Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Significance of symbolism in literature
Significance of symbolism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Through the use of Christian symbolism, conflicts, and imagery, C. S. Lewis implements his religious background into his literary works.
Within The Lion, the Witch, and the Wardrobe, C. S. Lewis creates a question in the reader's mind on whether or not the story was meant to symbolize a Christian allegory. Throughout the story, Lewis utilizes the use of symbolism through his characters, their actions, and the places they travel. All of the main characters in the novel symbolize something within the Holy Bible. The Pevensie children are evacuated from war-torn London and sent to live in the country with Professor Kirke, an eccentric old man. While playing hide and seek on a rainy day, Lucy, the youngest Pevensie, discovers a colossal wardrobe in an empty room. She decides to hide inside, but "she had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe" (The Lion, the Witch, and the Wardrobe, Lewis, 7). She discovers that the wardrobe has no ending and it leads to a world full of snow and strange creatures. Lucy meets a faun, Mr. Tumnus, and she follows him back to his home. Mr. Tumnus confesses that he is a servant of the White Witch, Queen Jadis. He states, "I had orders from the White Witch that if I ever saw a Son of Adam or a Daughter of Eve in the wood, I was to catch them and hand them over to her" (Lewis, 21). This is when the reader sees the first sign of symbolism. Lucy is extremely trusting. She represents children and their absolute innocence. When she enters back into the real world, she starts yelling that she is back and she is alright. However, her siblings have no idea what she is talking about. After they hear her story, the three eldest Pevensie children f...
... middle of paper ...
...itch was evil, because the Witch asked him to. He also goes on to tell her that the Beavers said Aslan will soon return (Lewis, 107). Thus, Edmond is named a traitor by the White Witch. "You have a traitor there, Aslan… Have you forgotten the Deep Magic?" (Lewis, 155). The White Witch asks Aslan if he remembers that the Deep Magic engraved on the Great Stone Table by the Emperor-beyond-the-Sea, Aslan's father, says that "every traitor belongs to me (Jadis) as my lawful prey and for every treachery I have a right to a kill (Lewis, 155). Aslan asks the Witch to take a walk with him and they go off to have a private conversation. This is where the next Christian symbol comes in. Aslan sacrifices himself on the Stone Table to save Edmund from his treachery. The parallel in the Bible is that Jesus Christ sacrificed himself on the cross to save humanity from their sins.
After his conversion, C.S. Lewis' writings became less modernistic. Many of his most famous writings, such as Mere Christianity, The Screwtape Letters, and The Chronicles of Narnia series contain his Christian worldview (Stewart 1), which was completely opposite of the mode...
The analogy breaks down messages that are revealed in the Bible in order for the average person to understand what it being said, similar to how Jesus used parables to explain his teachings to mass audiences. The people listening to Jesus’ sermons weren’t very educated and had little prior knowledge about who Jesus was. He had to make his sermons relatable to the audience, just as C.S. Lewis does with his readers. Within the novel, Lewis also only covers what he considered the “basic teaching of orthodox Christianity.” Many theologists either focused on details that were unimportant to a new believer, or they wrote in ways that were difficult for the average person to understand. Lewis did not see himself as educated enough to provide a detailed theological and historical explanation of the doctrines that he discusses, but because of the lack of simplicity in religious works of literature, he strove to educate people on the basic outline of Christian beliefs (Mueller). Lewis explained his purpose for writing Mere Christianity in an interesting way,
A popular literary technique that can be found in a number of literary works is the biblical allusion. John Steinbeck perfects this technique in his novel The Grapes of Wrath by introducing a character who is symbolic of Jesus Christ. This character, Jim Casy, not only shares initials with this biblical figure, but he also grows thoughout the novel as a speaker, a mediator, an organizer, and, most remarkably, a martyr.
...of light overcoming darkness and good winning over evil are religious symbolism based on L'Engle's own understanding of Christianity.
