Reflecting on the works of Native American authors Leslie Marmon Silko, Louise Erdrich, and Sherman Alexie, several recurring themes emerge, providing insight into the complexities of Native American experiences and cultural identities. One prominent theme across their texts is the interconnectedness between nature and spirituality. In Silko's "Ceremony," the protagonist Tayo's journey towards healing and wholeness is intertwined with his connection to the land and traditional rituals. Similarly, in Erdrich's "Love Medicine," the characters' lives are deeply intertwined with the natural world, reflecting the spiritual significance of the land in Native American culture. Alexie's "The Lone Ranger and Tonto Fistfight in Heaven" also explores …show more content…
Silko, Erdrich, and Alexie all delve into the complexities of Native American identities in the face of assimilation and cultural erasure. In Silko's "Yellow Woman," the protagonist grapples with her identity as a Native American woman in a contemporary world, highlighting the tension between tradition and modernity. Similarly, Erdrich's characters navigate the complexities of their mixed heritage and the legacy of colonization in works like "Tracks" and "The Bingo Palace." Alexie's stories often center on the experiences of young Native Americans straddling multiple cultural worlds, highlighting the challenges of cultural identity in a society marked by colonization and marginalization. Additionally, specific themes in these pieces resonate deeply with Native American culture, such as the importance of storytelling and oral tradition. Silko, Erdrich, and Alexie all draw upon the rich tradition of storytelling in Native American culture, using narrative as a means of preserving history, passing down cultural knowledge, and asserting cultural sovereignty. In "Ceremony," Tayo's journey is intertwined with the stories of his ancestors, emphasizing the healing power of storytelling in Native American communities. Similarly, in Erdrich's works, storytelling serves as a means of reclaiming cultural identity and resisting cultural assimilation. Alexie's stories are steeped in the oral
Sherman Alexie is an author that uses his experiences in life living on the reservation as tool to create his stories. Alexie describes the misery, alcoholism and poverty that shaped the lives of Native Americans living on reservations. Alexie writing emulates hatred and sadness but leaves readers with a sense of understanding, and compassion for characters who are portrayed in apparently hopeless circumstances. Alexie’s creations incorporate characters who struggle to survive a constant battle of their spirit, mind and body by White American society that they live in and their own sense of powerlessness and self-hatred of themselves. Through Alexie’s life he strives to be the
Louise Erdrich explores the inner conflicts of an Indian tribe in her novel Tracks. By the end of the novel, the tribes’ accord is broken by the lure of the white man’s money and land reform. The divisions among the tribe are epitomized by the physical separation of the Chippewa people into different colors that correspond to their different land allotments. However, one chapter in particular contrasts with the tribe’s tendency towards discord. Chapter 5, in which Nanapush and Eli overcome their differences and unite in an attempt to avoid starvation lends hope to the ominous series of events throughout Tracks which show conflict developing from unity. The great snow storm they experience together not only binds them but forces Eli to turn to his Chippewa roots in order to survive. Thus, the true lessons of life can be learned through the mentorship of one man’s life becoming transparent though one another.
In the short stories “A Drug Called Tradition,” “The Approximate Size of My Favorite Tumor,” and “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore” collected in The Lone Ranger and Tonto Fistfight in Heaven, author Sherman Alexie uses humor to reflect the life on the Spokane Reservation. In “A Drug Called Tradition,” the story starts with a joke by having Thomas sit down inside a refrigerator in response to Junior’s comment as to why the refrigerator is empty. The Indians are having a party hosted by Thomas, who gets a lot of money from a corporation for leasing some of his land. Alexie’s three second selves, Victor, Junior, and Thomas, later go to the Benjamin Lake and use the drug that Victor brings with him. In “The Approximate Size of My Favorite Tumor,” Jimmy Many Horses, who suffers from terminal cancer, humorously describes his tumors to his wife, Norma, who cannot bear Jimmy’s humor and leaves him. At the end, Norma comes back to Jimmy because the person she lives with is too serious. In “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore,” Victor and Adrian talk about the basketball stars on the reservation, hoping that someone on the reservation can resist alcohol and develop his or her basketball skills to be a successful ballplayer. The function of Alexie’s humor shifts throughout his stories. In “A Drug Called Tradition,” Alexie’s humor effectively accomplishes one of his goals by obliging readers to reconsider their concepts, while his humor helps his characters improve their situations in “The Approximate Size of My Favorite Tumor.” In “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore,” humor mitigates the characters’ pain and despair. One common function hum...
