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How does religion influence art
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The Crucifixion. Religious strife dominated the 16th and 17th centuries. Religion was the number one subject of discord. There were numerous civil wars and conflicts between the Catholics and the Huguenots (French Protestants). This political and religious struggle spilled over into the world of art (Cothren & Stokstad, 2011, p.679). Artists needed to work within the specific guidelines of the Church, an example being the color of the Virgin Mary’s clothing. In the three paintings showcased, religion changed the perception of the artist. The first painting is called The Crucifixion. It was painted by Fra Angelico in 1420 and is tempera on wood, with gold ground. It is in the Maitland F. Griggs Collection of the Metropolitan Museum of Art, New York, New York. 1420. Tempera on wood, gold ground, 25 1/8 x 19 in. (63.8 x 48.3 cm). Metropolitan Museum of Art, New York. Fra Angelico was one of the greatest artists of the early Renaissance. He used classical artistic principles and rational postures. His faces had realistic expressions and there was a harmony in the proportions. He created volume by the use of light and shadows. Using a linear perspective, Fra Angelico was able to bring more depth to the paintings by having angels in the background in proportion to their distance from the foreground. This particular work, The Crucifixion, may very well be the only work by Fra Angelico that has his signature, of sorts. Lettering on the bridle of the horse has markings that resemble a signature (The Metropolitan, 2014). This work is filled with emotion and color. Fra Angelico was a specialist in emotional religious art. He used color to emphasize the main subjects of the painting, brighter in the foregrou... ... middle of paper ... ...dle River, NJ: Pearson Learning Solutions. Museo Nacional. (2014). On-line gallery El Greco The Crucifixion. In Museo Nacional del Prado. Retrieved January 21, 2014, from https://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-crucifixion-1/. South University Online. (2013). HUM 1002: History of Art from the Middle Ages to Modern Times: Week 1: Elements of Design. Retrieved from myeclassonline.com The Metropolitan. (2014). The Crucifixion Fra Angelico (Guido di Pietro) (Italian, Vicchio di Mugello ca. 1395–1455 Rome). In THE METROPOLITAN MUSEUM OF ART. Retrieved January 21, 2014, from http://www.metmuseum.org/Collections/search-the-collections/437007. The National. (2014). Paintings The Mond Crucifixion. In THE NATIONAL GALLERY. Retrieved January 21, 2014, from http://www.nationalgallery.org.uk/paintings/raphael-the-mond-crucifixion.
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.
By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...
Both Jan van Eyck and Fra Angelico were revered artists for the advances in art that they created and displayed for the world to see. Their renditions of the Annunciation were both very different, however unique and perfect display of the typical styles used during the Renaissance. Jan van Eyck’s panel painting Annunciation held all the characteristics of the Northern Renaissance with its overwhelming symbolism and detail. Fra Angelico’s fresco Annunciation grasped the key elements used in the Italian Renaissance with usage of perspective as well as displaying the interest and knowledge of the classical arts.
The main theme can simply be seen easily is religion. At first glance you can see why the title is so fitting. The Angel is seen pointing up while hold a tombstone, as if leading Jesus up. Jesus is shown above him pointing in the same direction almost as if talking about heaven. You can tell who Jesus is not only by his placement but by the cloth, light halo, and possible makes on his head from the thorn crown. The dramatic size as well gives it a religious feel. Cecco again shows he uncanny ability to resemble Caravaggio to build connection. Caravaggio’s work surround religion had the ability to provide “ direct communication..[and] establish” a bond “between the spectator and the sacred scene[s]” (Chorpenning 145).“When standing up close I felt that looking up I was another person there looking to where he is pointing. The dramatic scene is something to behold in person that is so interesting. The contrast of the angel and Jesus who are lighter than anyone else from the dark background make them stand out. The light sources that help bring in contrast is like a ray of light or even a spotlight light. The way the light falls helps reinforce the importance of Jesus and
This essay will closely study and describe Rosso Fiorentino’s The Descent from the Cross. The painting depicts the process of Jesus Christ being taken off of the cross.
The Raising of the Cross is one in a series of paintings based on the crucifixion of Christ by Peter Paul Rubens. This piece was painted between 1609 and 1610 with oil on canvas in life size with the centerpiece of the triptych measuring 15’2” by 11’2”. It is now displayed in the Cathedral of Our Lady in Antwerp, Belgium (Dunton, 164). Peter Paul Rubens was a Flemish artist that painted in Baroque style, his paintings were mostly of religious and mythical origin and his skill in such has been highly regarded in his lifetime and since. (www.peterpaulrubens.com) Born June 28, 1577, Rubens development as a painter, apparently, started early. After his father’s death and his family moving to Antwerp he decided he wished to be a painter and “In 1598, at the age of 21, he was accorded the rank of master painter of the Antwerp Guild of St. Luke” (CSU Eastbay article).
While the Flemish were proficient in oil painting, Italian Renaissance artists continued their predecessor’s use of tempera. Furthermore, the paintings were ultimately created for different purposes and separate viewers. Although both works are centered on the defining moment of the annunciation, The Merode Altarpiece incorporates this scene into a secular setting, therefore differing from Fra Angelico’s The Annunciation which was painted for a monastery. Finally, Flemish and Italian Renaissance paintings differ in levels of realism. Although the Flemish painters were skilled in portraying realism of physical forms, they lacked a full understanding of linear perspective. In contrast, the Italian Renaissance artists were well versed in linear perspective but lacked a complete grasp of the natural
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
Hall, Gerald. "Jesus' Crucifixon and Death." Academics' Web Pages. School of Theology at McAuley Campus. Web. 26 Feb. 2012.
In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.
Much of the art created during the Renaissance was geared toward religion, and with Michelangelo this was no exception. By th...
"National Roman Museum - Palazzo Massimo Alle Terme." Soprintendenza Speciale per I Beni Archeologici Di Roma. N.p., n.d. Web. 05 Mar. 2014.
The introduction of Christianity as a major religion followed the pattern of other ancient religions. Many of the great works of art were done for religious purposes. Some of the most famous artworks in history are religious. Just a few that come immediately to mind are The Last Supper, the ceiling of the Cysteine Chapel, and the Statue of David. Even during the period known as the Dark Ages art was inspired by religion. True, the art was generally dark and full of death and demons, but the art was based upon religious themes, mostly from the book of Revelations. As with the art that preceded it, the religious art of Christianity is full of symbolism. For example, a painting where the man is standing with two fingers upraised on his right hand is generally a religious leader such as a pope or Jesu...
The Medieval time period was an important era for the growth of culture throughout the entire world. We owe many innovations used in design, architecture and overall style to the works of the many artists that flourished in the middle ages. Each of the four periods of development were unique to one another, yet followed an overlying religious theme that defined the medieval times. The advancements made during that time were able to influence to the 800 years of art that lead up to present day, and still remain visually and architecturally beautiful.