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Communism and its effect on America
Communism and its effect on America
Communism and its effect on America
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“When a great democracy is destroyed, it will not be because of enemies from without, but rather because of enemies from within.” During the late 1940s and early 1950s, these words of Abraham Lincoln were all on the minds of Americans (McCarthyism). After fighting against Communism for decades, the fear of it taking down the country terrorized people’s thoughts. Even more so, people were extremely frightened of the idea that there could be Communists within the spotlights of American influence that were plotting the destruction of the United States. A fear swept the country for almost a decade, and it transformed every aspect of American culture. This transformation began in the entertainment industry and hit here the hardest. The fear of Communism completely spun the industry upside down and distorted everything that made American showbiz so distinct. Even today, the controversies of the 1940s and 1950s have left an impression on the current entertainment industry. Before the “Red Scare”, the United States was a huge world power and was thriving in every facet possible. Its people could do as they pleased for the most part, and did not have to fear persecution for their beliefs or associations. The entertainment was reaching its prime with celebrities creating the greatest films and writings the country had ever seen (Pearson). This all changed in 1947, when President Harry Truman upset the waters. Earlier in the year, Truman ordered background checks of all the civilians in service. The results that this investigation found was unnerving. Alger Hiss, a high-ranking State Department official, was revealed as a Soviet spy. He was then convicted on espionage charges and served three years in prison. ... ... middle of paper ... ...e Mason University. N.p. Web. 16 Feb. 2014. Buhle, Georgakas, et al. University of Pennsylvania. Encyclopedia of the American Left, 1992. Web. 16 Jan. 2014. Eckstein, Arthur. “The Hollywood Ten in History & Memory.” Film History. 2004. Web. 16 Jan. 2014. “The Hollywood Ten.” University of California Berkley. 15 Oct. 2010. Web. 16 Jan. 2014. Larder, Ring Jr. Interview by Michael Rosen. Archive of American Television. July 1999. Web. 16 Jan. 2014. Lev, Peter. Transforming the Screen: 1950-1959. University of California Press. London, England: Charles Scriber’s Sons, 2003. Print. “McCarthyism.” US History. 2008. Web. 16 Jan. 2014. Pearson, Glenda. “The Red Scare: A Filmography.” The All Powers Project. 5 Mar. 1998. University of Washington Libraries. Web. 16 Jan. 2014. Simkin, John. “Hollywood Ten.” Spartacus Educational. N.p. Web. 16 Jan. 2014.
...that people can yet again fear that the communists might attack and send spies within to destroy their beloved country. Take the evidence from the Ohio County Women’s Republican Club when McCarthy stimulated the fear that Communism will spread and their spies will overthrow the democracy through traitorous means. Take the evidence of the Truman’s Response to McCarthy, Truman stated that the Kremlin must have put McCarthy there to cause turmoil and that must be a reason why he must have caused the country to go into a red scare. Take the evidence of the cartoon from Herb Block, which showed McCarthy drive his car into innocent people who had no influence of the communist and were scared by McCarthy’s ways of finding communists. McCarthy wanted to be well known and decided to start the red scare so that everyone else can fear and be aware of the communist everywhere.
In Hollywood political conflict was also paving the way for what would later occur in Hollywood as the HUAC would attack the industry. Big business controlled the lucrative industry and the companies that controlled the market were eight major studios in Hollywood. The Metro-Goldw...
