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Fashion photography has been playing the important role in the fashion area since it emerged in 1911. In this essay I would like to talk about how fashion and photography influence each other and how they work together. The history of fashion photography and the collaboration between Irving Penn and Issey Miyake will also be discussed. The technique of photography emerged in 1830s, fashion photography followed the photography technique appeared. In the late 19th century, because the limit of the earliest technique , the photography couldn’t be used as mass printing. Then with the development of both photography and printing technique, the fashion photography started to come into the common use and be featured in the magazines. At the beginning of 20th …show more content…
He found the way to bring Miyake’s complex design into the full existence and display more than on the catwalk .He turned Miyake’s design into the art beyond the fashion. (Photography by Irving Penn, 1988 ). From the collaboration of Irving Penn and Issey Miyake, we can see that, photography and fashion work together and influence each other. Photography is a special way to display fashion. And at the same time fashion gets ideas or inspirations from photography. The photography plays the important roles in fashion world. The fashion photography always featured in advertisements or magazines helping displaying the fashion products to the public. It is also be used by designers to help developed their collections. According to fashion designer and photographer Karl Lagerfeld, the photography let the designers to see their own work in the objective way. The designers can see what part of their design is good and where goes wrong. The photography let the designers know what should be done and help the designers to find a better way to improve the
Considered as one of the most innovative and influential photographers of the 20th century, Erwin Blumenfeld made a significant contribution to the fashion industry between 1940’s and 1950’s. His photographs were on the postwar pages of Vogue, Harper’s Bazaar, Cosmopolitan, Life and Look magazines. Besides the fashion photography, his oeuvre includes portraits of celebrities, fine art photography, as black-and-white nudes, drawings and Dada collages. The undiscovered part of his work consists of the hundreds of Dadaist photomontages produced between 1916 and 1933, never exhibited during his life, and
Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or not." Through, tracing and analyzing, side by side, art and fashion, and the effects that one had on the other and society, we can understand the ideals, and interests of European culture, here, through the Renaissance.
Baron Adolf De Meyer is considered by many to be the founder of fashion photography. De Meyer was born in 1868 in Paris, France. He studied in Germany during a time when photography was being revitalized by increasingly vibrant and cultured artistry in photographic salons and exhibitions and by technical advances. In the 1890s, he was active in amateur pictorialist circles. In 1893 he joined the Royal Photographic Society and moved to London in 1895. In 1899, De Meyer married Olga Caracciolo. His marriage to Olga brought him the title of Baron and a position in London's society. Once inside these social circles,
The world famous designer and fashion icon Coco Chanel once said “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, and what is happening.” Fashion is something that has evolved multiple times and is also something that has stood the test of time since the very beginning. It’s something that effects society from things like people’s first impressions of what they assume about you to defining your social class from the wealthier to the not so wealthy. Fashion itself is a reflection of social, economic, political and cultural changes. It expresses modernity, symbolizing the spirit of the times. "Fashion is the most powerful art there is. Its movement, design,
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
He changed the style of Vogue by exposing modernism to the magazine and the world through commercial photography. Steichen brought “a sharper edge to his strategy of playing simple elegant lines against the dramatic geometric backgrounds and had the ability to achieve a modernist refinement through simplicity, linearity, geometry, and tonal contrast”(Brandow,239). Though Steichen didn’t invent fashion photography, an argument can be made that he created the template for the modern fashion photographer. Steichen was viewed by his peers as a perfectionist. Howard Schatz, a photographer whose portraits of famous actors appear in Vanity Fair stated, “His precise eye for lighting and design makes his pictures from the 20s and 30s, though clearly of their time, still much admired by fashion photographers today”. Steichen’s sharp attention to detail and “designing with his camera” brought sharp focus to bear and had a tremendous