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Character of alfred prufrock
Psychoanalysis in The Love Song of J. Alfred Prufock
The love song of j. alfred prufrock symbolism
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The Love Song of J.Alfred Prufrock - The Distress of J.Alfred Prufrock
The human psyche is divided into three distinct aspects: the Persona, the Shadow, and the Anima/Animus; at least, it is according to Jungian Psychology. Drawing heavily on the theories developed by Freud, Jung's psychological concepts tell us that if these three facets are not properly integrated - that is, if one of the three is overly dominant, or repressed, or all three are in conflict with each other - then an individual's energies - his libido - will be out of alignment, causing psychological distress and unconscious problems.
The Love Song of J.Alfred Prufrock, if read Archetypaly, reveals to us such an individual. J.Alfred Prufrock, the nebbish little man that he is, has some very serious problems - he is extremely indecisive, obsessed with trivial details, and frets over inconsequentials ('Shall I part my hair behind? Do I dare eat a peach?'); more importantly, he seems to have an inability to confront the opposite sex, choosing instead to develop elaborate fantasies in which to meet imaginary women - all of whom seem to be either cruel, vain, or sinister in some subtle way.
An archetypal analysis drawing upon Jung's theories seeks to uncover the reasons behind Prufrock's neurosis. The first line of the poem - 'Let us go then, you and I' - gives an immediate insight into Prufrock's problem: his psyche is out of joint. The 'You' and 'I' of the poem are two aspects of his personality: his Shadow and his Persona, respectively.
Prufrock is very much aware of the schism within his own mind. His Persona - the aspect of himself he presents to the social world - remains dominant most of the time. His Shadow, however, comp...
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...s earlier illness.
Unfortunately for Prufrock, this apparent cycle is entirely contained within a small portion of the whole. Prufrock participates in a greater cycle, but one that seems to end, not in life, or rebirth, but in a symbolic death. He is a crab, a '... pair of ragged claws/Scuttling across the floors of silent seas', a man who wakes... and drowns. His cycle ends negatively, without the rebirth. He never gets his act together, never integrates his personality properly, never stops being the sad little nebbish of a man that he is; the cracks in Prufrock are never mended.
-Michael J.Noakes
Works Cited
Eliot, T.S. "The Love Song of J.Alfred Prufrock ." The Norton Anthology of English Literature, Volume Two. Ed. M.H.Abrams, 6th Edition. New York: Norton, 1993. 2140-2143.
The Executive Branch is explained in Article II of the Constitution. It explains the president’s term of office, the procedure for electi...
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
For example, in the poem, Prufrock made mention of how “ There will be time, there will be time/ To prepare a face to meet the faces that you meet”(27-28). In the quote the image “Face” used, means a facade. What Prufrock is actually trying to say is that people in the society are not exactly what they portray to be and that everyone is just putting on a mask or putting on an appearance to cover up the unpleasant and credible reality of their lives. Therefore, he means that people only pretend to be who they are not and hide their real identity or personality. Consequently, since he believes that everyone is just putting on a facade, he then feels that he would also have time to be able to prepare himself to have another personality, he would portray when he meets other people who have also created another false identity of
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996. 2459-2463.
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996.
Eliot, T. S. "The Love Song of J. Alfred Prufrock." Prufrock, and Other Observations. New York: Alfred A. Knopf, 1920. N. pag. Bartleby.com. Aug. 2011. Web. 11 Mar. 2014.
United States of America. U.S. Supreme Court. Legal Information Institute. Cornell University Law School, 1 Apr. 2003. 13 Nov. 2013
"The Love Song of J. Alfred Prufrock" is one of the most influential poems of the twentieth century (Williams 49). It is certainly not a love song like any that had been written before. The second and third lines shock the reader because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as looking "like a patient etherised upon a table" (Eliot 3). This "etherised" outside world is the key to understanding all of Prufrock's views. He is afraid of the increasingly industrialized and impersonal city surrounding him, and he is unsure of what to do and afraid to commit to any particular choice of action (Mays 112). Paralysis is the main theme of "The Love Song of J. Alfred Prufrock."
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In the poem “The Love Song of J. Alfred Prufrock” T.S. Eliot uses a man named Prufrock to describe the uncertainties in life and how they affect a person’s views. Prufrock does not have the confidence to give or receive love. There is an equal amount of unhappiness to the concept of time and space. He is unsatisfied with life and with the decision to think rather than act.
In 1787 the leaders of the states came together to establish a constitutional set of guidelines (laws), to ensure a more structured uniformed way of protecting the American people against total governmental control, and protecting the citizens rights. The constitution ensured that the branches would be serperated to detour from total control of one branch of government, Each branch of government has its own duties and responsibilities other than working along side the other branches. Below identifies the three branches of government as well as their responsibilities and process of being elected as a member.
Pogge uses three arguments that the global poor have a claim to assistance. He argues t...
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...