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Art as a catalyst for social change
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It has happened often that the overwhelming beliefs of a group of people have been forced upon a minority or that the political leaders of nations have forced ideas on their citizens. But just as often as this has happened, so has the retort of the very people being badgered and oppressed. This retort has come in the forms of violent action, political coups, stand offs and, unfortunately, many deaths. One way that has emerged, however, to be a success against the war of oppression has been that of the passive protest, and another subdivision of this being protest art. Protest art has been one of the biggest contributors to the success of equality and passive resistance due to its ability to spread across nations and send a message without the …show more content…
Protest art can be seen as a mirror or guide of social change. Protest art during Apartheid, the Cold War and for animal rights does not only state a problem but it gives society a reason of solution. Thus protest art has proven to be socially effective. In South Africa during the, Apartheid era, protest art was used as a form of expression and was fueled by great passion against inequalities. A large majority of the art in that era was socio-reflective concerning the suffering and the conditions of the non-whites in South Africa. In 1948 Gavin Jantjies created ‘A South African Colouring Book’ to emphasis how everything in South Africa was catagorised by colour. This colouring book as an example of protest art, gave the world insight into how everyone was divided based on colour and was thus socially effective. In the 1960s the Sharpville Massacre was one of the most important turning points in South African history. It triggered a lot of events from the liberation organisations being banned and internationalization of South African Apartheid. These events gave rise to protest art; this art was used as a weapon of struggle as well as working towards the creation of a new non-racial culture, therefore bringing about social
The idea that art can be a service to people- most importantly a service to poor and disenfranchised people is one that may be disputed by some. However, Elizabeth Catlett and other artists at the taller de Graffica Popular have proved that art could be made to service the poor. Catlett in particular is someone who has always used her art to advocate for the poor and fight injustices. While her activism and political views were very impactful, they were also very controversial. Catlett`s art and activism influenced African American and Latin American art by changing the narratives of Black and Brown working class women. In their books titled Gumbo Ya Ya, The Art of Elizabeth Catlett, African American Art: The Long Struggle, and Elizabeth Catlett: Works on Paper authors Leslie King-Hammond, Samella S. Lewis, Crystal Britton, Elizabeth Catlett, and Jeanne Zeidler speak of the work of Catlett. In a paper titled -----, ---- also speaks of the work of Elizabeth Catlett and her legacy as an activist.
The art in a social justice movement is used to further educate individuals while entertaining them; one example is the 1978s classic The Wiz. The Wiz was created during the Black Arts Movement to illustrate historical and political issues in the African American communities. If one watches The Wiz closely one can see the how the Scarecrow character is used to demonstrate how African American mental mislead. The Scarecrow was told over and over by the Crows he was not smart enough to get down off of “dis here pole”. The Scarecrow believed the Crows and felt he was dumb and not good enough. However, the Scarecrow was very smart, but due to years of being mental beat down he could see it. This has happened so many times in African American history. African Americans have
Gun-slinging, militant-looking, irate adolescent African American men, women, and children: an incessant image employed by the revolutionary artist Emory Douglas. Douglas is perhaps one of the most iconic artists’ of the 20th century and has created thousands of influential protest images that remain unforgettable to this day. Through the use of compelling images Emory Douglas aided in defining the distinct visual aesthetic of the Black Panther Party’s newspapers, pamphlets, and posters. It was through such mediums that Douglas had the ability to enlighten and provoke a predominately illiterate and uneducated community via visual communication, illustrating that art can evolve into an overpowering device to precipitate social and political change.
It is getting the people of the community to support the revolution and make for a better life. In the essay it states, “Black art must expose the enemy, praise the people and support the revolution” (52). Black art is important to the survival of the black culture and the key to a better life, by revolution. Ron Karenga relies the message that a black aesthetic is essential to the revolution, in that it will help to judge the validity of the art in the black culture. If art is not to support the black revolution, it is invalid and useless to the community. This aesthetic will set guidelines for art and help to make art more focused on the revolution to help the community thrive. Karenga wants all art to support the revolution, no matter the art it needs to support the revolution or it is invalid to the black aesthetic. The artwork must be functional in getting its message through to the audience and inclining them to support and participate in the revolution, because in the end it will only help them get to a better
War holds the approximate greatness of a black hole, and is alike one in many ways. From times immemorial writers have used imagery, language appealing to one or more of the 5 senses, irony, things that go against what is expected, and structure, the way the story is written, to protest war. This form of protest has most likely existed since any point in which the existence of both war and written language intersected, and were a part of human life. Through the use of imagery, irony and structure, writers protest war.
