and Hamlet. Although each respectable character is faced with dissimilar scenarios, it is the similarities of Gatsby and Hamlet's character traits that allow them both to be victims of their own idealism. Gatsby and Hamlet both lose their lovers, leaving them to live heartbroken and lonesome lives. The tendency to masquerade as their true personalities, whether it be to escape the past or to plot the perfect revenge, displays the idealistic attitude of the two characters.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
Shakespeare, William. The Tragedy of Othello: The Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York; Washington Square Press, 1993.
Benjamin Disraeli once said, “the magic of first love is the ignorance that it can never end”. In similar ways, F. Scott Fitzgerald’s novel The Great Gatsby and the film The Notebook directed by Nick Cassavetes both share a similar love story producing the idea that first love never dies. Both the novel and the film present the idea of a lower class man falling in love with a wealthy woman. Neither of the men are able to stay with the women due to disapproval. When the men finally reconnect with the women, they realize they are already in a new relationship. Although the women are in different relationships, they know they are still in love with their first love, leaving a conflict for them in the current relationship
Essay 4: Comparative Analysis of Two Texts When comparing two texts, one must look at the characters and themes to find similarities and differences and we see a similarity with the theme of accepting reality in The Tragedy of Romeo and Juliet and The Great Gatsby. There are differences in both texts with the way the characters fight reality, but the outcome is the same. The power of love in both texts is looked at as more important than social priorities and the main characters will do anything to get what they want and it results in death. One might come to conclusions to say that F. Scott Fitzgerald based the relationship of Jay Gatsby and Daisy Buchanan on Romeo and Juliet, seeing that both stories have characters who do not accept the reality and in their minds, love overpowers everything. When looking at these two texts side to side, one would notice many similarities in the actions of the main characters.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
B.In The Great Gatsby and Othello, carelessness, recklessness and love play a big role in the downfall of Gatsby and Othello.
From the Middle Ages in Scotland along with early 1900s “Roaring twenties” period, Scott Fitzgerald and William Shakespeare, two famous authors with their two infamous stories of The Great Gatsby and Macbeth, leave their impact on the world. Although the characters in these stories both faced conflict and ended with the same fatal death, the main characters developed their unique progressive stories. Arguably, one of these main characters, Macbeth and Jay Gatsby, progressive story was the more tragic of the two. Which progressive story was more tragic can be determined by the decisions made by Macbeth or Jay Gatsby based on their motivation, tragic flaw and outside flaws.
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
Shakespeare, William. Othello. Ed. Philip M. Parker. [San Diego, Calif.]: ICON Classics, 2005. eBook Collection (EBSCOhost). Web. 17 Feb. 2014.
- - -. Othello. 1968. Ed. Kenneth Muir. The New Penguin Shakespeare. London: Penguin Books, 1996.
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-87. Gale Virtual Reference Library. Web. 30 Oct. 2013. .