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Influence of American culture on religious filmmaking
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It was during this time that the Roman Catholics lead the charge in the creation of the Production Code, which would be reluctantly accepted in 1934, after seeing the outcry by the churches. Meanwhile, the Christian film industry had already had its humble start with the Harmon Foundation, beginning small productions for church and educational use. Though the foundation would not be able to make it through the depression, they established the categories of Christian films that would remain as the industry grew through the 1930s and onward. The five main categories attributed to the Harmon Foundation are: biblical, missionary, historical/biographical, pedagogical, and inspirational. At this point, many conservative Christians had given up any
In the film “The Holy Ghost People,” right away we get individual accounts of what the “Holy Spirit” is to certain individuals. One woman says the Holy Ghost guides her and keeps her going. The people are very intense about their beliefs, which comes from the religion Pentecostalism, which has a hyper focus on personal experience with God and baptism with the Holy Spirit. We see them in their church, we hear the sermon, and see the ritualistic dances and the way the prayer overcomes them, and causes seizure like motions. We see and hear the prayers for the healing of one woman’s eyesight, and another woman’s back pain. One man, seemingly the pastor, says that “if God is not doing what they ask, people aren’t believing hard enough.” Later we get an account from a woman of how she was nursed back to health as a little girl brought her nutrients, and she believes it was
In Hollywood political conflict was also paving the way for what would later occur in Hollywood as the HUAC would attack the industry. Big business controlled the lucrative industry and the companies that controlled the market were eight major studios in Hollywood. The Metro-Goldw...
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
The idea of Hollywood, before it was Hollywood as we know it seems foreign. However, it did exist and was known as "Pre-code." Pre-code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920's and the enforcement of the Hays Code censorship guidelines, which went into effect on June 13, 1934 (Association of Motion Picture Producers 1934). Durin...
Many elements of the film Life is Beautiful can compare to the Bible. For example, Guido, the main character, acts as a Christ figure in that he saves his son, Joshua from the evils of the Holocaust. Another example that compares with the Bible is the tank that is promised to Joshua. Finally, Guido’s death eventually saves Joshua from his own death. Such examples in the movie are comparable to examples in the Bible.
To draw the conclusion, it can be effectively said that it is very difficult to incorporate the ideas contained in books into films, especially when one has to prove some theory. Pasolini has done it successfully by incorporating his film theory contained in the book Heretical Empricism into the film Mamma Roma. Pasolini’s creativity is an integral part of the classical art. He gave his life to change the world for the better through his films. He has not only presented his socialistic thoughts in the film, but also included religious motifs of Christianity to show the plight of a woman in this materialistic society. The development of unforgettable emotions and memories are guaranteed in return. Modern society should know and remember the
...ny other groups tried to conduct boycotts or general protests, however the WTCU and the Legion of Decency conducted boycotts that caught the attention of William Hays, and forced him to alter the ways of cinema. The Production Code offers insight into the situation of society during the Great Depression and the values that Americans upheld, even in a time of crisis. Both establishments pushed for a change that they wanted to see in society, because the society that they saw was one of many immoral ideas and actions. Since films at this time were the main focus of entertainment, and entertainment was the main focus of society, they believed that the film industry was the place to start the alterations. As noted, both the Catholic Church and the WTCU were the leading influences in altering Hollywood, and therefore they altered society during the Great Depression era.
Film Analysis of All That Heaven Allows Chosen sequence: Golden Rain Tree/Cary's bedroom scene. Before the emergence of 'auteur theory' the director Douglas Sirk was a renowned exponent of classical Hollywood narrative, particularly in the genre of romantic melodrama, of which his film All That Heaven Allows is a classic example. However, he is now regarded as a master of mise-en-scene, one of the few tools left to a director working within the constraints of the Hollywood studio/institutional system who is now thought to have been highly critical of American mainstream culture and society in this prosperous era. 1, 2 The 'Golden Rain Tree' sequence occurs early on in the film after the opening panoramic, establishing shot - showing the scene of the action, a small middle-class New England town in autumn. The main protagonists are soon introduced of which the prime causal agent is an unsettled woman, Cary Scott (Jane Wyman), in keeping with romantic melodrama.
