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The Ancient Irish Sagas
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Irish mythology is a slew of history and myth, blurring the lines of understandable and reliable Irish history (Dersin, 16; Kinniburgh). This unique literature, demonstrates the Celtic peoples sense of the connection between the natural and supernatural realms (Dersin, 15). In Irish myth, the Tuatha de Danaan are the human like gods that reside in the Otherworld after being fought off by the first Irish people when they came from Spain (Dersin, 16). They are immortal beings with shape-shifting abilities and control much of the natural world with their powers (Dersin, 16). These Irish myths were first recorded by the Christian monks recorded them after Saint Patrick brought a de-Romanized Christianity to Ireland to replace paganism (Cahill, …show more content…
In Irish literature as a whole, Irish mythology inspired the “Irish Literary Renaissance” (Marcus, 67). The rediscovery of irish heroic legends was one of the major inspirations for the renaissance. These legends gave Irish writers a new source of inspiration and allowed them to stray for the usual tradition of following in English writer’s footsteps, therefore creating genuinely Irish literature (Marcus, 67). The land of Narnia, known from The Lion, The Witch and The Wardrobe as well as the Chronicles of Narnia, has roots in Irish mythology (“C.S. Lewis and the Real Narnia”). C. S. Lewis grew up in Belfast, Ireland and was fascinated with Irish mythology as a child, and from it emerged his creation of Narnia (“C.S. Lewis…”). His book, now a major motion picture, includes local landscapes reflective of Irish mythology (“C.S. Lewis…”). Lewis studied at Oxford University, where he met J.R.R. Tolkien, another author influenced by Irish mythology (“C.S. Lewis...”). Tolkien is the author of Lord of the Rings, another work of literature influenced by Irish mythology. Dr. Campbell stated that, “An unexpected body of evidence is beginning to emerge that unmasks Ireland, the Burren in particular, as a significant influence of Tolkien’s creative imagination” (Walsh). There is also evidence that the Irish demigods, the Tuatha de Danann, are the inspiration for Tolkien’s Elves, the Noldor, in his work of literature (Walsh, Kinniburgh). Campbell argues that Irish landscape and mythological influence are present in both Tolkien’s original concept, as well as later revisions, of the Middle-earth portrayed in Lord of the Rings (Walsh). These works of literature, and others, owe their existence partially to Irish
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
The following is a list of explications pointing towards British and Celtic myths and figures. While pursuing the Celtic influences of Middleton's novel, I found myself searching for the meaning of other present mysteries. This author's twist of two cultures creates a spectrum for possible explication. It seems that the Celtic material melds into British society throughout this novel. In search of specific markers I found myself concentrating mostly on Haydn Middleton's use of names.
The paper will begin with a look at the life of Tolkien. This will serve the purpose of providing some context for the novel. Looking into the life of Tolkien will also serve to give the reader some insight into the mind that gave birth to such a rich land and why the novel may have some importance for sufferers of mental illness. Next will likely be a short summation of the
For Gerald of Wales, religion was one of the most essential aspects of being a civilized human being. Therefore, when he wrote, The History and Topography of Ireland, he portrayed its inhabitants as subhuman and barbaric during his apparent travels to Ireland. As a colonizer, Gerald picked a far away place in which many had not been to, in order to establish them as the “other”. Unfortunately, for Gerald, he may have ridiculed the Irish for their lifestyle conveyed in his writing, but his exploitation of them most likely was done because he could in fact relate to them. In the book, The Postcolonial Middle Ages, Jeffery Jerome Cohen’s analysis in his chapter, “Hybrids, Monsters, Borderlands: The Bodies of Gerald of Wales”, closely focuses on Gerald’s cultural hybridity, which mirrors his accounts of the Irish. Although he deemed the Irish as barbaric, they were also hybrids, thus he also shared a feeling of displacement with them. Nonetheless, he still held himself to a higher degree because they did not properly celebrate Christianity, ultimately leading them to make other unpleasant decisions.
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
The ancient mythology of Ireland is one of its’ greatest assets. The glorious, poetic tales of battles, super humans, demigods and heroes ranks among the best of ancient literature. The book of the Dun Cow, (Lebor na huidre), was written around 1100 and contains stories from the eighth and ninth centuries. The Book of Invasions, (Lebor Gabala), tells how the mythical ancestors of the Irish, the God-like Tuatha Dé Danann, wrestled Ireland (or Erin) from misshapen Fir Bolg in fantastic battles. The Fir Bolg were traditionally linked to Gaul and Britain so the analogy between them and the invading English was complete.
Irish Lore Research Paper Legends, Myths, and fairy tales are different types of stories called folklore. Legends are based on history. Myths dealing with gods and religion. Fairy tales are completely unbelievable. Irish folklore is mostly fairy tales, but every culture has one of them.
Myths relate to events, conditions, and deeds of gods or superhuman beings that are outside ordinary human life and yet basics to it” ("Myth," 2012). Mythology is said to have two particular meanings, “the corpus of myths, and the study of the myths, of a particular area: Amerindian mythology, Egyptian mythology, and so on as well as the study of myth itself” ("Mythology," 1993). In contrast, while the term myth can be used in a variety of academic settings, its main purpose is to analyze different cultures and their ways of thinking. Within the academic setting, a myth is known as a fact and over time has been changed through the many different views within a society as an effort to answer the questions of human existence. The word myth in an academic context is used as “ancient narratives that attempt to answer the enduring and fundamental human questions: How did the universe and the world come to be? How did we come to be here? Who are we? What are our proper, necessary, or inescapable roles as we relate to one another and to the world at large? What should our values be? How should we behave? How should we not behave? What are the consequences of behaving and not behaving in such ways” (Leonard, 2004 p.1)? My definition of a myth is a collection of false ideas put together to create
J.R.R. Tolkien was able to successfully capture the essence of Anglo-Saxon literature throughout The Lord of The Rings Trilogy. Though he wrote these books decades later, Tolkien used his knowledge and interest of Anglo-Saxon times to create this mythical, dark, and adventurous tale. Tolkien showed many themes of which were often seen in books written during the Anglo-Saxon time period (450 A.D. – 1066 A.D.) He drew much of his inspiration from the epic poem Beowulf, which is seen all throughout The Lord of The Rings. This book is known as the greatest prime example of literature from that time period. He used similar Anglo-Saxon themes such as Good versus Evil, Christianity versus Paganism, and lastly, the idea of courage and loyalty. Tolkien, fascinated by Anglo-Saxon literature, used similar context, themes, and ideas to create a parallel between Beowulf and The Lord of The Rings.
In the The Lord of the Rings, by J. Tolken, there are many things that make the story symbolic of a Christian influence. The constant emphasis of good vs. evil brings forth reason to suspect that this novel has a Christian basis. In this paper I will prove and backup my personal opinion through sighting specific examples of the influences from the book.
J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
Matson, Gienna and Jeremy Roberts. Celtic Mythology A to Z. New York: Chelsea House, 2004.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Morford Mark, Lenardon Robert, and Sham Michael. Classical Mythology, International Edition. New York: Oxford University Press, USA, 2011. Print. 830 pages.
Murray, Roxane Farrell. "The Lord of the Rings as Myth." Unpublished thesis. The University of Georgia, Athens, GA, 1974.