We do tend to expect certain things when we enter a place of worship, or peruse an active ministry, and truthfully, when taking in Christian oriented art. There are a couple reoccurring emblems, symbols, well-worn themes, and subjects which have been deemed safe, coming under overuse, carrying the weight of a saltine in the impact it makes on people, including us. While intentions are almost always well meaning, these conventions appear to the secular as a genre of its own in culture and art, quite often ringing with an unsavory note of incompetence. That’s already an unpleasant attribution to a faith that has changed the world, having built the infrastructure of empathy that has survived ages and permeates the social development of our western culture. It speaks to a deeper issue within the Church itself, which is a woeful lack of inspiration.
That isn’t to say there aren’t pockets here and there where that spirit is alive, but as the Church is perceived as a body, so will the world perceive its function, which is largely as a partial paralytic. The nature of its mass congregation is in my opinion, reduced to following a ritualized practice that serves security of the one’s own soul, while vainly proclaiming messages from a practiced pulpit for world outreach in daily life. Then everyone goes home. The outreach that does get done tends to be of a charitable nature, highly organized and outperformed by many secular outfits, where the inductive power is carried by genuine empathy, a desire to help fellow man. Again, the Church means well, but its efforts seem to move with a sense of obligation, rather than true mission. I would argue that the congregations get too large, too organized, do not engage the issues that face culture ...
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...ore significant of an impact than it does now, if the heart of the Church doesn’t change. It’s stuck. At the same time, I can perceive in various people a certain movement that the conventional church fails to recognize because it’s not explicit doctrine. It involves personal responsibility, empathy, and most importantly, a humility in oneself concerning the fate of their own soul, in favor of the well-being of others. I believe the artists among them are doing powerful things, I believe that the whole world sees it, and I further believe that God works through them. In a world that mocks Christ, they unknowingly embrace him with open arms, more by the more.
This paper may be more about art rather than the specific topic of (graphic) design, but I find the discussion broken if a single element is isolated. You can’t drive a car if you only focus on the brake pedal.
...t. Now I realize that the entire universal church is going through a change and that God is doing a new thing. It appears right now, in this post modern time, that God is showing us that he is more concerned with transforming lives and making his people whole. I agree as we said in class that we are moving from orthodoxy to orthopraxy and I for one think that is a great thing. Now maybe we can move closer to becoming what God called the church to be and that is to be living vessels of his light and love in the world.
Christianity has had a major impact in European history as the majority of the populations were Christians, and as many nations started out as Christendom. Even today, it has a profound impact in the decision making of nations and billions of people who follow its doctrine. Therefore, representing Christianity through the medium of art was an important factor artists had to consider. Many artists decided to paint the scene of the Crucifixion of Jesus as it is considered to be the most important scene for many Christians. Some artists, like Christus, opted for a more emotionally muted route while other artists, like Crivelli, went on to capture the emotional distress of the scene. Neither method is objectively better than the other as both artists
One of the three basic pillars of the Roman Catholic Church is Tradition. The Church often uses this pillar of Tradition to validate its actions or to establish its own infallibility. One unspoken foundation that I feel is more essential, however, is that of Love. Love is what is taught in Scripture, another pillar of the Church, and should, therefore be the root of any traditions in the Catholic faith. By judging human actions or the spirit of God by cold laws enforced by the Church, we lose important insight into what our faith and our existence are truly about. Even the Church, in its humanness, sometimes forgets that love of God, others, and ourselves should be the core of every decision we make. The Church that many see as harsh and archaic could easily be refreshed and renewed, not by peppier music or stand-up comic priests, but by emphasis on the spirit of love rather than the letter of the law.
This piece communicates what was valued most at this point in time. Christianity was at the center of life in fourteenth century Europe. So much so that these artist were commissioned to create these highly valued religious pieces most for private purposes ,so the people could have a relic or icon to worship in their homes. Specific artistic conventions had o be followed when creating these pieces. The monarchies ruled through the church. There was huge emphasis on the man and afterlife, To ensure eternal salvation man devoted their lives to spreading and commemorating the word of Christ.
Van Eyck’s work of the Ghent Altarpiece was not simply a representation of symbols that alluded to Christianity. Van Eyck’s vivid sense of the actual world allowed him to be able to reconstruct reality along with its endless limitations. His audience was so extensively involved with his paintings that it may seem almost esoteric. T...
A Christian, when faced with the challenge of writing, finds himself in a dilemma: how is he to complete the task? Should he create an allegory? Should he try to teach a lesson reflecting God’s glory? Or should he follow secular trends and current desires in literature? To this, many Christians would say, “Certainly not!” Dorothy L. Sayers and Flannery O’Connor both aim to answer the first question of any Christian writer: How do I write a story with my beliefs?
