Once I picked up Nineteen Minutes by Jodi Picoult, reading was forever changed for me. At the time, I was confident that I would write my own novel some day and longed to possess the magic that Picoult’s work had. Her style for writing narratives is unique from almost anything else I’ve found to read with a mixed genre of contemporary, mystery, and crime. Elements in her writing that inspire me include topics that are realistic, relatable, and heavily researched, several different points of view that allow the reader to develop compelling opinions of each character, and emotions that tug the reader’s heart strings.
From school shootings and cancer to gay marriage and sexual assault, Picoult takes on very real situations. Several of her novels portray legal battles, and include court scenes demonstrating extensive insider research on each subject accounting for perspectives from lawyers, doctors, inmates, judges lieutenants, and detectives. A.J. Walkley, a writer for the Huffington Posts’ books section, talks about Picoult’s research for her latest book, The Storyteller. At a reading she discovered discovered, “there were Holocaust survivors in the audience whom Picoult had interviewed during her research for the book.” Sometimes her research is on a personal level. One of her latest reads, Sing You Home, is a sort of “coming out” story and the contemporary struggle of sexual orientation is close to her heart with her son’s coming out. Having no personal connection to the extremely brittle bone disease, osteogensis imperfecta, Picoult gave a clear account of it’s affect on family relationships as if it was a piece of her everyday life. Despite all the factual information and legalistics, Picoult always accomplishes an easy read wh...
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...do this and how to do it well by not only putting the reader’s feet in the story, but putting the reader’s heart in it.
Works Cited
Picoult, Jodi. Nineteen Minutes. New York: Atria, 2007. pg 66. Print.
Picoult, Jodi. "Nineteen Minutes by Jodi Picoult (2006)." Jodi Picoult. N.p., n.d. Web. 03 Apr. 2014.
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Picoult, Jodi. Preface. Perfect Match. New York: Atria, 2002. N. pag. Print.
Triska, Zoë. "EXCERPT: Jodi Picoult Advice To Writers, Why She Writes." The Huffington Post.
TheHuffingtonPost.com, 30 Jan. 2013. Web. 03 Apr. 2014. .
Walkley, A.J. "Writing Idols: Jodi Picoult." The Huffington Post. TheHuffingtonPost.com, 14 Mar.
2013. Web. 03 Apr. 2014. .
The diverse alternation of point of views also provides the story an effective way to reach out to readers and be felt. The characterisation is effectively done and applied as Sam, Grace, and the other supporting characters play individual, crucial roles in the course of the story. All the elements of a typical young adult novel, consisting of a gap-filled relationship between children and parents, emotion-driven teenagers, and a unique conflict that makes the book distinct from fellow novels, combined with the dangerous consequences of the challenges the couple encounter, make the book different from all other of the same genre. The plot unfolds slowly giving readers enough time to adjust and anticipate the heavy conflict when it arises. It has gotten us so hooked but the only thing we could possibly dislike about it was the slow pace of plot. The anticipation was too much to handle and we were practically buzzing and bouncing to know how the story turns out as we read. It builds the anticipation, excitement, thrill, sadness, grief, loss, and longing in such an effective way to entice and hook readers further into the world of Sam and
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
As people age they will often still recall a good childhood story. A well told, meaningful story can go a long way when attempting to argue a point or convey information. In the essays, ''The Myth of The Latin Women: I Just Met a Girl Named Maria" by Judith Ortiz Cofer, "Gains and Losses" by Richard Rodriquez, and "Piecing It All Together" by bell hooks, the authors connect to the reader and create a better audience through their writing. Through the portrayal of a story the authors help the reader understand their point of view, they transfer information to the reader with better ease, and keep the reader engaged the authors argue a point or convey information more efficiently.
A good story is one that isn't demanding, that proceeds from A to B, and above all doesn't remind us of the bad times, the cardboard patches we used to wear in our shoes, the failed farms, the way people you love just up and die. It tells us instead that hard work and perseverance can overcome all obstacles; it tells lie after lie, and the happy ending is the happiest lie of all. (85)
Chopin, Kate. ?The Story of an Hour.? Making Literature Matter: An Anthology for Readers and Writers. 2nd ed. Ed. John Schlib and John Clifford. Boston: Bedford/St. Martin?s, 2003. 862-63.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Often, when a story is told, it follows the events of the protagonist. It is told in a way that justifies the reasons and emotions behind the protagonist actions and reactions. While listening to the story being cited, one tends to forget about the other side of the story, about the antagonist motivations, about all the reasons that justify the antagonist actions.
When writing literature, authors will adapt points of view to mold the perceptions of their readers. Three points of view that authors use to draw readers into their works of fiction are the limited perspective, the first-person perspective, and the objective perspective. Three stories will be examined and critiqued for their use of these narrative techniques. Of the three perspectives that will be examined, the first-person perspective is the most useful for sharing the authors’ vision.
...kes readers understand the flow of the text in the story because the story is predictable which allows the readers to know or guess what will happen next. The story flows from page to page because it is chronological order from what happened to the result or what will happen next. The author allow for readers to relate to text and self, such as friendship because friendship is a necessary aspect of every human’s life. Even though it’s needed sometimes we as humans have been forced or morally required to end some relationships. Friendship is one of the most important relationships that form our lives. Sometimes someone may be affected by a certain event or person that greatly changed their life. The theme is friendship and how neither Office Buckle nor Gloria would be successful telling safety tips on their own, but how they make a good team when they work together.
As the top-selling buyer at Posh Style Studios, I know for a film to be exceedingly preferential, the audience’s interest is the key. Without the interest of your audience, you cannot achieve the primary goal: sales. In the best interests of Posh Style Studios, we are gratified to bring before you, your next immense sensation: “The Story of an Hour” by Kate Chopin. The beguiling title refers to the time period upon which the central character, Louise Mallard, perceives that her husband is dead and then learns that he is after all, alive. In "The Story of an Hour", there are a number of literary elements that influence the story, having the audience on their toes for what will transpire next. The story's structure is also constructed on tongue-in-cheek elements. Kate Chopin uses irony to make the story a tease to the audience. The audience is forced to assume about what little is known, what they want to know, and what really is happening. This film will appeal to countless audiences as they absorb the pros and cons of communication, time...
Owens and Sawhill use pathos to evoke the feelings of their readers. This method establishes
Chopin, Kate. “The Story of an Hour.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Eds. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Pearson, 2010. 261-263. Print.
“In my estimation a good book first must contain little or no trace of the author unless the author himself is a character. That is, when I read the book I should not feel that someone is telling me the story but t...
In conclusion, it is hard to grasp the true meaning of the story unless the story is read a second time because of the author's style of writing.
“The Story of an Hour” is the story of Mrs. Louise Mallard who suffers of a weak heart. This being the first we know of Mr. Mallard, she is carefully being told that her husband had just passed away in a train accident. As every good wife should, Mrs. Mallard breaks out in grief. At first, the story goes, as it should. Then Mrs. Mallard goes into her room where she begins thinking, and her first thought is that she is free. Mrs. Mallard after years of being in an unhappy marriage is finally free to do what she wants, with no one to hold her back. Yet everything is against her, when she finally accepts that her life will begin now, her husband enters his home, unscathed and well, not having known that everyone thought him dead, a...