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What role has religion played in art
Religious aspects of art
Religious aspects of art
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The Christian Aesthetic Essay: BSed
A Christian, when faced with the challenge of writing, finds himself in a dilemma: how is he to complete the task? Should he create an allegory? Should he try to teach a lesson reflecting God’s glory? Or should he follow secular trends and current desires in literature? To this, many Christians would say, “Certainly not!” Dorothy L. Sayers and Flannery O’Connor both aim to answer the first question of any Christian writer: How do I write a story with my beliefs?
2 Corinthians 3:18 states, “And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit.” God transforms Christians into His likeness. Genesis 1:27 reveals that, in the Garden, we were completely in His likeness: “So God created mankind in his own image, in the image of God he created them; male and female he created them.” To the artist, in the image of God means something different than what is often taught in Sunday schools. According to Sayers, “Is it his immortal soul, his rationality, his self-consciousness, his free will, or what, that gives him a claim to this rather startling distinction? . . . Looking at man, he sees in him something essentially divine, but when we turn back to see what he says about the original upon which the ‘image’ of God was modeled, we find only the single assertion, ‘God created’. The characteristic common to God and man is that: the desire and the ability to make things” (Sayers 17). The artist, like God, creates something out of nothing. But, there is an important distinction between something beautiful and poetic and something shoddy and cheap.
The artist’s purpose, in the simplest ...
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...y for the lunatic fringes of my own religion” (“'Harry Potter' Author J.K. Rowling Opens Up About Books' Christian Imagery”).
In my own writing, I find that my beliefs on humanity and God bleed into my words. My symbolism is not always intentional. I have started to believe that just by writing, I will complete the task of putting my views into the world. I believe that man is evil, and that is reflected in each character I create and his imperfection. Man can also be redeemed, visible in the hero’s fall from grace and return in triumph. Finally, man will be judged for his actions, shown by the consequences in each action that cause the plot to unfold. Overall, my beliefs, as O’Connor and Sayers state, intertwine into my work unintentionally as I write it. I do not have to force my reader to read Christian paradigm in order to get a Christian viewpoint into my work.
The Bible, for many centuries, has impacted society, culture, and religion in innumerable ways. Included in the Bible’s impact, is fictional literature (Erickson, 2015). Biblical allusion, defined as an ancillary reference to Scripture ("Definition," 2015), can be a useful tool for fiction writers to draw the attention of the reader to certain biblical truths. Mixed in with the writer’s style and language, biblical allusion, assists in building plot lines, themes, and influence over the reader’s beliefs (Erickson, 2015). Nevertheless, the real magic of biblical allusion lies within the author’s creative genius and ability to infuse biblical themes, metaphors, images, and characters in with the story to allow the audience to reach certain
As society continues to change, it is important for Christians to realize that they must respond in new and different ways. The original publisher, Tindale House, published this essay as an informative measure while Baker Academic uses this essay as a way to teach how to evaluate a specific style of writing. This essay's purpose is to not only be a source of information, but also an essay that can be evaluated in order to learn about a specific style of writing.
The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make them appear as distortions to an audience which is used to seeing them as natural; and he may be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock to the hard of hearing you shout, and for the blind you draw large and
This paper is written to discuss the many different ideas that have been discussed over the first half of Theology 104. This class went over many topics which gave me a much better understanding of Christianity, Jesus, and the Bible. I will be addressing two topics of which I feel are very important to Christianity. First, I will be focusing on the question did Jesus claim to be God? This is one of the biggest challenges of the Bibles that come up quite often. Secondly, I will focus on character development.
The novels of Harry Potter, written by J. K. Rowling are constantly in debate among Christians whether Harry Potter is preaching sorcery and paganism or that the books have a spiritual meaning deeper than most care to look at. It is easy to look through the books and find sources of witchcraft but one could say the same for sources of the gospel. Author, J.K. Rowland has stated that her own Christian faith has in fact informed her writing of the popular series. Many Christians say Harry Potter is incomparable to Christ, being far from perfection while Voldemort seems to strike a different chord of response as far as his character representing The Devil himself.
