Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
June’s story dealt with the concepts of superstition and cultural differences. The beginning of the chapter, June is describing a necklace given to her by her mother. The pendant was, “too large, too green, too garishly ornate” (pg. 197. June). Her mother Suyuan entitled it the “life importance” for her daughter, but because June did not appreciate it, the reader can identify the cultural differences between the two, as well as the importance of material items. After the death of Suyuan, June begins to realize that the “life importance” is actually a testimony of love from her mother.
“For a long time, I wanted to give you this necklace. See, I wore this on my skin, so when you put it on your skin, then you know my meaning. This is your life’s importance.” (pg. 208)
By finally giving the life importance to June, Suyuan is finally expressing that she is no longer comparing June to Waverly. She is finally letting her know that she accepts her for who she is, and how great of a person she is.
In “Without Wood”, Rose Jordan was unable to find a balance between herself and her need to please everyone around her, especially her husband, Ted. Her mother believed that Rose was lacking the element Wood, translating into the fact that Rose ...
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...nts, Ying-Ying predicts that Lena will be unable to control her future life if she does not “finish her rice”. Snowballing into a need for control over her environment, Lena fails to accomplish what she has worked so hard to fight for, and marries a man named Harold, who controls their marriage by demanding equality between everything they do and own. Unable to see the unbalance is her marriage, Ying-Ying is forced to show Lena by comparing it to a table created by Harold.
“Fallen down,’ she says simply. She doesn’t apologize.
‘It doesn’t matter,’ I say, and I start to pick up the broken glass shards. ‘I knew it would happen.’
‘Then why you don’t stop it?’ asks my mother. And it was such a simple question” (p.165)
After the table breaks that day, Lena finally comes to the realization about her marriage and what her mother had been talking about the whole time.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
“Guy de Maupassant’s, “The Necklace”, is about a young couple who discovers the upper society appears to sparkles like a real diamond necklace, but in reality it is not always true. A decision that seems to protect their integrity turns out to tarnish it – like a fake necklace. However, through ironic insights we witness drama, character revelations and experience surprise” (Clugston, 2010) .The Necklace is told from a 3rd person point of view with limited omniscience. The title suggests that the plot will center on a necklace. So, naturally we, the audience or reader wants to know what the significance of the necklace is. After reading the story I believe that Maupassant used the necklace to symbolize the upper society or wealth. Another symbol that the necklace represents is appearance. In the story Mme. Loisel was a beautiful young woman that had admirers at the reception. She made all the attendees believe she was from...
The climax is illustrated and clarified through the symbolic tearing or exposing of the bare walls. She wants to free the woman within, yet ends up trading places, or becoming, that "other" woman completely. Her husband's reaction only serves as closure to her psychotic episode, forcing him into the unfortunate realization that she has been unwell this whole time.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
The Joy Luck Club, is a film that shows a powerful portrayal of four Chinese women and the lives of their children in America. The film presents the conflicting cultures between the United States and China, and how men treat women throughout their lives. People living in the United States usually take for granted their roles as a male or female. The culture of each country shapes the treatment one receives based on the sex of the individual. Gender roles shape this movie and allows people, specifically the United States, to see how gender are so crutcial in othe countries.
...ies, she goes back to the piano and finds two songs. She begins to play “Pleading Child,” the song that caused the breaking point of her relationship with her mother. This song, with its fast and aggressive melody, best represents the mother’s aggressive attitude towards her daughter. Then Jing-mei plays the song next to “Pleading Child,” called “Perfectly Contented.” It turned out to be lighter and slower. It is a much happier song. Jing-mei’s determination to be herself, “Perfectly Contented,” corresponds with this song. “And after I played them both a few times, I realized they were two halves of the same song.” (499). Like the ying-yang and the songs, Jing-mei’s relationship with her mother may seem disastrous and apart, but together they share a strong bond that makes them whole. Even though the two disagree, like the songs, they form one beautiful song.
As Walker lightens the reader with the importance of quilts in “Everyday Use”, she amplifies the significance of it by presenting Maggie, the younger of two sisters. Maggie’s strong attachment to these quilts have carved memories in her heart that she ‘”can’ member Grandma Dee without the quilts”’ (Walker 321). I contrast is Maggie’s sister, Dee, who refers to them as “priceless” (Walker 320). Observing them from an economic view, she tries to posses them. The author implies that although both sisters differ in reasons to value quilts, the legacy that the quilts represent is indeed priceless. In “Hangzhou”, Chang presents the reader with a different legacy. Represented by the legend of the Pagoda, a female trapped spirit, the author reveals it as “a punishment” (Chang 101) for trying to hold a husband using dark sources instead of fathering him with a son. A strong belief handed down for generations. Regardless of their origin, these legacies encourage both families to deeply treasure the traditions that have formed each of
Without realizing it, she has created a struggle between a friend in whom she can confide but cannot love like a husband and a husband whom she can love as such, but in whom she cannot confide. The saddest part of the story, and the part which finally shows the consequences of the wife 's ineptitude, is the final scene. Upon awakening from a stoned slumber, she finds her blindman, her confidant, sharing a close conversation with her husband, her greatest desire, as they draw a picture of a Cathedral together. Her makes her jealousy evident when she exclaims, “What are you doing? Tell me, I want to know...What 's going on?” like a child shouting to be heard (Carver 193). Her desperate tone stems form the fact that she must observe her heart 's greatest desire occur before her eyes, but from the side lines. She so desperately desires to become a part of the relationship forming between her husband and the blind man, but she cannot. Once again she falls behind, this time spiritually as her husband experiences a revelation, while she remains in the dark. The husband realizes the importance letting people “in” ones life at the blind man 's words, “Put some people in there now. What 's a Cathedral without people,” but the wife does not (193). Obsessed with becoming a part of their conversation, she completely overlooks the relevance of the
One time my dad gave my mom these beautiful diamond and ruby earrings. She had them for the longest time and one day she woke up with one missing. We search all over her room and we couldn't find the missing earring. A couple weeks later my dad took the lone earring to the jewelry store where he bought it and had it turned into a necklace. That same day my mom called me so happy, she had found the missing earring in her closet. Its ironic how the same day my dad went and got the earing turned into a necklace, is the same day my mom found the missing part. It relates to “the Necklace”, she lost a gift that my dad spent a lot of money on, like Madame Loisel thought her friend spent a lot on the necklace she lost. It relates to “The Gift of the Magi”, my dad tried to do something nice by turning the lone earring into a necklace, yet now it leaves my mom with one earring and a matching
The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters. The hardest problem communicating emerges between Suyuan and Jing-Mei. Suyuan is a very strong woman who lost everything she ever had in China: "her mother and father, her family home, her first husband, and two daughters, twin baby girls" (141).
In Noh there are many things that are significant, and that have deeper meanings. For instance the simple way that they walk, sing, and move all mean something more. While doing the presentations on a Noh play I noticed something beautiful about the play that I had chosen. Spring was mentioned a lot, it had many cameos in the play. In Yuya the entire back story of the play is the discussions of going to see the cherry blossoms. Spring in Japan means a whole lot more than just another season. It means new life, and new beginnings, a way for family to come together and start anew. So while taking this course I really picked up on the seasonal aspect of Noh whether it be spring, autumn, summer, or winter. Each setting gave a new feeling of how people reacted, and it’s true in real life also. So in this essay even though spring will be the main topic I will be discussing all of the seasons and what they mean in Japanese culture, with some symbolic things and Noh examples also.