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Importance of art in human life
Importance of art in human life
The influence of art on our life
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Street art and graffiti has the capability to change lives, as is seen in documentary “Exit through the Gift Shop.” In the film the audience meets Thierry Guetta, a French immigrant currently residing in the United States, and learns an odd habit he acquired at a young age. He always had to have a video camera rolling; he was constantly documenting his life. He was obsessed with remembering everything that happened in his life so he got every part of his life recorded.
When he was eleven years old Theirry tragically lost his mother and found out in the most horrendous way. “The day that I found out about my mother I was at school,” he said, “I remember I was on the playground. Somebody came up and said ‘you’re laughing huh?’ from behind the gate. ‘Your mother is dead.’ The man said.” This was the start of his obsession with recording everything in his life, even if it went nowhere but into a box, never to be seen again.
His habit soon became a driving point in his life. During a trip to visit his family that lives in France, he was introduced to the world of street art. That trip that he took in 1999 helped set the stones to the life that Theirry had yet to discover what it would create. In Banksy’s movie, it explains how the simple idea of putting your joy, or something that you love, up on a wall for everyone to see was an amazing thing. His cousin, the man who initially inspired him was making characters from the game Space Invaders out of tiles which he then proceeded to glue onto walls and various other places to draw the eye of the surrounding population. His cousin, known to the public as Space Invader, was a big name in the street art community, not only to help start the spread of street art but to also assist in in...
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.... While most stereotypical street artists wouldn’t go all out for their first show, he did. Mr. Brainwash rented out a 15,000 square foot warehouse filled with his art. He titled the show “Life is Beautiful.” His first art show as nothing less than a success, 4,000 people wandering the halls lined by the art that he created was a dream come true for every street artist.
Theirry Guetta was a beautiful example of how seeing a simple piece of graffiti can influence a person and how they live their lives. While his life was building up to the moment he became rich off of his creativity, it helped him become the man who he is today. No matter how unique his life has been, one thing has been a constant in his life, along with many others; He was influence by the color and personality shown through a piece of art, which was the intent in the first place.
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
Three years later, enter Banksy, a world famous street artist from England. Banksy has become famous ironically through his use of anonymity as an artist. Banksy will choose a city somewhere in the world and embark usually on a month long anonymous crusade where he “tags” different buildings with culturally and politically motivated works of “street art”. When Banksy descended on New Orleans, he painted 14 works of street art in total, but the painting that stood out as the most glaringly political was the painting called “Looters”. (Banksy story)
Jean-Michel Basquiat, of both Puerto Rican and Haitian descent, grew up in Brooklyn and at the age of 17, ran away from his home to live in Manhattan and pursue his art career. He began as a homeless graffiti artist under the name SAMO. Throughout Manhattan, he would tag poetic phrases onto walls. An expression he used repeatedly was “Boom For Real.” It meant that he would rupture a coherent object or idea (Jean-Michel Basquiat: The Radiant Child). The end result would be a galaxy of reality made up of incoherent yet equal parts. He believed that he could do this to the art industry. He pioneered a new art form that puzzled the preceding artists. It was, essentially, graffiti that had been put on a canvas. To many Americans, graffiti was an art form for those who held little impact in the chaos of the art world, such as the average African American male. So by having his work bought and valued by people who actually had impact in the art realm, he detonated such realm. When pop star Madonna was inquired about him, she acknowledge...
Art has been around ever since the ancient city of Pompeii. The people of Pompeii used graffiti as a way to display their cleverness; from poetry contests to playful recombinations of the letters that form Roman Numerals. In the early ‘70s, graffiti was used as a way for young teens to mark their territory. During that time, many people – especially in New York City – saw graffiti as vandalism and prohibited it. Even though graffiti has been misused in some occasions, as long as the purpose is not to deliberately mischievous or malicious destruction, graffiti is art.
