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Modernism and romanticism compare and contrast
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Around the 1900’s, an author by the name of T.S Eliot wrote a poem, called, “The Lovesong of J.Alfred Prufrock”. This work showed the transition from romanticism to modernism. It established an eerie and mysterious environment, creating a strange and mysterious mood in their urban neighborhood. He learns about his own self-pity through self-reflection. He writes this in order to show that Prufrock is an example of the modern, mentally broken man. As you read this work, you will easily be able to draw the conclusion that he expresses his personality through unruly depression, loneliness, and constant negative outlook on life. As a mentally broken man, Prufrock is constantly worrying about his lonely life style. With no one to enjoy the amazing things in his life with, he often feels the down and sinking feeling of depression, as the reader can conclude from his statement, “But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter…”(81-83). He lives alone, not married, with no friends. As he gets older, he starts believing that there is nothing in this world for him. He has no relevance in the lives of the people he is surrounded with everyday. He lives life as if it is just a fleeting component of the many things that this universe has to offer, and that …show more content…
In line 31, he states, “Time for you and time for me, “. This sort of silently creates the image that maybe this lady of friend of his is separated from him, leaving him no one in his life to interact or communicate with. Also, in line 72, he states, “Of lonely men in shirt-sleeves, leaning out of window.” This statement implies that maybe he could relate to those men. He could see the fact that they seemed lonely. It seems as if he looks for people that he relates to, so that maybe he doesn’t feel so bad about the way he lives his
"(10) which is never identified, asked, or answered in the poem. This "question" is somehow associated with his social status, but both its ambiguity and Prufrock's denial to even ask "What is it? " (11) gives some insight into his state of internal turmoil. Prufrock's dissatisfaction with his personal appearance is evidence of an underlying lack of self-confidence. Not only is he unhappy with the way he looks, having "to prepare a face to meet the faces that you meet," but he is constantly afraid of what others will have to say about him.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
From the beginning, Prufrock had a dream and starts off describing the setting of his dream. “When the evening is spread out against the sky, like a patient etherized upon a table” (Eliot, line 2-3). He wants to escape with a woman, with a lover. He talks about wanting to be like his idol, Michelangelo, a man he thinks is perfect and has all of the women’s attention. “In the room the women come and go talking of Michelangelo” (line 13-14). He wants to live a social life of wealth, but doesn’t know where to begin. He tried to enter that world he longs for, but it doesn’t turn out well. Then, he decides to go back to his closed off life, something he recognized and was used to.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
Prufrock’s insecurities make him feel like an outsider. “In the room the women come and go talking of Michelangelo.” He wants to approach the young
Prufrock is very much aware of the schism within his own mind. His Persona - the aspect of himself he presents to the social world - remains dominant most of the time. His Shadow, however, comp...
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
The first half of the poem creates a sense of place. The narrator invites us to go “through certain half-deserted streets” on an evening he has just compared to an unconscious patient (4). To think of an evening as a corpselike event is disturbing, but effective in that the daytime is the time of the living, and the night time is the time of the dead. He is anxious and apprehensive, and evokes a sense of debauchery and shadows. Lines 15-22 compare the night’s fog to the actions of a typical cat, making the reader sense the mystery of a dark, foggy night in a familiar, tangible way. One might suppose that “In the room the women come and go/ Talking of Michelangelo” refers to a room in a brothel, where the seedy women for hire talk about elevated art between Johns (13). The narrator creates a tension in the image of dark deserted streets and shady activities in the dark.
Prufrock’s social world is initially revealed as he takes the reader on a journey. Through the lines 1-36, the reader travels with Prufrock through the modern city and its streets as we experience Prufrock’s life and explore his surroundings through his eyes. From the very beginning, the city is portrayed as bleak and empty with no signs of happiness. The setting as Prufrock walks through the street appears to be polluted, dirty, and run-down, as if it is the cheap side of town, giving the feeling of it being lifeless, still, eerie, sleepy and unconscious. Eliot uses imagery, from the skyline to half-deserted streets, to cheap hotels to sawdust restaurants to demonstrate the loneliness and alienation the city possesses. The city Prufrock resides in is, in a way, a shadow of how he is as a person, and the images of the city speak to some part of his personality. Just as the skyline is described as “a patient etherised upon a table” (3), it foreshadows and hints that Prufrock has an...
In the poem “The Love Song of J. Alfred Prufrock” T.S. Eliot uses a man named Prufrock to describe the uncertainties in life and how they affect a person’s views. Prufrock does not have the confidence to give or receive love. There is an equal amount of unhappiness to the concept of time and space. He is unsatisfied with life and with the decision to think rather than act.
T.S. Eliot is often considered one of the greatest and most influential poets of the 20th Century. Not only were his highly regarded poems such as “The Wasteland” and “The Love Song of J. Alfred Prufrock” influential to the literary style of his time, but his work as a publisher highlighted the work of many talented poets. Analyzing his poem, “The Love Song of J. Alfred Prufrock,” with psychoanalytic criticism reveals several core issues in the speaker of the poem, and may reflect Eliot himself.
“The Love Song of J. Alfred Prufrock” In modernism, fragmentation, open form, and themes of hopelessness take priority over the fixed form and meter of the previous era. It is about bold strokes and individuals whose writing style encompasses the changing world. T. S. Eliot is no exception. With his 1915 poem, “The Love Song of J. Alfred Prufrock”, he uses new modernist ideals as an expression of the pessimistic feelings of society and a shift away from traditional writings. With a variety of literary techniques, Eliot effectively creates a twenty-stanza poem that embodies the modernist sentiments.
The text itself however, points towards the idea that Prufrock lies on an immaculately woven edge between a will to act and his frightened introspection. Prufrock himself believes that “there will be time” - he is does not think that he has no chance, only that “They will say: “How his hair is growing thin!” or “But how his arms and legs are thin!”. This facet of his character is not futility, but self consciousness and doubt for he had been thinking only on the side of his