effect on the field. Steichen’s new modernist style is evident in his image of Dancer and Choreographer Desiree Lubovska Wearing a Dress of Georgett Crepe by Patou taken in 1925. In this image “The dancer stands against a simple background divided into vertical and horizontal rectangles by architectural elements. The deep shade of her dress contrasts with the lighter color of the wall behind her, drawing attention to the model and fashion” (Brandow, 239). These photographic elements are what strengthened Steichen’s success in his commercial photography career. He became one of the most sought after photographers of his time. Many advertising companies also wanted him to do campaigns for them. From 1923-1937, he was a chief photographer for Conde Nast Publications, shooting crisp, high-contrast photographs. (Karen Rosenberg, New York Times, 1). In 1928, Steichen did an advertising campaign for Douglas Lighter. He used the angularity of the
From a young age, Richard Avedon was exposed to fashion. But little did the small boy sitting in his father’s 5th Avenue womens’ clothing store know, that he would later become the worlds’ biggest fashion photographer. He was born in New York City in 1923 to Jacob Avedon a Russian immigrant who worked his way up in the city to finally own his own clothing store. Avedon’s mother, Anna, was a musical and artsy woman who was his artistic muse. His sister, Louise, was also an inspiration to him. As a child, he constantly took pictures of his beautiful sister, his first model. His interest in photography began after joining a photography club at his local Young Men's Hebrew Association. After graduating high school in 1941, Richard attended Columbia University to study philosophy and poetry, but after just one year, he dropped out to enlist in the military marines. In the marines,he was a photographer in World War Two, taking pictures for identification cards.
The future of women’s fashion is uncertain—in that shock value is harder to come by with each passing year. There is a concept in fashion that nothing is new, everything has been done before. This theory is coming closer to obvious reality, as fashion shows of recent years have visual throwbacks as late as the Victorian era. Although the direction is not yet decided, it is almost definite that women will use fashion as an important tool for expression and freedom in the future.
Peacock, John. The Chronicle of Western Fashion: From Ancient times to the Present Day. New York: Harry N. Abrams, 1991. Print.
He began his career in fashion photography in 1945 with Harper's Bazaar, switching to Vogue magazine in 1966. A retrospective exhibition of his work was mounted in 1978 at New York City's Metropolitan Museum of Art. Richard Avedon was the first staff photographer in the history of The New Yorker in 1992. Avedon’s work was a very unique and new way of photography. He was wid...
Diana, Princess of Wales was known throughout the world as a trend setter. She was always being photographed for her fashion sense and constantly topped the “Best Dressed” lists. Even now, seventeen years after her death, she is an influence on fashion. “Princess Diana’s style has been d...
Fashion plays an important role in the lives of billions all over the world; people, as part of a status craving society, turn to “fashion capitals” of the world for ways in which to dress and carry themselves. New York, Milan, and Paris are leaders among this fierce industry that the world lusts after. Fashion can speak volumes about ones personality, or also about the condition the world is in at the time. In France, fashion changed rapidly and feverously as the times changed.
Courrèges design clothes while World War II happened he got inspired and created many designs, he also acquired many designs based on “space era”. He had important clients such as former first lady Jacqueline Kennedy and actresses Catherine Deneuve, Brigitte Bardot and Audrey Hepburn, not all of them chose the same styles however they loved Courrèges design and bought them from him or asked him to design something for special
...r became more creative person in the fashion shoot, after the designer. The overall photograph would sell your garment to the best ability that the photographer could achieve. It was not just about being a beautiful model in the photograph, there had to be other ways of making the photograph appealing than the simple lacklustre way of being beautiful. Although, every woman wants to be beautiful, the photographer wanted to challenge the appearance of beauty. And also challenge the way we looked at people that were not beautiful, but had a unique quality to them. The fashion photographer had a lot of power in Fashion; they could make a normal street person become the key icon for desire and envy. The photograph had the power to sell the clothes using anyone the photographer pleased, and the designer didn’t mind as long as their clothes were being recognized, and sold.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.