Sherman Alexie could possibly be the most realistic man on the planet. In his book, The Lone Ranger and Tonto Fist Fight in Heaven, Alexie uses short stories to paint a picture of his childhood growing up on an Indian reservation. Through a web of characters a saddening image is created with overriding themes of alcoholism, racism, distrust and failure. This image has become greatly controversial because of the stereotypical way it portrays the Spokane Indian tribe. Even though Alexie is himself a Spokane some may say that he was out of line in the depiction of his people; however, Alexie is simply a realist relaying information from his upbringing to the world. He tells not only of the bad but also of the good times on the reservation,
The constant struggle present in the novel is the conflict between the native world and the white world. It is a struggle between community and isolation, between the natural and material. Silko uses the characters in the novel to show the positive and negative influences of the contact of cultures. Specifically, the characters Tayo, Emo, and Betonie are prime examples of the manifestation of the two worlds and the effects it has on each characters actions, dispositions and beliefs.
A warrior is recognized as sonmeone who battles for his/her beliefs. Even after receiving mortal wounds many times, such a person never leaves the battlefield. However, the inspiring and metaphorical idea of a warrior can certainly extend beyond the actual battlefield, and into the universal battle of living life. A woman must face this world like a warrior. She must endure the pain of a past that oppressed her, the adversity of a present that is only beginning to understand her, and a future that will continuously test her. From the beginning of time, Native American women have been a driving force in their cultures, retaining their immense strength throughout centuries of exploitation. Mothers and grandmothers held the family together with their gentle power, and medicine women were the local psychologists, therapists, physicians, and marriage counselors to entire tribes. In The Lone Ranger and Tonto Fistfight in Heaven, Sherman Alexie's short story collection about life on the Spokane Indian reservation, Alexie depicts characters that are world-wearied and heavy with 500 years worth of humiliation and rejection. They have lived their lives in the confines of the reservation, resorting to alcohol, depression, and frustration. However, these women seek to hold together, both spiritually and generatively, the fabric of a culture that is assaulted on all sides. They are warrior-like in their determination to battle the hardships of their lives, all while holding their families and their heritage together with great compassion and spirit.
The Impression of Life on her Works’ Leslie Marmon Silko for more than two decades has been enriching Native American literature through her poetry, novels, short stories, and essays. Her fertile imagination and vivid writing continues to impress both critics and readers alike. Influences in Silko's life are abundant in her work. She includes childhood memories, experiences with racism, Pueblo beliefs, family history, and traditional storytelling. Prominent in many of her works is the perspective of her mixed ethnicity. She explores ethnic identity and cultural values through her literature. Often the reader is taught about the lessons, values, and heritage of early cultures. Leslie Marmon grew up attaching herself, in memory and imagination, to the village and then to the land around it; and because this is Laguna land, many of the stories she grew up with were stories from the Keresan oral tradition, the stories of her father's people and their shared history. In her art as in her life, Silko has continued to maintain her identity with the story of the people of Kawaika, the People of the Beautiful Lake. The story of Laguna, like the biography of Silko and the fictional lives of her novels' protagonists, has always been a story of contact, departure, and recovery. “My father had wandered over all the hills and mesas around Laguna when he was a child; I started roaming those same mesas and hills when I was nine years old. At eleven I rode away on my horse, and explored places my father and uncle could not have reached on foot. I carried with me the feeling I'd acquired from listening to the old stories, that the land all around me was teeming with creatures that were related to human beings and to me.” ("Interior and Exterior Lan...
Culture has the power and ability to give someone spiritual and emotional distinction which shapes one's identity. Without culture society would be less and less diverse. Culture is what gives this earth warmth and color that expands across miles and miles. The author of “The School Days of an Indian Girl”, Zitkala Sa, incorporates the ideals of her Native American culture into her writing. Similarly, Sherman Alexie sheds light onto the hardships he struggled through growing up on the Spokane Indian Reservation in his book The Lone Ranger and Tonto Fistfight in Heaven in a chapter titled “Indian Education”. While both Zitkala Sa and Sherman Alexie were Native Americans, and take on a similar persona showcasing their native culture in their text, the two diverge in the situations that they face. Zitkala Sa’s writing takes on a more timid shade as she is incorporated into the “white” culture, whereas Alexie more boldly and willingly immerses himself into the culture of the white man. One must leave something in order to realize how
Louise Erdrich’s short story “American horse” is a literary piece written by an author whose works emphasize the American experience for a multitude of different people from a plethora of various ethnic backgrounds. While Erdrich utilizes a full arsenal of literary elements to better convey this particular story to the reader, perhaps the two most prominent are theme and point of view. At first glance this story seems to portray the struggle of a mother who has her son ripped from her arms by government authorities; however, if the reader simply steps back to analyze the larger picture, the theme becomes clear. It is important to understand the backgrounds of both the protagonist and antagonists when analyzing theme of this short story. Albetrine, who is the short story’s protagonist, is a Native American woman who characterizes her son Buddy as “the best thing that has ever happened to me”. The antagonist, are westerners who work on behalf of the United States Government. Given this dynamic, the stage is set for a clash between the two forces. The struggle between these two can be viewed as a microcosm for what has occurred throughout history between Native Americans and Caucasians. With all this in mind, the reader can see that the theme of this piece is the battle of Native Americans to maintain their culture and way of life as their homeland is invaded by Caucasians. In addition to the theme, Erdrich’s usage of the third person limited point of view helps the reader understand the short story from several different perspectives while allowing the story to maintain the ambiguity and mysteriousness that was felt by many Natives Americans as they endured similar struggles. These two literary elements help set an underlying atmos...