..., but that should not subtract from the overall perception of a piece. This critical delve into thinking about art is a reason why, “experimental intelligence needs reflective intelligence to manage its powers for a fuller perception of art-and more generally for a better thinking about anything" (Perkins 16). Art is not about what is visually there, but the reaction that comes from it. Without a reaction, the piece of art has no purpose and is therefore meaningless. Exit Through the Gift Shop is a true testament to the power that street art holds. The film demonstrates the thought and learning that street art provokes out of its viewers. From Shepard Fairey’s “Andre the Giant” sticker to Banksy’s outlandish piece, Elephant in the Room, there are many forms of street art that provoke deeper thinking just as fine art does.
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
DeNotto, Michael. "Street art and graffiti." College & Research Libraries News Association of College & Research Libraries. N.p., n.d. Web. 6 May 2014.
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
It all began in the 1990’s in Bristol England, when Banksy began as a freehand graffiti artist. With the help of two other graffiti writers, Kato and Tes, they formed Bristols DryBreadZ Crew (DBZ). Their inspiration stemmed from the local hip hop and breakdancing community and eventually they gained notoriety and size. By the late 1990’s Bristol became too small for Banksy as he was starting to become a street art sensation. Concerned about his anonymity, since graffiti is highly illegal, he fled to London ...
Although other artists know who he is, Banksy doesn’t have a public face that he shows at galleries and in his documentaries. In Will Ellsworth-Jones article “The Story Behind Banksy: on his way to becoming an international icon, the subversive and secretive street artist turned the art world upside-down” he talks about one of Banksy’s earlier galleries. Ellsworth-Jones says “The show was a high-profile demonstration of the phenomenon that has come to be known as the ‘Banksy effect’—the artist’s astounding success in bringing urban, outsider art into the cultural, and increasingly profitable, mainstream” (2). Banksy’s “effect” is altering urban culture and bringing it to art galleries to be displayed and sold. In the grand scheme of things, he is commodifying graffiti and urban culture, making it more consumable and then proceeding selling and profit off of it. In A&E’s biography page for Banksy they state that Banksy’s work is unique due to the fact that it “often engages political themes, satirically critiquing war, capitalism, hypocrisy and greed.” The uniqueness of his work is a common reason different news outlets give for Banksy’s success. Contrary to popular belief, Banksy’s content isn’t groundbreaking. Artists of all mediums, including graffiti, before and during his time have touched upon all of the same themes as
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Activism comes in all shapes and sizes, and when someone does it in an unusual way it cannot go unnoticed. Banksy’s “The Flower Thrower” is a perfect example of this due to the fact that it’s vandalism with a deeper meaning. The man known as Banksy is a graffiti artist and a political activist, and the most intriguing thing about him is that he chooses to remain anonymous. There are many theories about his identity, one even claiming that he is a fictional character. Despite proof of his identity, several countries are on the look out for him. Many have even issued warrants for his arrest because his public works are considered vandalism. His paintings are known for making people question their everyday lives and really
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
A large portion of his work can be found in busy cities, such as London and New York. His classic mediums consist of concrete city walls, stencils, and spray paint. There aren’t many vetted sources that tell the story of who he is, where he is from, or any substantial information about him. One is only left to assume his passions, which we derive from his art. His piece, “Girl With Balloon,” was meant to be viewed by those who have lost or are losing hope. The city wall that holds this piece of art is not well kept, spray painted in what is likely an area that is impoverished and full of dying hopes and dreams. Banksy’s purpose is found in the eye-catching heart-shaped red balloon that is followed by the portrayed innocence of a young girl reaching towards love and hope, and of course the statement behind it, says it all on it’s own; no matter what the circumstances, don’t give up – don’t lose hope. This image is meant to bring about desire for a new way of living, and certainly the aspect of finding hope. A child will most likely be drawn to the red balloon and portrait of themselves, whereas the adult will be drawn to the saying behind the portrait. Parents will be more inclined to feed their children positivity, potentially go after their own dreams and find their own meaning and remember the words that go along with the picture, whereas children are likely to remember the picture and what it