Although the Red Scare made McCarthy who he was he did not make it any better. Document 6 shows us a cartoon of 2 men driving in a car saying “It’s okay--- we’re hunting communists” This cartoon shows us the fact that people who thought they were doing the right thing ,such as McCarthy, were running their own people over in the process and still thinking that everything they were doing was justified because they were so scared. People running over others just made those people get up and wonder why they weren’t doing as much or why they weren’t as scared as those guys were, so naturally they tried harder. McCarthy was intensified by the Red Scare but his actions only made it worse. He was a state senator. A government official working for the good of our country. Citizens tend to have respect for people of his position and they also tend to listen. Document 4 states “While McCarthy is the worst sort of demagogue, many people listen when he yells, screams and sputters, because they are afraid.” This statement says it all. He may be wrong in his doings but people still look to him out of fear because he is a leader, a respected man, and also an excuse. Document 4 says “In addition to the persecution of many innocent people by this man, the greater danger lies, as you point out, in that those who should be eliminated from public life as being unfit or subversive, can now defend themselves by stating that it is merely
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
The educational website Shmoop, which has many contributors with Ph.D.’s and Masters from top universities, states that, “Fear- utterly justifiable fear- transformed American Communists from a minor nuisance into a national obsession.” America was fine with the idea that there may have been witches or Communists in their country, but it was when the leaders blew the issues out of proportion that it created widespread fear of not only the communists and witches, but also of being accused of being one of the wrong-doers. In addition to the constant, widespread fear, those who were accused had their lives ruined in the blink of an eye. While the people who were blacklisted during the Red Scare may have had it worse than the accused during the Salem Witch Trials, the people in Salem still had their reputations hurt by their connections to the trials. Professor Schwartz pointed out that during the Red Scare, the filmmaking studios relied on bank financing, but the banks were reluctant to give the studios the money because of their “communist ties.”
During the post WWII period in America, the face of the nation changed greatly under the presidency of Truman and Eisenhower. America underwent another era of good feelings as they thought themselves undefeatable and superior over the rest of the world. Communism was the American enemy and American sought to rid the world of it. Because of the extreme paranoia caused by Communism, conformity became an ideal way to distinguish American Culture from the rest. Conformity became a part of every American Life to a large extent. It became evident through the medium of culture, society and politics throughout the era of the 50s.
In Cold War, Cool Medium: Television, McCarthyism and American Culture, Thomas Doherty profiles the 1950's Red Scare, also known as McCarthyism, and its vast effect on American culture during that time. Doherty arms his audience with the revealing history behind the rise and fall of Senator Joe McCarthy, as well as the roots of the anti-communist attitude during the Cold War era that led to the rise of McCarthyism. He discusses the effects of McCarthyism on the entertainment world of the 1950's; the blacklisting of actors, actresses, and producers; many important trials, such as the Army-McCarthy Hearings; and, finally, the end of McCarthyism. An interesting section of the book titled I Love Lucy: The Redhead and the Blacklist demonstrates that in a time
The red scare was a time where people were falsely accused of being communist spies, and would be sent to prison. If somebody hated their neighbor, a co-worker, or even a teacher they could just accuse them of being a communist spy. Some cases were even so severe as in the case with Julius and Ethel Rosenberg. They were accused for stealing information on the atomic bomb and giving the information to the...
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
The war was over. The last cry of help had been heard and peace was supposedly coming to the United States. But everyone was wrong. An ideological war which prompted mass paranoia known as the Red Scare had spread through the US. It began in 1919 and ended in 1921. Red Scare was the label given to the actions of legislation, the race riots, and the hatred and persecution of "subversives" and conscientious objectors during that period of time.
Times change and people come and go, but fear is a constant, and in “The Great Fear” by J. Ronald Oakley, he describes the wave of fear that occurred in the 1950s. In 1692, the townspeople of Salem were scared into believing that they were among witches, and in 1950’s the “Red” Scare destroyed thousands of peoples lives that were accused of being Communists. Those accused in both witch hunts were put on trial, and while many were killed in Salem, the Red Scare had blacklisted those persecuted.
Voytilla, Stuart. Myth and the Movies: Discovering the Myth Structure of 50 Unforgettable Films. Ventura Boulevard: Michael Wiese Productions, 1999.
Fyne, Robert. The Hollywood propaganda of World War II. Metuchen, N.J.: Scarecrow Press, 1994. Print.
Schatz, Thomas. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Philadelphia: Temple University Press, 1981.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.