Comparing Awakenings in Chopin's The Storm and The Story of an Hour
As a forerunner of the modern feminist movement, Kate Chopin explored bold new characterizations of her female subjects. Chopin is famous for her progressive depiction of the female characters in her stories. Two such stories, 'The Storm' and 'The Story of an Hour,' examine and refute the long held ideal of the subservient wife. 'The Storm,' written in 1898 but not published until later because of its provocative content, describes the passionate extramarital affair between Calixta and Alcee, a former lover. 'The Story of an Hour' follows Louise Mallard as she deals with the death of her husband. Chopin uses the extraordinary events in the characters' lives to bring them out of the coma of submissive living. In both stories, the female protagonist awakens from a marriage-induced trance and into a state of self-awareness as a person separate from her husband.
Up until the early twentieth century, the accepted role of a woman was that of a housewife and mother. In the opening of ?The Storm,? Calixta exemplifies this homemaker image perfectly; the first time the reader sees Calixta she is ?sewing furiously on a sewing machine? (858). When the storm approaches, her first priority is not her own protection; rather, she gets up ?hurriedly and [goes] about closing windows and doors? and gathering Bobinot?s Sunday clothes, which she had hung out to dry (958). By showing Calixta as a selfless extension of her house and family and not as an individual person, Chopin reiterates the stereotypical inferior image of a woman. After setting up Calixta in this manner, Chopin quickly moves to awaken her with the arrival of her former lover, Alcee Laballiere. Hi...
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...t from the societal constraints placed on them and never to revert from this freedom. Through the Calixta?s and Louise?s awakenings, Chopin describes two different ways to accomplish the same goal. Both characters make choices to hold onto their newfound freedom, although on the surface it seems as though neither gets to enjoy her freedom fully. Chopin cleverly uses the endings to show that both characters find a freedom that endures, and both make choices to hold onto this happiness.
Works Cited
Chopin, Kate. ?The Storm.? Making Literature Matter: An Anthology for Readers and Writers. 2nd ed. Ed. John Schlib and John Clifford. Boston: Bedford/St. Martin?s, 2003. 858-61.
Chopin, Kate. ?The Story of an Hour.? Making Literature Matter: An Anthology for Readers and Writers. 2nd ed. Ed. John Schlib and John Clifford. Boston: Bedford/St. Martin?s, 2003. 862-63.
Schilb, John, and John Clifford, eds. Making Literature Matter: An Anthology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2012. 866. Print.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
Get Smart is a film released in 2008, directed by Peter Segal, that stars Steve Carell and Anne Hathaway as the main characters. The plot of the story is that an organization named KAOS has accrued a stockpile of nuclear weapons and is threatening to use them if their demands for money aren't met. CONTROL, the organization know for always messing up KAOS' plans, has just had their headquarters sabotaged and now all of their agents have had their identity compromised, except for one, agent 99. Not having any other options, CONTROL promotes one of their best data analyst to an agent, this man is Maxwell Smart. With a nuclear bomb threat looming above CONTROL has to send out the only two agents they have left in hopes of neutralizing this threat. The film was received with mixed reviews. Critics thought that there was too much action and it took away from the comedy. However, Get Smart does show an interpersonal relationship develop between Max and agent 99 very well. Get Smart illustrates Devito's principals of conflict, conversational disclosure, and relationship stages in an interpersonal relationship.
Chopin, Kate. “The Story of an Hour.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Eds. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Pearson, 2010. 261-263. Print.
Food To Students." Points Of View: Junk Food In Schools (2013): 2. Points of View
Chopin, Kate. "The Story of an Hour." Heritage of American Literature. Ed. James E. Miller. Vol. 2. Austin: Harcourt Brace Jovanich, 1991. 487. Print.
Chopin, Kate. "The Story of an Hour." Literature: Approaches to Fiction, Poetry, and Drama. Boston:
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2005.
The biggest health crisis in our nation is obesity (Carmona, 2003). It affects everyone everywhere. In today’s society, one out of every three children are considered obese (“overweight and obesity,” 2009). Child obesity has become a raging conflict and solutions must be presented to reduce it.
Chopin, Kate. "The Story of an Hour." The Compact Bedford Introduction to Literature. 4th ed. Ed. Michael Meyer. Boston: St. Martins, 1997. 12-15.
Oestrogen receptors in the brain are believed to cause gender-appropriate behaviour. Oestrogen, a hormone found in the female genital tissue, acts as a ligand and, by activating the oestrogen receptors found on the surfaces of brain cells, causes notable changes in behaviour. Professors at Yale University have studied the effects of oestrogen and found the hormone increases neural connectivity in the brain resulting in a more accurate memory. Turnham et al (2002) supports this as upon investigation...
Biological factors (sex) and gender are correlated, but gender may or may not be caused by biological factors. Cherlin proposes four models of how gender is created: the biosocial model, the socialization model, the interactionist model and the patriarchic model. Only the first model, the “biosocial” model, allows for heredity and biological factors to play a role in determining gender. This model is based on the idea that biologically, men and women are predisposed to act a certain way “on average,” but also, that social factors play a strong role in determining whether biological tendencies prevail. According to this theory, biological differences account for only about a quarter of behavioral gender differences while social influences account for the remaining portion. Socialized traits are stronger than biological traits, and can eliminate biological traits, but biological tendencies are still important because it is a challenge for socialized traits to subdue biological traits. A good example of this is outlined in Ke...
Who is at fault for childhood obesity? Is it the parents or is it the fault of health officials for providing lack of information? No matter who is at fault, childhood obesity is very real and needs to be addressed. It has reached epidemic proportions and has more than tripled in the past 30 years. Our children are at risk for a variety of health issues that are preventable. The estimated 9 million overweight children, including 4.5 million obese children, are at risk for type 2 diabetes, heart disease, cancer, asthma, and other pulmonary diseases, high cholesterol, elevated blood pressure, stroke, and other chronic illnesses (Weiting 545.) This growing epidemic of overweight and obese children as well as teenagers must be stopped. It is up to us as parents, family members, caregivers, and medical professionals to educate our children to exercise and eat right to prevent childhood obesity.
Reese, C. (2000). Biological Differences Establish Gender Roles. Male/female roles: opposing viewpoints (pp. 18-19). San Diego, Calif.: Greenhaven Press.