Webster's online dictionary defines humor as "a quality that appeals to a sense of the ludicrous (laughable and/or ridiculous) or incongruous." Incongruity is the very essence of irony. More specifically, irony is "incongruity between the actual result of a sequence of events and the expected result." Flannery O'Connor's works are masterpieces in the art of literary irony, the laughable and ridiculous. The incongruous situations, ridiculous characters, and feelings of superiority that O'Connor creates make up her shocking and extremely effective, if not disturbing, humor. I say "disturbing" because O'Connor's humor, along with humor in general, most often contains the tragic. O'Connor has been quoted as saying, "The comic and the terrible [...] may be opposite sides of the same coin" (Farley 17). Throughout her works, specifically "Good Country People," O'Connor uses her humor to humble and expose the biases of the overly intellectual and spiritually bankrupt.
"Good Country People" starts with the introduction of Mrs. Freeman and Mrs. Hopewell. O'Connor's most blatant humor is found in the revealing of these two characters, a simple humor for simple people. Immediately, the reader begins chuckling at these two from a decided feeling of superiority over them. Their sacred cliches and gossip routine automatically make the reader want to put them both in the category of "good country people," which, in itself, is an ironic title in that it suggests an immediate air of superiority by bothering to judge a class of people that are generally considered to rest somewhere towards the bottom of society's social order. Clinton Throwbridge further supports this notion when he states, "The titles of many of Flannery O'Connor's short stories...
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...onic moments in this one story of Flannery O'Connor's, I hope that I have made it clearer how ingenious O'Connor's humor is and how intrinsic and necessary her ironies are to the brilliance of at least this one story. If not, perhaps these last thoughts on irony from Ruthann Johansen will help: "The ironic imagination, the imagination with its eye James-like between mystery (the sacred or transcendental) and matter (daily life), dissolves the division commonly accepted between these two aspects of reality" (121).
O'Connor dissolves the barriers, via irony/humor, that we put up in the name of our own protection against the unknown part of ourselves--that part which we cannot see without being blinded and cannot touch without first being maimed. So, thank you, Flannery O'Connor, for blinding and maiming us, and "Shame on you too!," she says with a wink and a smile.
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
The statement, “She had telephoned the man whose name they had given as a reference and he had told her that Mr. Freeman was a good farmer but that his wife was the noisiest woman ever to walk the earth” suggests, when the term farmer is used, that this story takes place in a farm town. Also the way Mom describes herself can lead the reader to think that she works on a farm herself. She says, “I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man” (744). From the way she describes her working hands to explaining how she slaughtered a cow, the reader understands that she has a farm that they live on and is an extremely hard worker. The setting in these stories are used in a way that impact the theme tremendously because the individuals who go to college are both from small rural communities where opportunities like this do not happen very often especially during this time, which is probably around the mid to late 1950s and 1960s. While, in the story “Good Country People”, a comment is made about the make of a car when the author notes that, “She said he owned a ’55 Mercury but that Glynese said she would rather marry a man with only a ’36 Plymouth who would be married by a preacher” (195). This statement can indicate that the time frame that ”Good Country People” happens in is around 1955 because the way it is talked about the older
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
The central theme of Flannery O’Connor’s three short stories is irony. Her stories are parables, that is, short stories with a lesson to be learned.
The irony at the end of this story is very interesting. O’ Connor forces the reader to wonder which characters are “Good Men”, perhaps by the end of the story she is trying to convey two points: first, that a discerning “Good Man” can be very difficult, second that a manipulative, self centered, and hollow character: The Grandmother is a devastating way to be, both for a person individually and for everyone else around them. The reader is at least left wondering if some or all of the clues to irony I provided apply in some way to the outcome of this story.
In “Good Country People” by Flannery O’Connor, O’Connor uses many different types of symbolism. The symbolism that is used in each of the characters’ names not only gives another layer to the literal descriptions that can be found throughout the story, but it also tells the reader about the characters. O’Connor uses the characters’ names as a way of showing the personality of each character, while also giving the reader insight to help them to understand the plot of the story. Mrs. Freeman, Mrs. Hopewell, Hulga (Joy), and Manley Pointer are more then just names; they help the reader understand the message that O’Connor in trying to portray.
In the short story, "Guests of the Nation," Frank O'Connor uses irony to illustrate the conflict which men face when their roles as combatants force them to disregard the humanity of their enemies. In both life and literature, irony exists when there is a contrast between expectation and reality. Verbal irony is defined as "a figure of speech in which the actual intent is expressed in words which carry the opposite meaning" (Thrall 248). In dramatic irony there is a contrast between a character's perception of a situation and the actual facts. Often "some of the actors on the stage or some of the characters in a story are 'blind' to facts known to the spectator or reader" (155) . The short story "Guests of the Nation" by Frank O'Connor illustrates both types of irony.
Dorthea Elizabeth Orem’s Nursing Theory as it Applies to Patients With End Stage Renal Disease and Hemodialysis Treatment
With prisons growing at the rate they are now, there must be more funding. 1 out of every 131 U.S citizens is incarcerated. The rest of the citizens have to pay for this person to have a place to sleep, eat, and exercise out of their taxes. These taxes can and should be used for more important issues. I...
Asals, Frederick. Flannery O'Connor : The Imagination of Extremity. University of Georgia Press; Reissue edition. Athens, Georgia, 2007.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.