Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Evolution of films as a genre
The evolution of filmmaking
The development of cinema as an art form
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Religion and film are two diverse subjects that are studied both collectively and individually. Though these subjects are still developing, they are widely affirmed within society. There are a multitude of components viewed in religion that is incorporated into film through visual and audio mechanisms (McNutt, Flesherm Lyden, Marsh, Mitchell, Plate, and Torry, 2012). An overview of this topic will be discussed throughout the contents of this paper. Religion and film in general will be explored, the history will be observed, and the continuous composition of these two subjects will be analyzed. Religion and film intertwine to create an underlying belief that is present within the themes in film. This entanglement is due to the fact that there is …show more content…
Furthermore, film is a modernized way of teaching religion and a method of reaching out to the community in order to get people involved. Though there are a multitude of reasons as to why film and religion intertwine, it is important to view the opposite side of the argument. When is film and religion not viewed as a unit? In the previous paragraphs it was stated that film can be persuasive when reviewing religious themes. Instances occur when this is not the case. For example, in a book titled Film as Religion it wrote of a woman who held Christian values and enjoyed watching gruesome films. When asked why she enjoyed a particular film in comparison to her beliefs she stated that what was occurring was not a legitimate situation. The author of this book applied his knowledge and created an explanation as to why this was her response, “Instead, I speculated that the film was functioning as a way for her to deal with her fears and in some ways master them, as the heroine of the film does,” (Lyden, 2003). Therefore, religion is not always an influential factor in
achieving his goal of placing doubt into the minds of the religious. Making this a poorly-argued film due
When I saw Lars and the Real Girl on the choices of movies for this project, I knew exactly what I wanted to write about. I really enjoyed this movie and its uniqueness. This movie has the most unique plot I have ever witnessed in a film. At the end of the movie, Margo says to Lars, “There will never be one like her” in reference to Bianca. In reality, there will never be a movie like this one. What I enjoyed most about this film was it was a Christian film but wasn’t a Christian film. What I mean by that is that it didn’t just throw Christianity in your face while watching it. Nothing about this film seemed fake. It never seemed as if the writer was trying to tell you one specific message of the film. The writer was simply telling a story, and leaving it up to the audience to figure out what the message of the story was for that particular person. The writer left it up for the audience’s interpretation. Everything in this film seemed genuine and real. It was something that I really could see happening at my church community. I will be honest when I first read the initial plot before I watched the movie; I was skeptical of how this movie would involve Christianity, but after watching the whole movie I saw that there were elements of Christianity all throughout the movie. From the perception of the church to the common beliefs of the characters, the Christian faith was shown in all aspects of the movie. Lars and the Real is not only a movie, but it is a lesson that through faith and the strength of a community a troubled soul can be healed. There are four specific items I am going to address in this paper: the message of the film regarding the Christian metanarrative, the way Christianity was...
To draw the conclusion, it can be effectively said that it is very difficult to incorporate the ideas contained in books into films, especially when one has to prove some theory. Pasolini has done it successfully by incorporating his film theory contained in the book Heretical Empricism into the film Mamma Roma. Pasolini’s creativity is an integral part of the classical art. He gave his life to change the world for the better through his films. He has not only presented his socialistic thoughts in the film, but also included religious motifs of Christianity to show the plight of a woman in this materialistic society. The development of unforgettable emotions and memories are guaranteed in return. Modern society should know and remember the
The research question that will be evaluated is, to what extent was the Catholic Church the leading establishment to alter production policies in Hollywood during the great depression? While the Great Depression was a time of grief, it was additionally an era of new opportunities. The institution of Hollywood and the Catholic Church were two separate entities during the Great Depression. The two institutions disagreed on how society should conduct itself, through the means of entertainment. However, arguably, the Catholic Church wasn’t the only organization that altered the ethics of Hollywood. The time period that will be evaluated will be from the late 1920s to the late 1930s, seeing how Hollywood was reformed during that time period. The research question should be sufficiently answered by finding in depth information through articles and studies on the two separate entities, and other possible influences during this particular era. Also, by analyzing the effects of the institution’s individual contributions on society itself, there will be added evidence to the research question.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
In conclusion, I found a quote from Michael Medved that I thoroughly agreed with, he says, “This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood”. I believe what he wants to get across here is that the Hollywood industry always misses the mark when it comes to spirituality and this is his whole meaning throughout the book. Whether I agree with his wording or not, I am a Christian, and I should be concerned with the way the media is influencing the mind of the world around me. I am called to be the light in this world, and I do believe that is the one area Medved and I agree; in some way, we both believe that the world is under attack and it is our job to show the light to this darkened world.