Flannery O’Connor’s Catholic faith is shown heavily in her writing’s, but yet most of her characters are Protestant. Protestants fall under Western churches, and follow the principle of Reformation. Flannery wants her characters to suffer, to feel anguish and find redemption. While Flannery O’Connor has written many complex texts with different themes, her faith is always the fueling force behind her creativity. Contrary to popular belief, O’Connor’s notions have only widened her points of view in her writings. O’Connor uses faith in her work to show the readers spirituality and grace.
Literature has been a medium for getting messages across for centuries. Various authors from Aesop to Shakespeare have used writing as a vehicle to get a message across to their audiences. All of these authors are widely respected and admired for their works. One author who transcends her peers and breaks away from traditional secular teaching is Flannery O’Connor. She is widely known for her usage of Christian themes to get across a message of our worlds need for a savior in Jesus Christ. Her style of writing is unique in that she conveys spiritual messages in everyday, fun-to-read stories. This is important as it creates a medium in which she can spread the gospel in a clever manner. Image books stated, “Her expert craftsmanship, her uncanny ability for characterization, the depth and intensity of her morality-combined in strict discipline-make her one of this generation’s most respected authors” (Books, Image 1). Flannery O’Connor uses various themes to get across a religious message, but the two that have a large impact are grace and suffering. The themes of grace and suffering can be seen in her short stories, “A Good Man Is Hard To Find”, “The River”, and “The Lame Shall Enter First”. The themes of grace and suffering in Flannery O’Connor’s short stories are used to represent Jesus Christ dying on the cross for our sins.
Since the first storytellers, religion has played an important part in developing both character and plot. From Ancient Greece to Egypt to Judaism to Christianity, the basic stories of human origins have stood the test of time. Classic books such as The Great Gatsby, The Stranger, and Lord of the Flies are full of religious parallels and imagery. Conceptually, main characters of each work--Gatsby, The Stranger’s Meursault, and Lord of the Flies’ schoolboys attempt to be Christ-like figures, but whose demise is ironically brought about by their own sins.
Devout Christians like Laura Mallory and Linda Harvey claim that Rowling’s confession proves the harm the Harry Potter series can bring to children today (Harvey par 2). David Dale quotes Mallory in his article, “My prayer is that parents would wake up, that the subtle way this is presented as harmless fantasy would be exposed for what it really is: a subtle indoctrination into anti-Christian values,” (Dale par 4) which puts her and Harvey in the same opinion that the series threatens a Christian life style. Other Christians supporting the books and think that Dumbledore’s preference either doesn’t matter or promotes Christian beliefs on homosexuals. One of the supporters, Regina Doman, points out in her article In Defense of Dumbledore that Dumbledore’s ...
Books, movies, and short stories can have a meaning that impact and challenge not only how the audience views the world but also themselves and their faith. The short stories “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, “The Star” by Arthur C. Clarke, and “Zaabalawi” by Naguib Mahfouz examine the reality and reason for evil and suffering in the world along with challenging how we as humans, and specifically as Christians, strive in the face of evil in the world.
Being a devout Catholic, O’Connor’s “faith consciously informed her fiction. The difficulty of her work, she explained…is that many of her readers do not understand the redemptive quality of ‘grace,’ and, she added, ‘don’t recognize it when they see it. All my stories are...
With every generation comes a story that captures people’s imaginations; alters their outlook on the tangible and intangible. A story that, that generation can proudly call their own. The impact of this story on millions of readers is ineluctable. This story receives universal accolade, prompting thousands and thousands of zealots. What makes said novels such a phenomenon? What causes this fervid obsession with something essentially chimerical? The answer is that these novels, unlike many in the common day, briefly fulfill our deepest conscience or sub-conscience desires. Readers become addicted to living vicariously through the characters in the novel, who complete some sort of longing they have for themselves. More often than not, this longing is the one our Creator placed in each of our hearts. The longing to discover our origins, to know what sets humans apart from all other living creatures. The longing to know our God.
“The Road Not Taken.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 8th ed.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
A distinction between the “image of God” and the “likeness of God” were drawn by the early Churches. The image of God is human’s potential for life in God. Likeness of God is the realization that image of God can only be achieved in the world to come. Redemption requires that the image of God brings us into fulfillment for the likeness of God.