Protests have long been a way for people to display their difference in opinion and gain support. One of the many protests against the war that had a powerful effect on public opini...
Street art is a classic example of how art can express a 'zeitgeist', art as immediate expression of feeling and rage. Rage against the meta-narrative, rage against lack of opportunity and rage against the dead hand of conformist art leaving mediocrity as a handprint. Both Banksy and Basquiat form part of this virtually neo-anarchist emergent art discourse. Basquiat used challenging social commentary to “springboard to deeper truths abo...
Another form of expression and bringing awareness was through the way of art. The style of art and representation solely raised from the Chicano movement. Murals played a big part in the activism and progression people wanted to see. Most, if not all murals represented native Mexicans and their struggles of being oppressed. All murals told a story whether it was Mexico’s poverty or the farming industry. Many popular symbols and images were used again in the Chica...
As can be seen throughout history, art is a powerful expressive model that has the capacity to instruct and construct social change within a community. The art born out of the Chicano Movement of the 1960’s is a perfect example of this phenomenon. In response to the struggle for civil rights for Mexican-Americans immigrants, Chicanos and Chicanas created an art aesthetic that embodied the activist spirit of the movement. As Alicia Gaspar de Alba once stated, “the Chicano art movement functioned as the aesthetic representation of the political, historical, cultural and linguistic issues that constituted the agenda of the Chicano civil rights movement.” By taking an activist approach to challenge the stereotypes, economic inequality and xenophobic shortcomings of the dominant mainstream and by promoting awareness of history, culture and community the visual art of the Chicano Movement served as a political tool to enact social change for Mexican-American Immigrants of all generations.
When we think of the word “Protest,” we may think of the events that have happened recently. Egypt, Turkey, Libya and other countries where citizens have come out to the streets protesting their government. Not all protesting approaches are like this. Many, throughout history, have been based around peaceful actions. This approach was used during one of the great line of protests in American history. The Civil Rights movement. Many leaders used peace to promote their cause and promoted the passing of laws such as the Voting Rights Act of 1965. The many leaders of this movement, Martin Luther King Jr., Rosa Parks, and others influenced others to join the strive for equality. One of these people that they influenced was John Lewis.
Two historical periods in which racial topics, including interracialism, were the source of much social unrest are the eras of the pre-Civil War and the Harlem Renaissance. During these times voices were raised in protest from all sides of racial debates. These voices were in the forms of organized protests, speeches, writings in books and periodicals, as well as violent acts of rioting, burning, and lynching. In addition to these, a very important medium through which beliefs on racial topics were expressed was art.
Apartheid began in 1948, also a beginning to a series of long, tiring, and sometimes violent struggles for the people of South Africa. The segregation laws implemented by the minority white population in control of the government divided the whites and colored peoples in most aspects of their lives. The laws negatively affected the majority of the country’s population and resistances quickly began to rise. The original fights for reforms became violent through sections of the African National Congress and the Pan-African Congress. However, it soon became obvious to many people that violence was hardly effective and seemed to result in a larger death toll rather than reforms. Thus, the nonviolent resistances towards apartheid in South Africa quickly became more effective than violent struggles, also becoming the main force towards the removal of racist laws that drastically changed the lives of the majority colored population.
Jasper, James M. The Art of Moral Protest Culture: Biography, and Creativity in Social Movements. Chicago: University of Chicago Press, 1997. Print.
There is no art, music, and literature like here in sub-Saharan Africa. What is important to Westerners, such as the artist, label, and static-like wall hanging, means nothing to us. African art is living, spiritual, and meant to go back to the Earth once the soul of the item has run out. As the Bamana of Mali say, the art are “things that can be looked at without limit”. Our artwork has changed, emerged, and survived eras of turmoil and inversely, hope. I have found passing through the global gateway into Africa has made me appreciate this culture more, and appealed to me on a level that made me choose being a part of it.
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.