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Theatre work of Orson Welles
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Orson Welles’ career took place in the mid-thirties to late eighties in the twentieth century. He began his career at age fifteen, starting in Ireland, making his acting debut in the Gate Theater in Dublin. By eighteen, Welles started to appear in off-Broadway productions. It was then that he also launched his radio career. By age twenty, he had presented alternate interpretations of certain well-known plays and movies. At age twenty-two he was the most notable Broadway star from Mercury Theater and, because of this, BBC radio gave him an hour each week to broadcast whatever he pleased. That’s when, at age twenty-five, he broadcast War of the Worlds, which caused panic due to the “Martian invasions”. By the time he came into Hollywood, Welles could write, direct, cast, star, and edit movies without disturbance from the studios. It was during this time he created Citizen Kane- the only movie he completely finished. He retired from Hollywood at age thirty-three in 1948, but still continued to create his own films.
Welles was noted for producing many films that fit in several musical styles; however, dramatic event, mystery/crime, love story, and film noir were his main writing styles. His radio program called The Orson Welles Show aired poetry, history, dramatic adaptations, music, comedy, and a commentary segment.
Through these extensive genres, Welles made a brand of himself. He was known for playing in theaters, receiving the American Film Institute’s Lifetime Achievement Award, the D.W. Griffiths Award, and was named number sixteen on the Fifty Greatest Screen Legends List of the American Film Institute. In Welles films, famous actors like Everett Sloane and Joseph Cotton made constant appearances. His filmin...
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...ght have opened doors and shed light to options he may have never imagined.
Works Cited
http://www.nytimes.com/learning/general/onthisday/bday/0506.html http://www.imdb.com/name/nm0000080/bio http://www.popmatters.com/feature/175397-orson-welles-and-film-noir-style-in-the-1940s/ http://www.cracked.com/funny-4387-orson-welles/ http://en.wikipedia.org/wiki/Orson_Welles http://cinearchive.org/post/40093156105/all-the-essential-documentaries-on-orson-welles http://www.ifc.com/fix/2009/11/war-of-the-welles http://www.theguardian.com/film/2013/jun/29/orson-welles-criticism-hollywood-stars-tapes http://www.thefilmjournal.com/issue9/wellesperformance.html http://www.youtube.com/watch?v=DQCnrPr3qIA http://www.youtube.com/watch?v=YXIr1P9Fm5A http://www.youtube.com/watch?v=JaC3Hp36wXY http://www.youtube.com/watch?v=6dAGcorF1Vo
http://www.youtube.com/watch?v=gfNsCcOHsNI
Eckstein, Arthur. “The Hollywood Ten in History & Memory.” Film History. 2004. Web. 16 Jan.
Clurman, Harold. “Actors-The Image of Their Era.” The Tulane Drama Review 4.3 (1960): 38-44. JSTOR.
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
Citizen Kane is often recognized as one of the greatest films ever created because of how advanced it was compared to other films of its time. The producer, cinematrogropher, actros, and editors should all be equally credited for how well constructed this film was. Orson Welles used many different aspects of editing,sound, and Mise-en-Scene to create the world of the film. After watching this film and the scene "Breakfast Montage" its pretty obvious as to why the film was nominated for nine Acadamy Awards.
Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the “Sixties” saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.
Citizen Kane is a timeless movie that revolutionized the film industry by bringing new techniques and ways to go about making a film that changed the Cinema forever. Orson Welles created a timeless picture by dedicated himself to the Mise-en-scene, he pushed the boundaries and found different ways to utilize what he already knew. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to
Through materialism, Kane became a self-invested individual. The highly acclaimed Citizen Kane creates drama and suspense for the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films in the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
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Smith, Scott. The Film 100: A Ranking of the Most Influential People in the History of
Many people believe Marlon Brando was the greatest actor of the 20th century. His life was filled with wonderful, interesting, but also encountered troubling times. Marlon Brando was a rebellious boy who later grew up to be known as the “world’s greatest actor.”
Humphrey Bogart is recognized as one of the most iconic actors of the 1940s, as he appeared in several major and successful films throughout this decade. In contrast to his many different roles in film, Bogart was raised in an upper-middle-class family and went on to serve in the navy during World War I. Following the war, Bogart began his acting career in the early 1920s, eventually leading him to be featured as the protagonist in films such as To Have and Have Not and Casablanca. Bogart’s ability to assume the roles of both sensitive, “good guy” characters and greedy, manipulating characters supports the opinion that Bogart was one of the best, if not the top actor of the 1940s. While To Have and Have Not and Casablanca each contain differentiating plots, Bogart is the most influential and prominent character throughout both. In his article, Midsection Bogart, Richard Schickel states that within his roles, especially in Casablanca, Bogart seems,
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