The Numbing of the American Mind: Culture as Anesthetic

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ENLIGHTENED SURRENDER

How many essays have been written about American culture? How

many books dedicated to the intense scrutiny of every aspect of our

modern society? Countless thoughts, countless theories—many of them

lost in the very chaos that the authors spent 300 pages explaining. There

are always solutions, which their creators seem entirely convinced will solve

this mess, but the truth is that these ideas are often impractical and unrealistic.

But no one writes an entire book complaining without offering us

something at the conclusion. Sociologists parade around with their own

superfluous speculations, conflicting and contradictory, but this must be

better than unresolved pessimism, right?

Thomas de Zengotita doesn’t seem to think so. In his essay, “The

Numbing of the American Mind: Culture as Anesthetic,” he discusses the

perceptual overload of Americans and the differing and indistinguishable

levels of reality in which we exist. He claims that most people don’t know

and can’t recognize what is real what is not. There are so many different

kinds of reality—he lists sixteen out of many—and they have all become

so intertwined into our lives that they bleed together. As a result of these

discrepancies, we can no longer appreciate the differences between what is

important and what isn’t. Using modern examples like the events of

September 11th and the media’s response to them, de Zengotita explains

how we’ve become numb to things “so enormous, so horrific, so stark, that

[we believe] the great blob of virtuality that is our public culture would

be unable to absorb it” (342). It is a typical review of American society—

pessimistic and daunting—though his sarcastic humor and nonchalant

attitude are...

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...ous diagnosis of a serious

condition. Would we rather not know about it because it happens to be

incurable? This goes much deeper than subject matter, or political bias,

the usual folder. It determines the way we frame everything . . . the attitude

we bring to living in this world of surfaces. (de Zengotita 350)

No amount of truth can ever bring about change on the grand scale, but

the way you chose to function within it will define the difference between

prisoner and progressive. In expressing a helplessness to do nothing, de

Zengotita has accomplished more than all the theories in the world.

“It was to have been the end of irony, remember?” (de Zengotita 340)

Works Cited

Zengotita, Thomas de. “The Numbing of American Minds: Culture as Anesthetic.” 2002.

The Text Wrestling Book. Eds. Donna LeCourt, et al. Dubuque, Iowa: Kendall Hunt,

2005. 340-351.

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