The Lion, The Witch And The Wardrobe
By C.S. Lewis
The four childeren, Peter, Susan, Edmund and Lucy had to stay at the home of a professor in the time of the second world war. Because there was not much to do and it rained a lot, the children decided to look around the house. They came across a room that had nothing in it, but a big wardrobe. Peter, Susan and Edmund found nothing interesting, and left the room. But Lucy opened the wardrobe, and looked inside. There were many coats in it. She left the door open, because she knew it was a foolish thing to lock oneself up in a wardrobe. She kept walking to the back, looking for the wall but she found none. Instead of feeling coats, or a wooden floor, she felt branches and snow. This confused her, as she kept walking. In the distance, she saw a light and when she reached it, it turned out to be a lamp post. She started walking around, when a starnge creature walked towards her. He was smaller than Lucy, and had the legs of a goat, a tail and held an umbrella in his hand. It was a Faun, and his name was Mr. Tumnus. Lucy introduced herself, and the Faun asked her if she was a Daughter of Eve. Lucy didn’t understand, and Mr. Tumnus asked her is she was a girl, which was true. Mr. Tumnus askedif she would like to go to is house and have some tea, and Lucy replied with a yes. They ate and drank, while Mr. Tumnus told her about all kinds of things like the White Witch, and Lucy told of her siblings. When Lucy told him she had to leave, Mr.Tumnus began to cry. Lucy tried to confort him, but he kept saying that he was a bad Faun, because he worked for the White Witch, whom made it always winter, but never Christmas. He had to take the Sons of Adam and the Daughters of Eve to her, but he couldn’t now since they became friends. He brought Lucy back to the lamp post, but they had to be quiet, for the Witch had spies everywhere, even some trees. Lucy ran through the door of the wardrobe and stumbled out and ran to her siblings, and told them she’d come back. Her siblings didn’t understand what she meant, for Lucy had only been gone for a merely a second. She told them everything she’d experienced, but they did’t believe her. Edmund kept making fun of her and asked if she’d found any new worlds since then.
A few days later, they decided to play hide and seek. Edmund was “it” and had to find everyone. Lucy was hiding in t...
... middle of paper ...
...e healing liquid she had gotten from Father Christmas. She gave Edmund and the other creatures that needed it, a few drops of the liqiud and they all healed.
Finally, when everything ended Peter, Susan, Edmund and Lucy were crowned the Kings and Queens of Narnia. Peter was known as King Peter the Magnificent the High King, Susan as Queen Susan the Gentle, Edmund as King Edmund the Just, and Lucy as Queen Lucy the Valiant.
They ruled Narnia for many years, untill one day they were in the woods, and found the old lamp post, not remembering what had happened many years before that. They followed the path, and stumbled out of the wardrobe one again. They were in their own clothes again, and they’d turned back into children. They told the professor, and he said they could not go back to Narnia, at least not that way. They had to find another way. Once a King in Narnia, always a King.
CHILDREN'S FICTION
The Horse and His Boy (1954)
The Last Battle: A Story for Children (1956)
The Lion, the Witch and the Wardrobe: A Story for Children (1950)
The Magician's Nephew (1955)
Prince Caspian: The Return to Narnia (1951)
The Voyage of the "Dawn Treader" (1952)
The Silver Chair (1953)
Much like Madeline, Lucy becomes a victim of involuntary sleepwalking where she too is stuck in a “dream-world,” yet looking at Freud’s theory of dreams, how can we completely agree on the idea that she was not also acting on her ID? (???) states that “The symptoms (of sleep walking) are not simply a matter of individual affliction-they point to a shadowy world of dreams, repressed desires and the supernatural outside the rational daylight world of an increasingly affluent, increasingly materialistic Victorian society.” The idea of “repressed desires,” exposed in our dreams described by Freud is evidently seen in Lucy. By walking out alone at night we see the emergence of the New Woman being revealed through her sleep walking. This contradicts the “Angel in the House” figure who is “Dearly devoted” to a man, because a typical Victorian woman
“Monty Python and the Holy Grail” is a satiric comedy about the quest of King Arthur. The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. Through satire and parody of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search. While they search for the Grail, scenes of the knight's tales appear and the reasons behind their names. Throughout their search, they meet interesting people and knights along the way. Most of the characters die; some through a killer rabbit (which they defeat with the holy hand grenade), others from not answering a question right from the bridge of Death, or die some other ridiculous way. In the end, King Arthur and Sir Bedevere are left and find the Castle Arrrghhh where the Holy Grail is. They are met by some French soldiers who taunted them earlier in the film and were not able to get into the castle. The movie ends with both King Arthur and Sir Bedevere being arrested for killing a real-life man who was a historian.
In conclusion, C.S. Lewis’ The Lion the Witch and the Wardrobe is not only a children’s story filled with creatures that are only of imagination, but an allegorical representation of biblical history and a quest to find one’s strength. Although author like J.R.R Tolkein once criticized his Narnia books, they remain among the most beloved books of classic Children’s Literature selling over 100 million copies.
Lucy then goes into Narnia a second time. Edmund follows her. In Narnia, he meets a woman. She is the Queen of Narnia. She tells him that she will make him king if she gets to meet his siblings. He agrees, and goes back to the wardrobe.
He had been turned into a dragon by taking the dragons gold. He is a dragon for a few days, then Aslan(Aslan is the great emperor of Narnia) comes to visit him and changes him back.
C.S. Lewis created a story of a fictional world called Narnia that was inside of a wardrobe. There were four siblings who found this world, once inside they saw numerous creatures like witches and centaurs that were symbols for something bigger. C. S. Lewis uses Christian symbolism in The Lion Witch and the Wardrobe through the characters of Aslan, Edmund, and the White Witch.