If one analyzes “Yellow Woman,” one can see that Silko was attempting to explore the origins of these myths and what they mean in a modern context. The narrator of the story talks about how her grandfather used to tell her stories of the ka’tsina, or mountain spirits, and the Yellow Woman, both of whom would seduce and kidnap lonely travelers. These stories may have arisen as cautionary tales, but Silko claims that they might be explanations of actual abductions or seductions in the past. Silva, who claims to be a ka’tsina spirit, at one point replies to the narrator’s incredulity about them being ka’tsina and Yellow Woman by saying, “But someday they will talk about us, and they will say, ‘Those two lived long ago when things like that happened.” (431) Silko is making the case through Silva that these myths and legends could have had routine origins, as people looked for answers to where their family members went when they disappeared. It is possible that people back home on the reservation might make the narrator’s disappearance into a story to...
To most Americans today, life on the reservation is not at all like is glorified to be. Sherman Alexie uses his literary talent to expose the truth inside the reservation. In particular, in his short stories, “The Only Traffic Signal on the Reservation No Longer Flashes Red,” “Every Little Hurricane,” and “Lone Ranger and Tonto Fistfight in Heaven,” Alexie reveals the ever continuous cycle trend of alcoholism, poverty, and racial injustice from one generation to the next. As the trend continues, the earlier it seems that the Native American youth are falling into the habits and life choices of their parents. Thus, each of the previously stated short stories addresses the negative turn-of-events that lead to the Native American youth following the same corrupt path as the generations before them from a different angle to expose the truth within the reservation.
Alexie Sherman’s, “The Lone Ranger and Tonto Fistfight in Heaven” displays the complications and occasional distress in the relationship between Native-American people and the United States. Despite being aboriginal inhabitants of America, even in present day United States there is still tension between the rest of the country, specifically mainstream white America, and the Native-American population. Several issues regarding the treatment of Native-Americans are major problems presently. Throughout the narrative, several important symbols are mentioned. The title itself represents the struggles between mainstream America and Native-Americans. The theme of racism, violence, and prejudice is apparent throughout the story. Although the author
The central conflict of Leslie Marmon Silko's Ceremony is Tayo's struggle to gain psychological wholeness in the face of various traumatic experiences, ranging from a troubled childhood to cultural marginalization and combat experiences during World War II. Throughout the novel, the key to Tayo's psychological recovery is his rediscovery of Native American cultural practices.
The story is the most powerful and most compelling form of human expression in Leslie Marmon Silko's novel Ceremony. Stories reside within every part of every thing; they are essentially organic. Stories are embedded with the potential to express the sublime strength of humanity as well as the dark heart and hunger for self destruction. The process of creating and interpreting stories is an ancient, ongoing, arduous, entangled, but ultimately rewarding experience. As Tayo begins to unravel his own troubled story and is led and is led toward this discovery, the reader is also encouraged on a more expansive level to undertake a similar interpretive journey. Each story is inextricably bound to a virtually endless narrative chain. While reaching an epiphanal moment, a moment of complete clarity, l is by no means guaranteed, by presenting Tayo as an example, Silko at least suggests there is fundamental worth in pursuing and creating stories.
Laws or something that almost every society has in today's generation. A law can be defined as some a set of rules or regulations that are set out to define the behaviors that develop a society or community. These laws restrict certain behaviors, actions, and sometimes even words. Words throughout time in over history a set of laws turn to be a standard of conduct that was set amongst individuals. A source of a law is simply a background in which a law is created from.