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The Paradox of Life In the story of “The Ones Who Walk Away From Omelas,” Ursula K. Le Guin illustrates a society that lives underneath a horrible contradiction. The people of Omelas have happy, successful lives only because in the basement of an inconspicuous house, a young child lives in daily despair. The people of Omelas have a selfish disposition that as long as they continue to be happy, whatever happens to the child does not matter. This is a similar concept to today’s society involving natural resources and the Earth itself. In this story Le Guin shows the true, unladen selfishness and apathy of people concerning their own welfare and the dehumanization of someone for personal gain. It is a strict law, that for the prosperity of …show more content…
the people, the child must be kept away from all kindness and light. Every single person either “comes to see it” or “know[s] it is there,” yet they go along with its miserableness (Le Guin 340). It is fully accepted that the only way to have a beautiful city and a successful life is for the child to be miserable and depressed. The child is even dehumanized enough by the town to be called an “it” (Le Guin 340). In a way, no one wants to accept that it is as human as the rest of them, yet they leave it to suffer there for the entirety of its lifespan. The people only care about their own life and do not want it messed up so “not even a kind word” can be said (Le Guin 340). Likewise, the acceptance and selfishness of the people of Omelas is like the people of today. People accept that the production of their goods may produce harmful gases to animals or destroy the habitats of many species. As Lorenzo Pellegrini states, “the data suggest that the disturbed (global or local) ecosystems are reacting in more and more extreme ways to human interference” (Pellegrini 1251). There is a universal purposeful, or perhaps unconscious, ignorance of how the production of products can affect the environment, animals, or other people. Just like the people of today are ignorant of others trouble, the people of Omelas are purposefully ignorant to the child’s sorrow. The entirety of the story can be summed up into a simple question: what is the value of a life? In dealing with the paradox of the story, there is a great need of acceptance required of “the child’s abominable misery” because of the tremendous number of people that would be affected should everything be ruined (Le Guin 340). Although, if the monetary value is set aside, the question asked to any who the read the story and to the people in the story itself, is whether to place any value on the child itself. The people of Omelas have dehumanized it to such a point that it is barely human. It is barely alive. When placed under the perspective of its inhumane demeanor, it is easy to say it has no value, or is unimportant to the whole. However, if put under the perspective that it is a person that has been put under the worst possible misery imaginable, the monster in question has a soul and a worth that is ignored and avoided. The perspective in which the child is viewed truly tells whether this is a story of selfishness or survival. Just as with the people of Omelas placing more value on their own prosperity, corporate businesses and governments place more value on their financial profits than the people who may be affected by their projects. Carlton Mark Waterhouse, for example, states that statistically “government-allowed pollution kills hundreds of thousands in the United States annually and millions worldwide” (Waterhouse). This is seen as acceptable because these governments and businesses have placed more value on their monetary gain than on the people and wildlife that are affected. Perspectives and morals are important to the placement of value, and it is important to regard anything in question with a humane and kind perspective. The people of Omelas excuse their apathy and neglectfulness of the child because of their belief that they are doing what is best for the community, but they are ignoring how horrible their actions truly are and the affect it is having, not only on the one child, but the very children of Omelas.
When the children that are “between eight and twelve” see the child, they “are always shocked and sickened at the sight” (Le Guin 340). These kids are emotionally scarred for life “no matter how well the matter has been explained to them,” and they will continue to be haunted the rest of their life by the paradox that is their life (Le Guin 340). The people of Omelas are selfish not only in the complete disregard and neglect of the miserable child but of their own children. These kids must deal with their “anger, outrage, impotence, despite all explanations” on their own (Le Guin 340). The minors may think over it for “weeks or years,” but they, just like their predecessors, soon learn apathy to the child’s miserableness. This is similar to the apathy people today feel to the “natural resource depletion and pollution” because they know that this must happen to order to receive what they desire, and they have no desire to change it (Pellegrini 1245). Just as there were those who could not accept the apathy of Omelas, there needs to be people “such as the courageous youth” to fight against injustice of this world in any way possible …show more content…
(Waterhouse). The story “Those Who Walk Away From Omelas” presents a tale of the injustice of a child that embodies misery itself in a society that only wants its own happiness and does not care what it must do to attain it and the people who cannot stand for the apathy and purposeful ignorance of such a society and leave it forever.
The story poses a question for the community on the value of life itself and their individual perspectives. Likewise, it brings to light their moral ambiguity passed down to their children by seeing the child. The children learn to have apathy of the child by the realization that happiness could only be bestowed on one of them. Similarly, this story mirrors the apathy of the people of today regarding the degradation of natural resources and the damage that could be done because of it to other people and wildlife. This story stands as a testament that it is only by choices and actions do people show their true
character. Works Cited Le Guin, Ursula. “The Ones Who Walk Away from Omelas.” Literature and the Writing Process. Ed. Elizabeth McMahan, et. al., 11th ed. Boston: Pearson, 2018. 337-341. Print. Pellegrini, Lorenzo. "Assessing the State of the World: Environment and Development." Development & Change, vol. 38, no. 6, Nov. 2007, pp. 1245-1254. EBSCOhost, doi:10.1111/j.1467-7660.2007.00453.x. Waterhouse, Carlton Mark. “The New York Times Company.” The New York Times, The New York Times, 23 May 2016, www.nytimes.com/roomfordebate/2016/05/23/can-citizens-sue-the-government-over-climate-change/we-are-witnessing-a-societal-move-toward-climate-justice.