Within The Lion, the Witch, and the Wardrobe, C. S. Lewis creates a question in the reader's mind on whether or not the story was meant to symbolize a Christian allegory. Throughout the story, Lewis utilizes the use of symbolism through his characters, their actions, and the places they travel. All of the main characters in the novel symbolize something within the Holy Bible. The Pevensie children are evacuated from war-torn London and sent to live in the country with Professor Kirke, an eccentric old man. While playing hide and seek on a rainy day, Lucy, the youngest Pevensie, discovers a colossal wardrobe in an empty room. She decides to hide inside, but "she had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe" (The Lion, the Witch, and the Wardrobe, Lewis, 7). She discovers that the wardrobe has no ending and it leads to a world full of snow and strange creatures. Lucy meets a faun, Mr. Tumnus, and she follows him back to his home. Mr. Tumnus confesses that he is a servant of the White Witch, Queen Jadis. He states, "I had orders from the White Witch that if I ever saw a Son of Adam or a Daughter of Eve in the wood, I was to catch them and hand them over to her" (Lewis, 21). This is when the reader sees the first sign of symbolism. Lucy is extremely trusting. She represents children and their absolute innocence. When she enters back into the real world, she starts yelling that she is back and she is alright. However, her siblings have no idea what she is talking about. After they hear her story, the three eldest Pevensie children f...
C.S Lewis is the author of The Chronicles of Narnia: The Lion, the Witch, and the Warrdrobe. Lewis was born on November 29, 1898, in Belfast, Ireland. He was born Clive Staples Lewis to Flora August Hamilton Lewis and Albert J. Lewis. Lewis’s mother passed away when he was on ten years old. After his mother died he went on to get his pre-college education at boarding schools and he also received help from a tutor. Lewis served in World War I with the English Army, but unfortunately was sent home when he was wounded. Lewis was a graduate of Oxford University with a focus on classic philosophy and literature. As a child, he was disappointed with the Christian faith, but when he became older he found himself embracing Christianity. During World War II, he gave popular radio broadcasts on Christianity and they won many converts. Lewis’ speeches were collected in Mere Christianity. In the year of 1954, C.S. Lewis joined the staff of Cambridge University as a literature professor. He met an English teacher by the name of Joy Gresham and in 1956 they married each other and became a happily married family. The two were joyful during their marriage; unfortunately in 1960, the wife became ill with cancer died. Lewis began publishing his works in the mid- 1920s. Lewis started to publish The Chronicles of Narnia during the 1950s. The Lion, the Witch, and the Wardrobe was the first in the seven book series to be released. This was the story of four siblings who discovered a wardrobe with a magical land in the back of it (“Clives…”). In The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Lewis describes Aslan, Edmund, and Lucy.
The Wizard of Oz is a classic story that has been told in numerous ways. The first version I will tell about is the movie version, the book version, and finally the Michael Jackson version. The Michael Jackson version is called “The Wiz” but the book version and the movie version are both known as The Wizard of Oz. I will talk about the differences between all of the versions. They all have the same basic plot but are told in different ways.
After Lucy’s death the remaining characters feel various powerful kinds of emotions that help with avenging her death.
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
Through a magical doorway, past the golden thrones, The Lion, the Witch, and the Wardrobe was created by C.S. Lewis, in 1950, in England. Over the course of the past 64 years, this book has become one of the most famous books in the world. Lewis was “one of the most commercially successful authors” (The Life & Faith of C.S. Lewis: The Magic Never Ends). The hidden archetypes and intricate themes in this book are what sets it apart from others.
“What is that?” Jan asked. Her daughter came flying through the house with something tiny in her hand. The daughter ignored Jan who was sitting at the kitchen table and beelined straight to her husband. “We have to go to the store!” the daughter demanded. While as small argument ensued between her husband and her daughter, Jan strained to see the small object in her daughter’s hand. She was quickly able to determine what it was and let out a shriek of terror. “GET IT OUT!” Jan demanded. “But mom” said the daughter. “NO BUTS!” Jan sharply replied. In her daughters’ hand was a little bird with no feathers.
Boromir and Denethor are driven away from Gondor forever, but mercifully spared by King Faramir, and Aragorn is revealed to be the long-lost King of Arnor, the North-Kingdom of old.
Since the beginning of her life, Louisa isn't allowed to express herself because her father continually stresses the facts. Mr. Gradgrind suppresses Louisa's imagination and all she can do is wonder. One example of Louisa attempting to view the unknown occurs when she and Tom peep through a loophole in order to see a circus (8). This is the first time both Louisa and Tom have seen such a sight. When asked why they were there, Louisa curiously answers, "Wanted to see what it was like" (8), a response any normal child would have. Her "starved imagination" (8) is curious and needs some sort of avenue for release. As Louisa blossoms into a young lady, the young Miss Gradgrind enchants one particular suitor. Her father thought that it was time for Louisa to marry and had a suitable companion in mind. When Mr. Gradgrind asks Louisa if she would like to be Mrs. Bounderby, all Louisa can utter is, "You have been so careful of me, that I never had a child's dream. You have dealt so wisely with me, father, from my cradle to this hour, that I never had a child's belief or a child's fear" (63). Mr. Gradgrind interprets his daughter's words as a compliment to him and his strict belief in teaching only the facts. But Louisa means she has not experienced life and has never been given the chance. Her childhood has been murdered by her father's strict insistence on the perpetuation of facts only. Although Louisa realizes she has been enslaved by the theories of fact, she willingly enters yet another bondage to Mr. Bounderby allowing the process of her suppression to continue.