“Do you have the slightest idea what a moral or ethical principle is?” Deontology, or the adherence of one’s actions to a certain moral or ethical principle of operation, stands as an intruiging philosophy by itself. The opening sentence of this essay clearly possesses relevance to deontology. However, the quote does not originate from any philosopher, but instead from Jack Torrance of Stanley Kubrick’s The Shining. The film, from a superficial point of view, stands as an atmospheric horror film. However, instead of providing audiences with just a technically proficient film, Kubrick weaves the grounds for a foreboding subtext throughout his film. This essay examines The Shining by examining Robert Tonkin’s distinction between religion and
Whether Andrei Rublev (Andrei Tarkovsky 1966/1969) ‘accurately’ or precisely reveals the reality of life in the 15th century has nothing to do with any actual audiences’ reactions to the film as experience. Instead, what we can feel is the becoming of the experienced world into distraction from something else. As a spotlight, for its intensity, might remind us what is outside its beam, the sprawling and unlimited earthly world of the film points to something outside the widescreen frame. The film makes itself a diversion from something that had equally not existed before the image began moving – or had it existed? The movie is enough to send audiences fleeing to god. And is, in this manner, a proof of god much like Pavel Florensky’s by iconography: “There exists the icon of the Holy Trinity by St. Andrei Rublev; therefor...
"A Critique of Inherit the Wind: Analyzing One of the Most Anti-Christian Films in History." Protestantism. Web. 02 June 2010.
In his classic work Christ and Culture, H. Richard Niebuhr asserts that the relationship between earnest followers of Jesus Christ and human culture has been an "enduring problem."1 How should believers who are "disciplining themselves for the purpose of godliness" (1 Tim. 4:7) relate to a world whose culture is dominated by "the lust of the flesh, the lust of the eyes, and the boastful pride of life" (1 John 2: 16)? Culture is God's gift and task for human beings created in His image and likeness. At creation humanity received a "cultural mandate" from the sovereign Creator to have dominion over the earth and to cultivate and keep it (Gen. 1:26, 28; 2:15). But sin's effects are total, and culture—whether high, popular, or folk—has been corrupted thoroughly by rebellion, idolatry, and immorality. How, then, should Christians, who have been redeemed, "not with perishable things like gold or silver . . . but with precious blood, as of a lamb, unblemished and spotless, the blood of Christ" (1 Pet. 1:18-19) live in relation to culture? According to Jesus in His high priestly prayer, believers are to be in the world but not of it (John 17:11-16). But in what way? How do believers act in and interact with the "crooked and perverse generation" (Phil. 2:15) that surrounds them and of which they are a part?
Schepelern, Peter. "Film according to Dogma: Ground Rules, Obstacles, and Liberations." Transnational Cinema in a Global North. Eds. Andrew Nestingen and Trevor G. Elkington. Detroit: Wayne State Press, 2005: 73-107
Hollywood, the name alone sparks the interest of the public and invokes dreams of being famous in even the most humble soul. It temps us, influences us and whether we would like to admit it or not plays a role in our way of thinking. It plays a key role in Pop Culture and through movies, TV, radio and the ever expanding wave of magazines, Pop Culture and its influence seems to flow over the world like a great wave of information. One of the strongest areas that seem to be affected by this undeniable influence is the way in which we perceive other people, particularly people of other faiths. One faith that has acquired a particularly wicked reputation with the help of the negative propaganda provided by the many influences within American and European Pop Culture is Paganism.
Portrayal of Christianity in the Media In this piece of coursework I am going to write an essay about how Christianity is portrayed in the media. I'm going to write about mainstream shows such as Songs of Praise and Paradise found. I am also going to write about how a Christian issue is dealt with on Eastenders which was Euthanasia. Then I am going to write about how Homosexuality is looked upon in the film Philadelphia.
The Rocky Horror Picture Show, while far from being the first film to gain a cult following among a marginalized audience, it is perfectly suited for use in a discussion on mainstream adoption of the cult sensibility; while once relegated to a small but dedicated following and ignored by practically everyone else for being a film of ‘low-culture,’ Rocky Horror has reached an apex of ‘high-culture,’ being selected for preservation in the United States National Film Registry and additionally transcended cult-culture to exist within the dominant popular-culture. Rocky Horror is a textbook case of the dominant society enveloping cult-culture. In order to comprehend the track a cult film travels in its journey to acceptance by mainstream society,
These movies are history lessons to the audience since they show something we were not able to witness or take part in. Consider war movies such as “The Tuskegee Airmen and Memphis Belle”. Though not one hundred percent accurate, both depict actual events of historical wars. They are examples of how movies can teach the newer generation about what their distant relatives did for their country. Another type of informative movies describes the cultures and societies around the world. “City of God” is a prime example. These movies show the hardships that people in other countries face in their day-to-day lives. Again, these are just two simple examples of how movies can be learning tools for a mass