Ursula K. Guin’s story, “The Ones Who Walk Away from Omelas,” also shows a type of insanity, much less shown through actions. This short story is about a town where the happiness shown relies on the suffering of a small child. There is no happiness without pain is shown through this story in many ways.
The article “Leaving Omelas: Questions of Faith and Understanding,” by Jerre Collins, draws attention to the fact that the short story “The Ones Who Walk Away from Omelas,” by Ursula Le Guin, has not impacted Western thought despite its literary merit. Collins breaks his article down into three parts, the first explaining that he will “take this story as seriously as we are meant to take it” (525). Collins then goes over several highly descriptive sections of the story, which invite the reader to become part of the utopia that is Omelas. Collins states that when it comes to the state of the child and how it affects the citizens of Omelas the descriptions “may seem to be excessive and facetious” (527). But this is because Le Guin is using a
In October 1973, Ursula K. Le Guin published her award-winning work – “The Ones Who Walk Away from Omelas” – in New Dimensions 3, a short story anthology edited by Robert Silverberg. She described it as having “a long and happy career of being used by teachers to upset students and make them argue fiercely about morality.” The city of Omelas is the most magical, idyllic place anyone’s imagination could possibly conjure. The people live happily, with everything they want and need, and most importantly without pain, evil, without monarchy, slavery, the stock exchange, the advertisement, the secret police and the bomb. Yet, the people are not simple minded, but rather are “mature, intelligent, passionate adults whose lives [are] not wretched” and “their children [are], in fact, happy”.
In “The Ones Who Walk Away from Omelas” Guin uses characters as the main symbols. In this story the child locked in a cellar is the most important symbol. This locked away child is a symbol for a scapegoat. The child is a scapegoat for all the wrong and bad that happens in Omelas. Omelas is only a perfect utopia because all the blame is put on the child. “They all know that it has to be there. Some of them understand why, and some do not, but they all understand that their happiness, the beauty of their city, the tenderness of their friendships, the health of their children, the wisdom...
Ursula Le Guin’s “The Ones Who Walk Away From Omelas” is a short story that captures racism directly towards blacks in America. In the story, the people of Omelas are celebrating the summer festival which song and dance. They decorated the streets; children are running around playing while the whole city attends. The people of Omelas don’t have a care in the world. They don’t use weapons, aren’t reckless people, but they aren’t simple people. They seem to be living in a utopia, a place where everything is perfect, granted by some type of devil or person. For a utopia to come true there has to be a sacrifice or arrangement. For the people of Omelas, they believe that to achieve a utopian society means someone has to suffer. The story portrays slavery in the United States. In the story, the sufferer, or the kid, symbolizes
The short story ‘‘Ones Who Walk Away from Omelas’’ by Ursula Le Guin describes a utopian society based on the suffering and mistreatment of an unfortunate child. Omelas reflects contemporary North American society, in its claim to being an idyllic society built on the foundation of pain, which is discussed, firstly by an analysis of Omelas and the child, then a contrast analysis of contemporary North American society and the third world sweatshop workers and finally by the perspective of both society regarding the irony of situation which shows that there is no such thing called utopia. Omelas is described as a city in a fairy tale. It is a city towered by sea and encircled by mountains and has a cheerful sweetness of the air. It has beautiful public buildings and spacious private homes with red roof and painted walls, magnificent farmer markets, green parks and avenues of trees.
In “The Ones Who Walk Away From Omelas” Ursula K. LeGuin depicts a city that is considered to be a utopia. In this “utopia” happiness revolves around the dehumanization of a young child. The people of Omelas understand their source of happiness, but continue to live on. Oppression is ultimately the exercise of authority or power in a cruel or unjust way. LeGuin demonstrates the oppression that the child of Omelas holds in her story. LeGuin articulates the damaging effects that oppression can cause. In addition to LeGuin’s renditions, Chris Davis, a Los Angeles writer, further
Though much emphasis is put on the natural beauty of Omela’s people and its environment, a lot remains to show its darker side which is hidden from the innocence of the kids until they reach the age of 10 (Le, Guin, 65). This is a total contrast to the lovely exhibition of the city and its harmony. It indicates a cruel society that exposes a child of years to unnatural suffering because of utopic beliefs that the success of the town is tied to the kid suffering. Other members of the town leave Omela in what seems like the search for an ideal city other than Omela. But do they get it?
