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Film industry in the great depression
Film industry in the great depression
Film industry in the great depression
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To what extent was the Catholic Church the leading establishment to alter production policies in Hollywood during the great depression
A. Plan of Investigation
The research question that will be evaluated is, to what extent was the Catholic Church the leading establishment to alter production policies in Hollywood during the great depression? While the Great Depression was a time of grief, it was additionally an era of new opportunities. The institution of Hollywood and the Catholic Church were two separate entities during the Great Depression. The two institutions disagreed on how society should conduct itself, through the means of entertainment. However, arguably, the Catholic Church wasn’t the only organization that altered the ethics of Hollywood. The time period that will be evaluated will be from the late 1920s to the late 1930s, seeing how Hollywood was reformed during that time period. The research question should be sufficiently answered by finding in depth information through articles and studies on the two separate entities, and other possible influences during this particular era. Also, by analyzing the effects of the institution’s individual contributions on society itself, there will be added evidence to the research question.
B. Summary of Evidence
In 1929, America experienced a stock market crash that led the country into what is historically known as the Great Depression. Many industries across America experienced alterations in order to fit the social and economic changes that America was undergoing as a nation. Specific industries included Hollywood and the film industry. In the late 1920s and early 1930s, the movies that Americans enjoyed viewing were considered immoral at the time. This was f...
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...ny other groups tried to conduct boycotts or general protests, however the WTCU and the Legion of Decency conducted boycotts that caught the attention of William Hays, and forced him to alter the ways of cinema. The Production Code offers insight into the situation of society during the Great Depression and the values that Americans upheld, even in a time of crisis. Both establishments pushed for a change that they wanted to see in society, because the society that they saw was one of many immoral ideas and actions. Since films at this time were the main focus of entertainment, and entertainment was the main focus of society, they believed that the film industry was the place to start the alterations. As noted, both the Catholic Church and the WTCU were the leading influences in altering Hollywood, and therefore they altered society during the Great Depression era.
However, after the dust settled, it was widely accepted that the blacklist was unjust, which enabled many film workers to pursue the movie studios in civil courts through the 1950’s for unpaid contracts and wages (Lewis, 2008). While the studios were initially impacted by the Paramount decision, the breadth of competition and independent successes of smaller studios gave rise to the advancement of innovative filmmaking that may not have been possible if it were not for the Paramount decision. Filmmaking is one of the riskiest and most profitable ventures in modern day society, and without these events, the studios and the film workers may not share the successes that they do
Hollywood is a master of revisionist history, especially when that history is its own. One of the defining moments in the histories of both Hollywood and America was the series of Congressional hearings held by the House Un-American Activities Committee, or HUAC, and led by Senator Joseph McCarthy in the late 1940′s and early 1950′s in order to ostensibly eliminate Communism from the United States. Hollywood was intimately involved in the HUAC hearings, and one of those targeted most viciously in the controversy was acclaimed film and theater director Elia Kazan.
The 1930’s was dominated by the Great Depression. There was not much time of money for people to spend on entertainment, but there were a few pin pricks of light. People, especially kids, went to the movie theater. They could spend ...
In Hollywood political conflict was also paving the way for what would later occur in Hollywood as the HUAC would attack the industry. Big business controlled the lucrative industry and the companies that controlled the market were eight major studios in Hollywood. The Metro-Goldw...
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
The Great Depression is when the film industry boomed with new types of movies like: gangster films and musicals. They were both born in the Great Depression. Most films show the hardships of the time period. Some of the films display this very well for example Modern Times staring Charlie Chaplin. One of the more well-known gangster films was The Public Enemy.. These films have very different views of the time period but still have things in common. This paper will compare Modern Times and The Public Enemy.
Clara’s experience with the motion picture industry gives us a picture of what it was like in the 1920’s. It was new and intriguing, enticing and corrupt. The motion picture industry underpaid Bow, which is almost inconceivable today. The environment of Hollywood now pays actors and actresses corpulent amounts of money...but that may be the only change. The “star-maker” environment is still as enticing and corrupt as yesterday’s.
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
Classic film noir originated after World War II. This is the time where post World War II pessimism, anxiety, and suspicion was taking the world by storm. Many films that were released in the U.S. Between 1939s and 1940s were considered propaganda films that were designed for entertainment during the Depression and World War II. During the 1930s many German and Europeans immigrated to the U.S. and helped the American film industry with powerf...
The cold war was a dark time in Hollywood’s history. The growing paranoia of communism and the increasing power of Senator McCarthy resulted in the Hollywood Blacklist. The Hollywood Blacklist occurred when the House on Un-American Activities began targeting Hollywood screenwriters, actor, directors, and musicians suspected of involvement in the American Communist Party. These victims would be blacklisted, “barred from work on the basis of their alleged membership in or sympathy to the American Communist party.” (Wikipedia.org) These individuals would be questioned in court and if they refused to testify or give names of other alleged communist they would be further punished. They could even be imprisoned, as in the case of the Hollywood ten. The Hollywood Blacklist lasted until 1960 and it permanently damaged hundreds of victim’s lives.
Doherty, Thomas. Projections of Power-Hollywood, American Culture, and World War II. New York City: Columbia University Press, 1993. Book.
Before the Second World War began Hollywood’s purpose lied within entertainment for the American people. After the war started, the main focus shifted to wartime propaganda. Film was used to display the war in a way that did not show its true colors—including the censorship of soldier causalities and other negative connotations that are a simple fact of war. There was even a time in which some actors became better known to America than politians. Through films, Hollywood began to make a statement of their anti-Nazi beliefs. They began to make motion pictures for American recruitment into the Army as well as many that supported the war effort, and intended to make other Americans more aware of the war’s effect on the United States, and how people can get involved. Many European countries banned these Hollywood films, as they began to affect not only America but many other countries that were involved in the war as well.
It was during this time that the Roman Catholics lead the charge in the creation of the Production Code, which would be reluctantly accepted in 1934, after seeing the outcry by the churches. Meanwhile, the Christian film industry had already had its humble start with the Harmon Foundation, beginning small productions for church and educational use. Though the foundation would not be able to make it through the depression, they established the categories of Christian films that would remain as the industry grew through the 1930s and onward. The five main categories attributed to the Harmon Foundation are: biblical, missionary, historical/biographical, pedagogical, and inspirational. At this point, many conservative Christians had given up any
Thompson, K 2003, ‘The struggle for the expanding american film industry’, in Film history : an introduction, 2nd ed, McGraw-Hill, Boston, pp. 37-54
Lyden, J. (2003). Film as religion: myths, morals, and rituals. New York, USA: NYU Press.