Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How the supernatural is used in literature
Literary analysis for the lion the witch and the wardrobe
Literary elements of the great gatsby
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How the supernatural is used in literature
Through a magical doorway, past the golden thrones, The Lion, the Witch, and the Wardrobe was created by C.S. Lewis, in 1950, in England. Over the course of the past 64 years, this book has become one of the most famous books in the world. Lewis was “one of the most commercially successful authors” (The Life & Faith of C.S. Lewis: The Magic Never Ends). The hidden archetypes and intricate themes in this book are what sets it apart from others. The theme of this book is fantasy. Fantasy, in a sense, does not connect with reality. While imagination, on the other hand, is based off of events from reality. This book is considered to be such a theme because of Lucy’s discovery of the magical world of Narnia inside the wardrobe. She walked inside to find moth balls and fur coats. As she ventured further into the wardrobe, she soon discovered pine needles, coldness, and snow at her feet. An entirely different world was lain out before her. How strange it must’ve been for Lucy to discover such a thing! As the story goes on, the four children meet several characters who all happen to be tal...
Over this entire novel, it is a good novel for children. It train children how to think logically, and notes people we should cherish our family, and people around us, very educate. Children can learn true is always been hide.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
Religious education and children's literature have enjoyed a long parallel history. The earliest children's books were little more than religious devotionals or bible stories rewritten with the express enjoyment of children in mind. As children's literature progressed, however, it began to move away from religious instruction and into works that focused more on story. This doesn't mean that the two became mutually exclusive as to this day many works that are still enormously popular with children are rife with religious allegory without sacrificing story. Two such children's works are George MacDonald's The Princess and the Goblin and C. S. Lewis' The Lion, The Witch, and the Wardrobe. Both considered classics, they have been read for generations by children enthralled by their fantastical plots, yet a deeper look reveals that the works contain some very noticeable religious imagery that serves merely to enhance the work and never takes away from the enjoyment of the plot.
Their are also many trees that the children first use as hiding places. This becomes the middle ground for the adventure that they go on. Narnia in this book is being created by Aslan. It is created by the tune that Aslan sung. It is here where their are many different types of animals that can talk.
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
Lewis, C. S. The Lion, the Witch, and the Wardrobe. New York: HarperCollins, 1994. Print.
How many times can one be lied to or deceived in a short period of time? In The Lion, the Witch, and the Wardrobe by Clive Staples Lewis, he writes a story about four children and their adventures in Narnia. These four children are deceived to many times throughout the novel. The lion, the witch, and the wardrobe, Lewis used the symbol of the Great White Stag, the archetype of the evil figure with the ultimate good heart, and the symbol of the Turkish Delight to convey to his readers’ deception in the novel.
There are three main characters in the story, Edmund, Lucy, and Eustace. Lucy and Edmund are brother and sister and Eustace is their cousin. Edmund is a young teenager, very smart and very kind. Lucy is in her mid teens as well, she is a very happy person. Lucy is always trying to help people with there problems.The setting is first the early 1900’s in England and then in Narnia the fictional world the story is based on.
C.S. Lewis created a story of a fictional world called Narnia that was inside of a wardrobe. There were four siblings who found this world, once inside they saw numerous creatures like witches and centaurs that were symbols for something bigger. C. S. Lewis uses Christian symbolism in The Lion Witch and the Wardrobe through the characters of Aslan, Edmund, and the White Witch.
“I am almost inclined to set it up as a canon that a children’s story which is enjoyed only by children is a bad children’s story.” C.S. Lewis ' quote brings about some interesting question. What makes a classic? How can we test fantasy literature to see if it is, or can be a classic for all ages? Two important factors to consider in these questions are how good and evil are depicted and explained to the audience. Is the villain evil for evils sake? Or does the villain believe he is in the right under bad circumstances? We must also consider how the author uses narrative voice to tell their story to the audience. Does the author talk down to the readers? Or do they keep their voice light and playful? Looking at the course readings from the
C.S Lewis is the author of The Chronicles of Narnia: The Lion, the Witch, and the Warrdrobe. Lewis was born on November 29, 1898, in Belfast, Ireland. He was born Clive Staples Lewis to Flora August Hamilton Lewis and Albert J. Lewis. Lewis’s mother passed away when he was on ten years old. After his mother died he went on to get his pre-college education at boarding schools and he also received help from a tutor. Lewis served in World War I with the English Army, but unfortunately was sent home when he was wounded. Lewis was a graduate of Oxford University with a focus on classic philosophy and literature. As a child, he was disappointed with the Christian faith, but when he became older he found himself embracing Christianity. During World War II, he gave popular radio broadcasts on Christianity and they won many converts. Lewis’ speeches were collected in Mere Christianity. In the year of 1954, C.S. Lewis joined the staff of Cambridge University as a literature professor. He met an English teacher by the name of Joy Gresham and in 1956 they married each other and became a happily married family. The two were joyful during their marriage; unfortunately in 1960, the wife became ill with cancer died. Lewis began publishing his works in the mid- 1920s. Lewis started to publish The Chronicles of Narnia during the 1950s. The Lion, the Witch, and the Wardrobe was the first in the seven book series to be released. This was the story of four siblings who discovered a wardrobe with a magical land in the back of it (“Clives…”). In The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Lewis describes Aslan, Edmund, and Lucy.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
Lewis, C. S., and Pauline Baynes. "The Magician's Nephew and The Lion, The Witch and the Wardrobe." The Chronicles of Narnia. New York: HarperCollinsPublishers, 2001. N. pag. Print.
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.
...egory, challenged the reader with complex themes and employed a plethora of mythical creatures is the reason for the success of the series. However, another reason for the popularity of the books has not yet been mentioned. Their acclaim comes from the way they illustrate the real world through Aslan. “It is as if Aslan offers a mirror in which we see ourselves as we really are. Or a light which reveals what we are really like, no matter how uncomfortable this may be” (McGrath). Lewis magically surpassed the barrier between fantasy and reality so that the reader finds parts of himself reflected in the books. The enchantment of Narnia leaps off the pages so that the morals and characters remain with the reader long after the book has closed. Somehow, Narnia is as tangible as planet earth in the mind of the reader. That is the true charm of The Chronicles of Narnia.