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Perspectives on graffiti
Essay on graffiti and art
Perspectives on graffiti
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you have to look to the streets. Because of its omnipresent nature, street and urban art have become a part of the cultural fabric of a city. Om-Rio, a female graffiti artist from Brazil, mentions that she wants to “open people’s minds, make them review their conception, and test their soul” (Ganz, Graffiti Women, 38). Ernest Abel and Barbara Buckley mention in their book “The Handwriting on the Wall: Toward a Sociology and Psychology of Graffiti”, that the examination of graffiti and street art is: To a great extent a cross-cultural investigation of class and ethnic differences whose messages [tend to] reflect shared attitudes and values as well as ethnocentric variations on main cultural themes (144).
Graffiti and street art that is developing
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The individuality of the English artist “has long escaped from the media while [somehow] obtaining an international reputation” (Visconti et al. 517) Banksy’s pieces usually bear a meaning that is political or satirical in nature, often controversial. It was stencilling that allowed him to best express his mocking and humorous comments into a powerful means of communication. Banksy’s “Follow Your Dreams” (Figure 1) piece found in Boston is no different. In May 2011, a graffiti image appeared in the low-income area of Chinatown in Boston, Massachusetts. The image features a tired-looking male painter standing next to the outwardly painted words, “FOLLOW YOUR DREAMS” painted in all black, all uppercase letters. Over those words are the words “CANCELLED” in white, all uppercase lettering with a red rectangle background, as if to signify that the notion of following one’s dreams has been cancelled. Street art is meant to be an integrally anonymous way to create and spread art. Unless the artist has signed the piece, it can be assumed that the artist does not want people to know who created it. Some street art is recognizable by style. This piece, distinguished by the use of stencils to create the image, is attributed to Banksy because of his signature style-stencilling. His stencils are both humorous and salient, and often are …show more content…
His clothing looks back into back to the depression era. Through this image Banksy is drawing parallels between the current economic crisis and the depression; he is pointing out the cruelty of the current political and economic environment. "Follow Your Dreams" is a popular axiom referring to the American Dream. For one to be able to follow a dream, freedom is required. Here the dream is being cancelled. The man from the depression era is the one that posted the cancel sign over the dreams. Though he is only the messenger, the use of him to deliver the message is poignant because he does not appear to be living his dreams and now he is working to cancel others, perhaps just to survive. He is not happy, rather he is resigned and doing what is expected of him, he doesn't seem be able to live out the American Dream. The idea of an American Dream no longer exists according to
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Three years later, enter Banksy, a world famous street artist from England. Banksy has become famous ironically through his use of anonymity as an artist. Banksy will choose a city somewhere in the world and embark usually on a month long anonymous crusade where he “tags” different buildings with culturally and politically motivated works of “street art”. When Banksy descended on New Orleans, he painted 14 works of street art in total, but the painting that stood out as the most glaringly political was the painting called “Looters”. (Banksy story)
” This was the start of his obsession with recording everything in his life, even if it went nowhere but into a box, never to be seen again. His habit soon became a driving force in his life. During a trip to visit his family that lives in France, he was introduced to the world of street art. That trip that he took in 1999 helped set the stone to the life that Theirry had yet to discover what it would create. In Banksy’s movie, it explains how the simple idea of putting your joy, or something that you love, up on a wall for everyone to see was an amazing thing.
A popular contemporary graffiti artist, Banksy, creates intriguing and intricate designs for public display on regular and everyday streets. His rising popularity serves as a catalyst for the renowned importance of the attainability of visual literacy. Visual literacy is the ability to understand and interpret the message of a visual image or object, and having this skill is becoming increasingly important in todays culture. According to Zemliansky, the first crucial step towards developing visual literacy is to treat visual messages as text and arguments. Although the message of most visual images are ambiguous, it is still logical to surmise that different ideas can stem from one image because of our varying perception due to varying experiences,
Infused with the emergence of the hip hop culture, the graffiti revolution primarily took place in New York City in the 1970s to the 1980s. Graffiti art has historically been viewed as a form of vandalism, a curious enigma viewed by the governing class, and a general menace to society especially in large urban populations such as cities. Within the 1970s to the 1980s the urban youth began extensively spray-painting subway cars, trains, and walls, giving a voice to the disenfranchised, anti-authoritarian rebels who were seeking an identity to be seen and heard by the city that was now discrediting them. This type style of graffiti-inspired art is still present within the many art communities around the world, ever transforming and altering in
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Banksy is a pseudonym for an anonymous graffiti artist, painter, political activist and one of Time Magazines most influential people in the world. Little is known about Banksys actual background but according to Tristan Manco in his book Home Sweet Home, Banksy was born in Bristol England in the early 1970’s. Known for his contempt toward the government, for labeling graffiti as vandalism, he displays his art on public surfaces, such as billboards and walls, and has even built physical prop pieces. Banksys distinctive stencil style usually embodies humorous images often paired with slogans that carry themes of anti-war, anti-capitalism and anti-establishment. Uncommon to most artists Banksy does not sell photographs or reproductions of his work, but art auctioneers have been known to sell his street art on location for large sums of money. In 2005 Banksy infiltrated many New York museums, such as the Museum of Modern Art, the Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History and hung his work among notable art pieces. Banksys distinctive satire graffiti style mixed with his anonymous rebellious antics give him an invaluable buzz that is rare among current graffiti artists today.
Banksy is known as king of graffiti, british artist, painter and as well as a filmmaker with a unknown identity (“The Story Behind Banksy”). However, the names Robin Gunningham and Robert Banks are often used unknowingly to give an identity to Banksy (“Banksy Biography”). The true identity still to this day is uncertain. Banksy began his career in the early 90’s with a graffiti crew in Bristol called DryBreadZ (“Banksy Biography”). Banksy’s work is considered vandalism by law and critics but, it is meaningful art that portrays a powerful but, straightforward message. Banksy 's art is based on politics, war, hypocrisy, greed, societies issues, and even includes humorous messages ("Banksy Biography")
Some of his most famous works are those of rats, which can be found all over the world. A Banksy piece that has really struck me is known as “The Flower Thrower” or “Flower Bomber”. This very large painting was created in 2005 and can be found on the side of a garage in Jerusalem. The picture consists of a man in dark clothing wearing a backwards hat, and a bandana tied around his face. He is standing in a position that is commonly portrayed when someone is throwing a Molotov cocktail. However, in his hand he holds a beautiful bouquet in replacement for the deadly weapon. The bouquet is vibrant which contrasts with the rest of the piece that is only in black and white. There are many aspects to the painting like its location, use of color, and medium that all tie in to prove one point. “The Flower Thrower” is simple in its approach to display
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
Banksy’s artwork was effective in achieving it’s purpose because of it’s appeal to the heart, and in what is perceived as a dismal area where there is little hope, it most likely affected the view some may have on life, if not for just a moment.