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Significance of images in the church
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Images have been used through out history to depict everything from people to gods and everything in between. It was a way for those who could not read to understand the bible stories and lessons. When Christianity started to become more popular early theologians believed that images were considered to be idolatry. When Iconoclasm started they believed that images were bad as well, but people started to find a purpose for images and the issue of images in religion was some what concluded with Bernard of Clairvaux who believed they were good as long as the were used to honor God. Theologians through out time have all had many different ideas on what images should and should not be used for in Christianity.
According to Exodus 20:4 God tells his chosen people “Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.”(KJV). Early Christian theologians took the second commandment very seriously; they thought that images of Christ and God were wrong because they considered them to be idols or graven images; breaking the second commandment. Most Christians, in the early days and now, believe that God has no form, allowing Him to be omnipresent; early theologians believed that making in image of God or Jesus Christ confines Him. According to Justin Martyr in First Apology, ch. IX because earlier cultures used images to have the presence of certain gods around, which would make the Christian God “soulless and dead,” like the gods in the other cultures. Minucius Felix also argues that God is to big to confined into a small temple or shrine, he says in Octavius, ch. XXXII “What temple can I build for him, when the whole uni...
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...stracted and read the fictional stories on the wall rather than the important stories and lessons in the bible. Many would agree that certain images can be a distraction and that it should be troubling to those of the Christian faith.
All of these theologians had different opinions on what images are good for, but there is one thing that they all agreed on; images should not be used for idolatry, or as a distraction from studies. One thing that the images were good for, as mentioned latter on by Bernard of Clairvaux is that as long as the images glorify God they are not considered idolatry, which does seem to contradict itself. Today there are many images of Jesus Christ, God and the Holly Spirit. They are used not only as decoration, but to remind those who are religious of the different stories of the bible and that God sent down his son to die for their sins.
The increase of wealth during the twelfth century allowed artists to showcase their talents in churches. The apse titled Christ in Majesty with Symbols of the Four Evangelists in the church of Santa Maria de Mur displays the representation of divinity through its subject matter, technique, and style. In the apse, the main subjects revolve around scenes from the Old and New Testament with Christ as the focal point. For technique, the artist employed fresco painting instead of mosaics to show the images. The style of the apse avoids a sense of realism by hiding the bodies of the figures in the drapery and using the hierarchy of scale.
In the talk given by Birgit Meyer, she discusses that the reformation of the second commandment in the Catholic religion, is about how God forbids man to worship him through an idol, in this case, images of the divine because it is only a representation of God but it is not God himself. As we continue to pray to the divine through images or statues, especially in church or any other religious gathering, I think that the theme as well as the point that Meyer was trying to make is that people are more skeptical nowadays about the existence of heaven or about any religious figures because they do not have tangible proof therefore, these images and statues gives people some sort of proof that religious beings exists and that their power will be
Art, by definition, is “something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings”. Throughout history, one way that art has been used is to reflect a multitude of ideas and beliefs. Christian beliefs and ideas have been portrayed in artwork since the beginning of Christianity, although, it was not always acceptable to do so. The idea of the final judgement is a Christian idea that has been displayed in art repeatedly in a variety of ways. Michelangelo’s fresco the Last Judgment (1536-1541) is a piece that visualizes this idea. Since the time it was finished, this significant piece found in the Sistine Chapel has been continuously critiqued and analyzed. Many Christians struggle to interpret the event of a final judgment after reading it through Scripture. In analyzing Michelangelo’s piece, it is similar difficult to determine what he exactly meant to portray and what the various part of his masterpiece represent exactly. Many have examined this piece and made different regarding what exactly the various figures and objects are supposed to represent. The diverse interpretations of this work further shows the idea that when Christian ideas are reflected through artwork, it is hard to ascertain exactly what an artist intended to demonstrate. In addition, the controversies surrounding this piece represent the idea that when Christian ideas are revealed through art, there is potential for disagreement regarding what should and should not be included in Christian art. Michelangelo’s Last Judgment is just an example of what results when Christianity is brought into art.
2 Corinthians 3:18 states, “And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit.” God transforms Christians into His likeness. Genesis 1:27 reveals that, in the Garden, we were completely in His likeness: “So God created mankind in his own image, in the image of God he created them; male and female he created them.” To the artist, in the image of God means something different than what is often taught in Sunday schools. According to Sayers, “Is it his immortal soul, his rationality, his self-consciousness, his free will, or what, that gives him a claim to this rather startling distinction? . . . Looking at man, he sees in him something essentially divine, but when we turn back to see what he says about the original upon which the ‘image’ of God was modeled, we find only the single assertion, ‘God created’. The characteristic common to God and man is that: the desire and the ability to make things” (Sayers 17). The artist, like God, creates something out of nothing. But, there is an important distinction between something beautiful and poetic and something shoddy and cheap.
