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Gender issue in literature
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Gender as a social issue of literature
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Recommended: Gender issue in literature
English 101
Essay First Draft
Due: Week 6
By: Garima Singh
Daughters — Their Mothers’ Reflection
Partly inspired by Amy Tan’s own relationship to her mother, The Joy Luck Club tells the stories of four immigrant women from China – their hopes, fears, and tragic pasts – as well as the stories of their four American-born daughters. The novel opens with the death of Suyuan Woo – a member of The Joy Luck Club. Jing-Mei is asked to replace her mother at the Joy Luck Club and fulfill her mother’s ‘long-cherished wish’. The problem is that Jing-mei feels like she never really knew her own mother. This simple premise allows the book to cast a much wider net, as it raises the question of how well daughters know their mothers. The other three members
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This is emphasized in the scene where Waverly says “Despite all the tension she places on herself- and others the doctors have proclaimed that my mother, at age sixty nine, has the blood pressure of sixteen years old and the strength of a horse”. And that’s what she is a Horse”(167). The character of a horse is hardworking, obstinate, intuitive, capable of making sound judgement and dexterous. On the other hand, a rabbit is social, sensitive, tactful, and capable of seeing things before they happen. They possess a natural shrewdness. However, irrespective of the subtle differences between Horses and Rabbits, Waverly is more of a Horse than a Rabbit. Looking at the stages of both characters’ life, for example, the series of events that occur as well as the manner they tackle issues, it is evident that Waverly is as a Horse as her mother Lindo and not the Rabbit she claims to be. Like a horse, the first and second parts of their lives are characterized with ups and downs, the tendency to leave their family when they are young and its disappointments. Their love life isn’t smooth but the third phase of their lives is peaceful. This is also illustrated earlier in the text when Lindo boasts about her daughter’s accomplishments saying. “I told my daughter, Use your horses to run over the enemy”(170). From this statement it is evident that that her mother knows that Waverly possesses the traits of a horse but she doesn’t. Waverly is a simulacrum of Lindo not only on the basis of her character and approach but physical resemblance as well. This is depicted in the scene at the Salon. “These two faces, I think, so much the same! The same happiness, the same sadness, the same good fortune, the same faults”(256). This statement is made by Lindo as she describes how similar events that took place in their lives have not only changed their
She then moves on to describe each of the characters, and in doing so, their surroundings and how they fit in: "He was cold and wet, and the best part of the day had been used up anyway. He wiped his hands on the grass and let the pinto horse take him toward home. There was little enough comfort there. The house crouched dumb and blind on the high bench in the rain. Jack's horse stood droop-necked and dismal inside the strand of rope fence, but there wasn't any smoke coming from the damned stove (28)."
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
Lindo tries to teach her daughter to be just like her when she was a kid, she tried to
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
The Joy Luck Club is an emotional tale about four women who saw life as they had seen it back in China. Because the Chinese were very stereotypic, women were treated as second class citizens and were often abused. Through sad and painful experiences, these four women had tried to raise their daughters to live the American dream by giving them love and support, such things which were not available to them when they were young. These women revealed their individual accounts in narrative form as they relived it in their memories. These flashbacks transport us to the minds of these women and we see the events occur through their eyes. There were many conflicts and misunderstandings between the two generations due to their differences in upbringing and childhood. In the end, however, these conflicts would bring mother and daughter together to form a bond that would last forever.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
In conclusion , I believe that as strong as the protagonist’s self image of herself was, one girl is no match for all of society, which has efficiently put her “in her place”. This manipulation of the girl’s self image is not only the end of her unique identity, but it is also a blow against freedom and individualism. Unfortunately for this horse, she could not roam free forever, and she has finally been caught.
The Joy Luck Club, by Amy Tan is a piece of literature that displays the power of femininity. Through the past couple of centuries the role that women play in society has drastically changed. Women in various societies have experienced turmoil due to being discriminated against and looked down upon often. Women were viewed upon as being the house caregiver and leaving majority of the other jobs in society to men. Women have moved up the social ladder, politics, jobs, and in households. Femininity is shown throughout The Joy Luck Club. These women each have their own life experiences and stories but through it all they remained strong. Rules and regulations for women in China were very restrictive. Women had to live up to the ideal model of being obedient, hard working, bearing children, hide her unhappiness, and to not complain about anything. In China the women had little worth and were only seen as valuable to their immediate family members. Most of the mothers left China for the reason of improving their daughter’s lives in America. The novel demonstrates various characteristics of how women are represented. The theme of women is demonstrated through the hardships experienced, ethics and self-worth.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
“Now suppose you had a little colt, and you were your own mother to that little colt… And all of the sudden that same little colt went and died… You’d be sorry, wouldn’t you?” When dealing with death, an individual is encompassed with all kinds of feelings and emotions. Depression, denial, and guilt are all the components of mourning through death. This quote, relates to the thought that everything one experiences is associated with their environment. Iona and the mare experience two different environments. For Iona, it’s adjusting to a life without his son. The little mare lives a life away from the farms in a gloomy city. Iona places the little mare in a similar scenario he’s in, as if she can respond. Although she can’t, the horse’s compassion is visible once again. “The little mare munches, listens, and breathers on her master’s hands.” The healing power of the mare was the key to easing Iona’s suffering. When Iona couldn’t find a sense of closure through the communication with human beings he finally opens his eyes to realize the one listener he had, was his little white mare. He pours his sorrows out to her and not only did she show compassion by hearing his every word, she physically comforts him. The little breath on his hand represents the transfer of warmth from the mare to Iona on a cold winter day. Even though she’s restricted to what she can do, at the end