Nowadays, children books are full field with morals and lesson to teach children how to behave and react in real life situations. A classic subject that teaches children is the rivalry between good and bad, where good defeats bad after a battle. An example of a children novel that explores in different ways the good versus the bad is The Lion, the Witch and the Wardrobe, written by C.S Lewis. The author of this novel uses literary elements to demonstrate the idea of good and evil, an example of which would be characterisation. Aslan and the White Witch embody the characteristics of the good and the evil, two of which are their physical and psychological descriptions and their actions in the novel.
The Lion, The Witch, and The Wardrobe - C.S. Lewis The main characters in this story are Peter, Susan, Edmund, and Lucy. During a war in London they were sent to a professor's house outside London. Lucy, while exploring with her brothers and sister, found a secret passage through the wardrobe to Naria,a secret world. In Naria there are other characters. One of them is the White Witch,also known as the Queen of Naria, who was like a tyrant.
When it comes to magical worlds and the fantasies of being there can be quite hard to relate to. One that relates to me is Chronicles of Narnia, not only because of the fantasy part how C.S Lewis made Christianity more welcoming to non-believers C.S Lewis the writer of the series of Chronical of Narnia takes a surprising approach to this belief that seeing is believing. With the adaptations made from the novel to the big screen of Chronicles of Narnia the Lion, the Witch, and the Wardrobe. Paul Stones (1988) and Andrews Adamson’s (2005) versions of the film incorporated some of the ideas that C.S Lewis wanted to get across to children.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
Morality is a driving force in many of the most successful literary works. Morality dictates human actions, and in a literary case, allows a reader to relate to a character. C.S. Lewis employs morality throughout the Chronicles of Narnia as a means to rally the reader behind a character. He is able to pull at the heartstrings of his audience and in doing so successfully entices them to celebrate in the children’s victories and scoff at the Witches cruelty.
Before we delve into the temptation of LWW, let’s observe its prolegomena as found in The Magician’s Nephew: In the Genesis’ creation story, there are two rudiments of evil found—Adam and Eve’s direct disobedience to God's commandment (Gen 2-3), and the deception of the serpent (Gen 3). The Witch in The Magician's Nephew may be seen as a representation of the introduction of sin, but also, later in the story, as a figure representing the character of the serpent. This marks a move away from the theme of creation and a step towards the theme of temptation in the Narnia Chronicles. The theme of temptation is present in both the Bible and the Narnia Chronicles, and Lewis often models his presentations of temptation after stories and characters from the Bible. A good example of this is found ...
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
“The Lion, the Witch, and the Wardrobe”, by C.S. Lewis is an amazing book. The main characters in this novel are: Peter, the oldest and wisest, Susan the protective sister, Edmund the confused liar, and Lucy, their little adventurous sister. In “The Lion, The Witch, The Wardrobe”, Lucy finds a wardrobe that transports her into a mysterious world called Narnia. Narnia is frozen in eternal winter, enslaved by the White Witch, waiting to be set free. The main characters in this book are forced to make many choices and pay the subsequent consequences, some very serious. One of these choices that had a huge impact on the plot, was the decision to either go into the woods and explore Narnia or choose to be scared and stay inside the castle. If they had decided to stay away from Narnia, they would not have fulfilled the prophecies where Aslan the King returns and they fight along his side to overpower the Witch.
The feature film, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, directed by Andrew Adamson is a fantasy film which relates the adventures of the four Pevensie children in a mystical land. The film explores the Christian theme of sacrifice and the ideals of family love, loyalty and the triumph of good over evil. Aslan, Peter and Edmund Pevensie function to develop these themes. Through the filmic language used to construct the characters Adamson reveals the importance of being brave, unselfish and loving.
C.S. Lewis uses a secondary world, Narnia, to convey complex, thought-provoking messages to readers of The Lion, The Witch and the Wardrobe. This paper examines the way a selection of Narnia's key characteristics prompt debates over logic and faith, comment on the nature of spiritual and metaphysical journeys, allow readers to broaden their conception of their own capabilities, encourage new reflection on the story of Christ and help to clarify conceptions of good and evil.
The Lion, the Witch and the Wardrobe is a book a like the most. I will recommend this book to all readers who haven’t read it before. Read it and you will find the joy flipping page by