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people had a consistent view of religious matters. Art during this time was largely iconic, meant to inspire the awe of God in the viewer. Along with various versions of the crucifix, one of the most popular images of the Byzantine style was The Pantokrator, an image of Jesus Christ as shown from above. An example of one of these pieces was done in the twelfth century in the abbey church of Monreale in the city of Palermo. Jesus is a monumental figure that takes up much of the space across the apse of the Church. One of his hands forms a mudra as the other holds the scripture. His fully frontal and direct stance along with the glimmering gold background serves to strike awe and fear into the viewer. Clearly this piece was done with the intent to impress the value and mightiness of religion first and attention to the detail and technique of the art second.
Early Christian art during the period of Roman persecution was highly circumspect, and innocuous objects—the fish and the dove—were used to symbolize Christ and the Holy Spirit. Later Christian art, however, became replete with iconographic symbols. In particular, many of the saints became associated with specific objects—Saint Peter with two keys, for instance, or Saint Catherine with a broken wheel.
When someone in a monotheistic religion sees an image that is worshiped they see it as if that person was worshipping a statue of Jesus or Allah which is considered a sin, or wrong, to them because that object is not what is holy, the person it is created to look like is holy. The statue, although it may be seen as important or even sacred, is manmade and therefore not holy. These people views religious objects as important but not necessary for their religion because to them they are material objects and what they stand for is what matters more so than they do. An example of this is that someone might have an attachment to their specific bible, but if it were to be destroyed it
When I think of art being associated with religion, the first thing that comes to mind is symbolism. Symbols are a very important thing in different religions. For example, in Hinduism and Buddhism, mandalas are used as a meditation tool and they symbolize the cosmos. These beautiful creations are symmetric arrangements of circles or concentric shapes. They are often seen as carpet designs, mosaics, and henna tattoos. People have started to realize their beauty more and more recently, but many don’t know that they stem from a religious belief. Another example is within Christianity. Christians use the symbol of the cross extensively in art. There have been many sculptures of crosses or Jesus on the cross made by artists since the beginning of Christianity. Even some Christian churches are in the shape of crosses to reiterate this symbolism. An example of a church like this is the infamous Westminster Abbey. Another way to describe this symbolism is iconography. Iconography in art is basically the repetition of certain images or ideas that are identified with something significant. These icons help someone to identify what the work is associated with. An example of this in Buddhist art is the depiction of buddhas or bodhisattvas. A buddha is a being who has reached enlightenment and a bodhisattva is a being who has reached enlightenment but chooses to stay in ...
In the second commandment we are told not to make any graven images. Moody feels that if one uses images of Christ to think about who He is that we are breaking this command. “If Christ is in our hearts, why need we to set Him before our eyes?3”
One must remember when looking at these paintings all of the religious connotations that are represented in these paintings. This is an aspect that has not changed over these times as so many other elements have. Renaissance paintings bring art into a whole new world with the explorations they are achieving. They will bring you into the modern world, but for now we must remember the beauty and underlying meaning in these wonderful pieces.
We do tend to expect certain things when we enter a place of worship, or peruse an active ministry, and truthfully, when taking in Christian oriented art. There are a couple reoccurring emblems, symbols, well-worn themes, and subjects which have been deemed safe, coming under overuse, carrying the weight of a saltine in the impact it makes on people, including us. While intentions are almost always well meaning, these conventions appear to the secular as a genre of its own in culture and art, quite often ringing with an unsavory note of incompetence. That’s already an unpleasant attribution to a faith that has changed the world, having built the infrastructure of empathy that has survived ages and permeates the social development of our western culture. It speaks to a deeper issue within the Church itself, which is a woeful lack of inspiration.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The introduction of Christianity as a major religion followed the pattern of other ancient religions. Many of the great works of art were done for religious purposes. Some of the most famous artworks in history are religious. Just a few that come immediately to mind are The Last Supper, the ceiling of the Cysteine Chapel, and the Statue of David. Even during the period known as the Dark Ages art was inspired by religion. True, the art was generally dark and full of death and demons, but the art was based upon religious themes, mostly from the book of Revelations. As with the art that preceded it, the religious art of Christianity is full of symbolism. For example, a painting where the man is standing with two fingers upraised on his right hand is generally a religious leader such as a pope or Jesu...
Throughout much of European history, art has been used either to portray religious stories and icons or to capture landscape, or a person’s image. Many have argued that art is simply a representation
One may ask what exactly does it mean to be made in God’s image. For someone not familiar with the Christian religion may find this as confusing. Living in God’s image does not exactly mean living as if you are God, which would blasphemy, but instead use our attributes that God has given us that are similar to His own. Christians are aware that God’s image is holy, merciful, benevolent, just, independent, and also rational since he has the ability to reason. Thus since humans were created in God’s image, we all encompass these characteristics.