Heroism, Magic and Retribution in Lord of the Rings and The Hobbit
A fantasy is an imaginary world where all things imaginable can be brought to life. J.R.R Tolkien portrayed fantasy through his use of skilled craftsmanship and a vivid imagination, which was presented in each piece of literature he wrote. In Tolkien's two stories The Hobbit and The Lord of the Rings we see the theme of fantasy brought to life through three essential elements, heroism, magic and retribution. Heroism is shown through the character's courage and bravery in situations where conflict arises and this enables them to be seen in a new light. Magic is a form of extraordinary power seemingly through a supernatural force; it is used in a combination of combat and mystical items to aid the companions on their journey. Retribution is paid to the evil forces for the wrongs society had to endure while they were allowed to dominate. This system allows opportunity for physical and mental development in the characters and the aspect of fantasy to come to life.
During the character's quest, weather they were headed to the Lonely Mountains or to the Cracks of Doom, they always experienced a form of heroism. In the story The Hobbit, we see heroic deeds being accomplished by the main character Bilbo. This occurs when the companions do battle with giant venomous spiders in Mirkwood forest. Bilbo finds depth and strength in his nature that he was surprised was there and smote these villainous creatures all on his own, saving his friends and adding to his stature among those in the group. "Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the Dwarves or anyone else, made a great difference to Mr. Baggin...
... middle of paper ...
... fully understand the characters, as well as the major changes both physically and mentally which allow the characters to successfully complete their task to dominate over the forces of evil.
Works Cited
Chance, Jane The Lord of the Rings: The Mythology of Power. New York, Twayne. 1992.
Murray, Roxane Farrell. "The Lord of the Rings as Myth." Unpublished thesis. The University of Georgia, Athens, GA, 1974.
Tolkien, J. R. R. The Hobbit. New York: Ballantine Books, 1993.
Tolkien, J. R. R. The Lord of the Rings. New York: Ballantine Books, 1997.
Tyler, J.E.A. The Tolkien Companion. New York: St. Martin's Press, 1976.
Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Fantasy in the Writing of J. R. R. Tolkien. United Press, 1971
Wood, Ralph C. "Traveling the one road: The Lord of the Rings." The Century Feb. 97: 208(4).
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
In other words, things that are out of the ordinary human beings control. Jackson’s film “The Lord of the Rings: The Fellowship of the Ring,” depicts not only the concept of a cultural truth-value of a modern myth, but also the idea of a “human action” myth in the sense of how the main character Frodo, clashes against the supernatural force, as well as the metaphysical fate of the One Ring. In addition, this overlaps with concepts in classical mythology.
Morford, Mark P.O., and Robert J. Lenardon. Classical Mythology. '7th ed'. New York: Oxford University Press, 2003.
- - - . The Lord of the Rings. Boston: Houghton Mifflin Company, 1993. 68, 643, 659, 979.
The area has been turned into a wildlife preserve to help maintain those ecosystems. The
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
Thrall, William flint, Addison Hibbard, and Hugh Holman. A Handbook to Literature. New York: Odyssey, 1960.
There are nine amino acids that are considered “essential” for health, which we must obtain from our diets since our bodies cannot make them on their own. Some of the roles that amino acids/proteins have include helping to form and maintain muscle mass, providing energy for our cells and brain, helping store away energy for later use in fat stores, making your heart beat, and helping build the foundation of vital organs, including your heart, lungs and even your DNA, and supporting growth/development. Because of its ties to lean muscle mass and satiety in terms of controlling your appetite, protein is especially important as you age.
The Hobbit shows J.R.R. Tolkien’s belief in the ancient heroic tales of the Anglo-Saxon and Scandinavian epics. He asserts that a being goes through many adventures with the help of friends who believe that anything can happen. Tolkien reveals how bravery and courage make ordinary individuals succeed at ordinary tasks.
Tolkien, J. R. R. The Hobbit, Or, There and Back Again. New York: Ballantine, 1982. Print
reason for taking extra protein is to gain weight and muscle mass. In today's athletics, whether it is high school, college, or professional, the athletes are getting bigger, stronger, and faster. Protein works the best when the athlete is on a strict work out regimen.
Tolkien, J.R.R. Lord of the Rings: The Two Towers. New York, New York: Houghton Mifflin Company, 1954. Print.
In 1966, Congress passed the Endangered Species Preservation Act, a piece of legislation designed to provide limited protection to a list of native animal species. The Departments of Interior, Agriculture, and Defense were responsible for the protection of these species and the preservation of their habitats. It also allotted land to the U.S. Fish and Wildlife Service to help maintain these natural habitats. In 1969, the Act was amended because further protection was necessary. With the threat of worldwide extinction, the amendment called for an international meeting and cha...
In the novel, The Hobbit, we find many themes and underlying messages from which useful knowledge and principles can be acquired. As the modern canadian fantasy writer once said, “Fantasy has the capacity to be as important and as thought-provoking as any other form of literature we have.” Tolkien’s work provides readers with challenging and time honoured themes such as: use your unique positive traits for the greater good of the group, power should never be abused and it is important to find your true self in life.
From the diaries of Jean-Marc-Gaspard Itard, The Wild Child is a movie made in 1970, with a setting in France from the18th century, and based on a child who had lived in nature his whole life without any human contact. Itard, a well known French doctor for working with deaf-mutes, had taken in this feral child under his care for the purposes of his studies on the child’s intellectual and social education. Given the time period of the movie Itard had taken the “wild-child” in under his own care, and helped teach the child to be more civilized, even though he went against the beliefs of how mentally retarded children were to be taken care of during the 18th century. Although most of the medical doctors who had been in contact with the feral child felt that he, who could not speak, and exhibited violent behavior to others, was mentally retarded and proved to have no hope for becoming civilized. Itard had proven them wrong using both positive and negative reinforcement techniques that helped the “wild-child” improve drastically and become more civilized. Having the ability to teach a mentally retarded child who had not been exposed to civilization was one of the main messages of both the movie and also one of Itard’s main goals. Although succeeding at many techniques that he had done with the “wild-child” ranging from identifying everyday objects, dressing on his own, writing words, to spelling words, he still believed he was unsuccessful due to the fact that the child had not b...