“The Ones Who Walk Away From Omelas” is a short story depicting the utopian society of Omelas. “Omelas” was written by sci-fi author, Ursula K. Le Guin, and won a Hugo Award for Best Short Fiction the year following its publication. A plot-less story, “Omelas” features a strong narrative voice that presents to readers a compelling ethical dilemma-- the perfect happiness of everyone in Omelas is reliant on keeping one small child in a perpetual state of torment. When Omelans come of age, they visit this child and are educated about its existence. They then make a decision on whether to stay in Omelas, knowing that the happiness of the city rests upon the suffering of an innocent victim, or to walk away from Omelas forever.
In the utopian city of Omelas, there is a small room underneath one of the buildings were a small unwanted child sits and is mistreated and slandered for existing. The child’s terrible existence allows the city to flourish and thrive with grace and beauty. Visitors come to view the miserable juvenile and say nothing, while others physically abuse the innocent child. The utopian society is aware of the child’s “abominable misery” (216), but simply do not care to acknowledge it. Le Guin states, “[T]o throw away the happiness of thousands for the chance of happiness of one: that would be to let guilt in the walls ... [T]here may not even be a kind word spoken to the child” (216). This means that since the child holds the responsibility of keeping the city beautiful, it has to go through the torture of neglect and separation from the outside
The Ones Who Walked Away from Omelas is a short story written by Ursula Le Guin. In her story, Le Guin creates a model Utilitarian society in which the majority of its citizens are devoid of suffering; allowing them to become an expressive, artistic population. Le Guin’s unrelenting pursuit of making the reader imagine a rich, happy and festival abundant society mushrooms and ultimately climaxes with the introduction of the outlet for all of Omelas’ avoided misfortune. Le Guin then introduces a coming of age ritual in which innocent adolescents of the city are made aware of the byproduct of their happiness. She advances with a scenario where most of these adolescents are extremely burdened at first but later devise a rationalization for the “wretched one’s” situation. Le Guin has imagined a possible contemporary Utilitarian society with the goal to maximize the welfare of the greatest number of people. On the contrary, Kant would argue that using the child as a mere means is wrong and argue that the living conditions of the child are not universalizable. The citizens of Omelas must face this moral dilemma for all of their lives or instead choose to silently escape the city altogether.
... But to take real action in trying to solve the problems, is a bigger and harder step not very many citizens of the world today are willing to take. Losing the happiness that one gets in exchange for injustice in the world is an action that is unthinkable to humankind. The right ethical decision has to be made to entirely resolve the issue, but making that right ethical decision is impossible with the other factors of life, such as personal happiness. In “The One Who Walks Away From Omelas” the reader is taught the importance of making the right ethical decision and can relate these morals to their own community.
In the short story The Ones Who Walk Away from the Omelas, Ursula Le Guin illustrates a community that is joyous. However, the community is torn because the source of their happiness is due to the choosing of an unfortunate child that resides in a basement under of the beautiful public buildings of Omelas neglected and barely ever eating. Le Guin explanation that although the people of the community are very happy, they are also very well aware of what is providing them that happiness. He writes, “all know [the child] is there… They all know that it has to be there. Some of them understand why, and some do not, but they all understand that their happiness, the beauty of their city, the tenderness of their friendships, the health of their children, the wisdom of their scholars, the skill of their makers, even the abundance of their harvest and the kindly weathers of their skies, depend wholly on this child’s abominable misery” (257). This unjust and cruel punishment this child must endure for the sake of the community causes an ethical dilemma that tears apart the community. The ethical dilemma forces the community to acknowledge their living situation and ask themselves: What is more important? Their happiness or this child? Thus, they must make a choice to either walk away from the life and community they have lived in for their whole life because their source of happiness is at the cost of a young boys life. Or, do they continue to live in Omelas and ignore the harsh conditions that this young boy is exposed to. In the story the boy is described as a six-year-old boy that is neglected, locked away in a dirty room, abused mentally and physically, and alone(Le Guin, 257). He barely has any fat on him because all he is fed is “hal...
Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” is a story about Omelas, a utopian city where people lead happy lives. Unlike the other people in Omelas who lead happy lives, a nameless child living beneath the city knows only darkness and suffering. The child is chosen from the population to act as a sacrifice to enable the rest of the people in Omelas to lead fulfilled lives. The child stays in a tiny, windowless room without any amenities and is completely cut off from the rest of society except for short visits from those that want to see the child. After learning about the existence of the child, some people overcome the guilt of knowing about the horrible living conditions of the child and live their lives to the fullest.
In the short stories, “The Ones Who Walk Away From Omelas”, by Ursula LeGuin, and “How the Other Half Lives”, by Jacob Riis, these two authors are able to shine a light on the injustice that is happening with humans in America. They both focus on things that is commonly overlooked by those who have enough to live comfortably. Riis focuses on real events that pertain to the slums in America, while LeGuin takes us to another world using her imagination to symbolically show us what we are doing to these poor people. LeGuin asks us what exactly is the cost to pursue happiness , while Riis wants people to help completely eliminate the slums because they are in no way fit for humans. Both of these authors