... middle of paper ... ... Larry Ceplair and Englund stated in the book The Inquisition in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC.
Portrayal of Christianity in the Media In this piece of coursework I am going to write an essay about how Christianity is portrayed in the media. I'm going to write about mainstream shows such as Songs of Praise and Paradise found. I am also going to write about how a Christian issue is dealt with on Eastenders which was Euthanasia. Then I am going to write about how Homosexuality is looked upon in the film Philadelphia.
But there are several varieties of liberalism. Joseph McCarthy and other conservatives believed that Hollywood had been infiltrated by Communism and the Soviet Union. Conservatives were in a position of power at this point and abused it relentlessly. Any movie could now be seen as secret propaganda in support of the USSR. The fear of a black-list in Hollywood caused a bit of liberal outcry. But this was mainly among actors and other employees in the film sector. The most famous case was the Hollywood 10; who were charged with contempt. The fear of being labelled a Communist caused American movies stagnate and become similar stories. These movies were generally happy-go-lucky, pro-government or apolitical. Other forms of press faced a similar amount of danger but the main targets of the HUAC were Hollywood’s employees and government
America so often aligns itself with that of a Godly nation; hence the nations’ founding fathers were ‘Christian’. Broadly speaking, this ‘Christianity’ America ties itself to is nothing more than a man-made religious activity that has lost its foundation. According to statistics from the Federal Government, 78% of Americans have a belief in God and claim to be “Christians”; yet Christians currently have less influence than any other time in this nations’ history. Since the majority of Americans profess Christ as their Lord and Savior, the all-powerful God, creator of heaven and earth, who is above all, in all, and through all, where is the evidence of Him? The Gospel from the Bible has been ripped out and roughly applied to the American dream, which completely contradicts Jesus: “If any man will come after me, let him deny himself, and take up his cross, and follow me” (Matthew 16:24).
The Golden age of Hollywood marked a time in American films history in which films were produced and distributed at rate never seen before or since. During this period, the film market in America was basically entirely run by 8 major companies. This period would also be known as the American studio years. Within these 8 companies there were two categories of power that each major studio system fell into. The big 5 consisted of studios that functioned as vertical integrated which meant that they produce film, distribute films, and they own theater chains. The 5 studios in this category were Paramount, MGM, 20th Century Fox, Warner Bros, and RKO. Then we have the big little 3, which was composed of Columbia, Universal, and United Artist. They were called the big little 3 because these companies either distributed or made films but they did not on movie theaters, so they had a lot less power. The studio era was not only largely controlled big studio companies, but also by various amounts of expectations and assumptions about hoe movies should be made, what kinds of stars should be on different kinds of films, and a need to acknowledge the ordinary conventions of society
Nations crumble, churches and business fail, families become dysfunctional, children lose their way, and men stray from God for one disturbing reason; lack of leadership. These failures are often because of the lack of instruction, proper leadership, and confusion over what Christian leadership is and how that leadership is applicable to every facet of business and personal life.
This piece of work will try to show ‘A critical reflection on the representation of Jesus in film and of filmic Christ figures.’ It will be split into two sections regarding this. The first will talk of how Jesus is shown to be in film, how easy it was to identify the figure on screen as Jesus and if when we did so we could see him as we have always believed him to be, including things like, the look of the man, the clothes the ways of movements and speech, if the portrayal was deemed as a success or failure, if the portrayal kept ‘true’ to bible sources or if it was taken in a new direction all together. If the Jesus we saw on screen followed our expectations of how we expected him to act to those around him and the challenges he faced, or if his mannerisms followed what we could find in the bible about him. Was the film itself supposed to show a true representation of Jesus? Was it a comedy or action film, a film meant to inform of a bible story or to show us a new way of thinking? This again will have an impact on how we see the representation of Jesus in said films and on how seriously we take the ideal of him we are being given to heart. It may also touch on the effect of seeing a positive/negative representation of Jesus will change our overall view, depending on how well the film used it. The second part of this piece of work will cover the section on Christ figures in film. It will go into detail about the recent debate of what a Christ figure is in film, and include some recent examples, it will try to point out some both obvious portrayals and also more subtle portrayals, it will touch upon the use of subtle ways to subconsciously make our mind connect the person in the film to what we know of Christ outside of film, suc...