In an age when culture continues to lower standards of intellect, Marva Dawn makes compelling observations and suggestions for the Church to rethink its strategy on impacting society. How do we evangelize without weakening the message of what we are communicating? The majority of her text focuses on the worship environment generally, but later she focuses on music, preaching, and liturgy specifically. According to Dawn, a gathering of believers should emphasize God as the subject and object of worship, challenge each individual to grow in godly character, and accentuate the community of believers (not only in the room, but throughout history as well). Through this grid, she encourages leaders and participants to evaluate each worship element.
I have not experienced anything quite so disillusioning as a crisis of faith. It is a gut-wrenching, world-warping realization that sets in slowly with increasing pain. But like an ice cube thawing in your hand, the agony yields to absolute numbness. For me, this tribulation set in after leaving my Christian community of ten years. When I started attending an out-of-state, Christian liberal arts school, Wheaton College, I was surprised to discover—in place of the diverse body of competing doctrines and life experiences that I had anticipated—a homogenous student body composed of two-thousand teenagers who were also nondenominational, also raised in megachurches, and also floundering to find a “church home” in the city with America's greatest number of churches per capita (Tully and Roberts 2008). In the three years since, I have sought to better understand the factors that impacted my drifting, and the search has led me to evaluate the megachurch in which I grew up. What I have discovered is a critical oversight in the “new paradigm” game plan—an evangelical church strategy designed as a response to secularization—that may be rendering evangelical Protestantism less relevant than ever for my generation. In my experience attending a megachurch, the movement toward consumer Christianity and its consequences for how church was conducted precipitated my departure and engendered an interest in attending smaller, more liturgical churches.
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people had a consistent view of religious matters. Art during this time was largely iconic, meant to inspire the awe of God in the viewer. Along with various versions of the crucifix, one of the most popular images of the Byzantine style was The Pantokrator, an image of Jesus Christ as shown from above. An example of one of these pieces was done in the twelfth century in the abbey church of Monreale in the city of Palermo. Jesus is a monumental figure that takes up much of the space across the apse of the Church. One of his hands forms a mudra as the other holds the scripture. His fully frontal and direct stance along with the glimmering gold background serves to strike awe and fear into the viewer. Clearly this piece was done with the intent to impress the value and mightiness of religion first and attention to the detail and technique of the art second.
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
Lynn Malone, is currently the senior pastor at First United Methodist Church in Monroe, Louisiana. On June 13, 2008, Malone gave a homily that entailed a very key component of the Christian faith, the church. In this homily, the main concept of the homily is the church as being one whole entity. Throughout the homily, numerous examples are given that exemplify this concept. I will be discussing two themes more in depth throughout this paper, the Christian Church as one entity, and the universality of Christianity and Christ’s teachings.
Best known for his use of color, Henri Matisse cleverly cultivated his status as a modern artist using many different styles of painting from Impressionism to Fauvism. The artwork of Matisse has been a milestone in the history of painting. Henri Matisse’s self-proclaimed masterpiece, however, a chapel in Vence, France, is a small, minimalist building. The amalgamation of modern art and the sacred creates a unique spiritual experience in that it welcomes Christians and non-Christians alike to appreciate the artist’s religious symbolism. The elegantly simple architecture of the chapel, the use of light in the space, and the binary of colors on opposite walls have a calming, cleansing, and transformative effect that is undeniable.
Oxman, R. (1997). Design by re-representation: a model of visual reasoning in design. Design studies, 18, 329-347.
Art through the ages has been a powerful voice for both secular and religious ideas, and the treasury of Christian art should not be relegated to museum viewing. The art should be displayed in the church were it is meant to be. Its richness can be brought to people in schools and adult study groups. This, in turn, can help to bring art up to the level, that the faith deserves. Churches should fill the walls with art to show what happened throughout the bible. Art creates connections and associations between what we see and what we sense happened. Both ritual and art challenge us to take us beyond the immediate, if they are to bring about true insight and transformation in our lives.
...faith in the God who creates the world, people will always fail to grasp the idea behind the Catholic Vision and Imagination. Furthermore, although God remains always present in the midst of His flock, one can easily lose the awareness and consciousness of this Presence that accompany all human being. When people forget what is to be a Church, that community that is to be formed and lived is also lost. However, there remains the tradition, images, and architecture that speaks and transmits a voice beyond themselves that definitely calls people to relate their desires for depth and truth to the living God.