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Expressionism origins
History of expressionism art essay
Graffiti as art form
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Neo-Expressionism, an art movement that developed in the 1970s, is characterized by its abandonment of “Minimalist restraint and Conceptual coolness. [It] offered violent feeling expressed through previously taboo means-including gestural paint handling and allegory” (Neo-Expressionism). Jean-Michel Basquiat, a well-known Neo-Expressionist painter, explored a multitude of themes that interested him. The most prevalent were issues on race, culture, and heritage. During his 27 years of life, he was able to accurately represent the everyday struggle of the average African-American male while reforming the art industry, defying and accepting stereotypes, and depicting touchy themes of race in his visual art.
Jean-Michel Basquiat, of both Puerto Rican and Haitian descent, grew up in Brooklyn and at the age of 17, ran away from his home to live in Manhattan and pursue his art career. He began as a homeless graffiti artist under the name SAMO. Throughout Manhattan, he would tag poetic phrases onto walls. An expression he used repeatedly was “Boom For Real.” It meant that he would rupture a coherent object or idea (Jean-Michel Basquiat: The Radiant Child). The end result would be a galaxy of reality made up of incoherent yet equal parts. He believed that he could do this to the art industry. He pioneered a new art form that puzzled the preceding artists. It was, essentially, graffiti that had been put on a canvas. To many Americans, graffiti was an art form for those who held little impact in the chaos of the art world, such as the average African American male. So by having his work bought and valued by people who actually had impact in the art realm, he detonated such realm. When pop star Madonna was inquired about him, she acknowledge...
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...ential of the African American male.
Towards the end of Basquiat’s life, he became a victim of substance abuse. Many of his friends believed that he used drugs as a way to cope with his paranoia. He found it very hard to trust anyone around him once he gained fame (Jean-Michel Basquiat: The Radiant Child). At the time, many African American males shared the same fear and used drugs as a way to manage it. Basquiat died from a heroin overdose and serves as an example for any African American male who deals with paranoia.
Basquiat has provided a well-rounded description of an African-American male’s struggle throughout his artwork because he recognized the fact that they were deprived from experiencing certain aspects of the American artistic culture, mocked, racially profiled, He is still referenced today in the music of rappers like Jay Z because of his efficacy.
Although Barnes’ marriage was not a successful one, he adored his newborn baby girl, and was heartbroken when his wife left him, taking his daughter with her. At North Carolina College, Barnes majored in art, and developed his own style (Artist Vitae, 1999). When Barnes was a freshman in college he went on a field trip to the newly desegregated North Carolina Museum of Art. At the museum Barnes noticed that there weren’t any works by black artist displayed, and when he asked the guide where the black artists were exhibited, the guide responded, “your people don’t express themselves this way” (Artist Vitae, 1999). That negative response encouraged Barnes to work hard at becoming an artist.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
...ce was recognized for his talent. Despite the primitive look of Lawrence’s painting the gesture are read and reveals a set of principles inspired by African-Americans. Thus, the modernist aesthetic of his art shows the critical faith of a people oppressed and striving to get ahead. Therefore, elements of his work and themes like man’s struggle produce one of the United States most famous African-American Artist of all times Jacob Lawrence.
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
You will choose and closely evaluate three pieces of art (paintings, poems, music, etc.) from black artists, using the information in Hughes’s essay as the basis of your evaluation and analysis. First, you must provide an in-depth analysis of the selected art pieces. Then, you should determine whether or not the artists are living up to the roles and responsibilities put forth by Hughes, using textual evidence from his essay to support your evaluation of the
We hold forms of african american culture every day. Harper 's work while in the beginning of his career is told from a number of angles about his family, is able to allow you to grasp the real world understanding of his work. with this style harper uses
Mr. Schnabel chose to engage in the Neo Expressionism method of art, that style of art dominated the art market from the 1970’s to the mid 1980’s. The fascination with this type of art satisfied a hunger for something different, and touched the public in several ways (Brenson).
Black art forms have historically always been an avenue for the voice; from spirituals to work songs to ballads, pieces of literature are one way that the black community has consistently been able to express their opinions and communicate to society at large. One was this has been achieved is through civil disobedience meeting civil manners. In this case, it would be just acknowledging an issue through art and literature. On the other hand, there is art with a direct purpose - literature meant to spur action; to convey anger and shock; or to prompt empathy, based on a discontent with the status quo. That is, protest literature. Through the marriage of the personal and political voices in black poetry and music, the genre functions as a form
The late Michael Joseph Jackson was a 20th-century African-American singer and songwriter who transformed the face of pop music and popular culture throughout his lifetime (Michael Joseph Jackson ). Debuted in the professional music world in 1968 at the age of 10 as a member of The Jackson 5, Jackson’s rise to fame had been largely influenced by his invaluable contributions to the music, dance and fashion industries (Michael Joseph Jackson). Hailed as the ‘King of Pop’, his solo album “Thriller” remains “the best-selling album of all time”, with global sales of “over 51 million copies to date since 1982” (Guinness World Records ). Michael Jackson’s one-of-a-kind songs have also earned him over 700 awards, including 13 Grammy Awards as well as the Grammy Lifetime Achievement Award (Michael Jackson; Grammy). However, his music recognition goes beyond what his cupboard-full of awards could ever represent. In this paper, I propose that Michael Jackson’s songs have touched and changed many lives through his constant fight for racial fairness. In particular, I argue that Michael Jackson used his music career as an outlet to break down racial barriers in the American music industry, to express his disappointment towards racial discrimination, to demonstrate his support for racial equality, to advocate that the color of our skin does not differ us from one another, as well as to show and guide others that change has to begin within oneself before impacting the world . Although certain parties would point out that Jackson used derogatory r...
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
Kellner, Douglas. "Expressionism and Rebellion.'" Passion and Rebellion: The Expressionist Heritage. Eds. Stephen Eric Bronner & Douglas Kellner. New York City, NY: Columbia University Press, 1988. 3-39. Print.
Throughout the 1980’s, the graffiti scene was very familiar with the name “Basquiat.” Jean-Michel Basquiat is an American graffiti artist who was born in Brooklyn, New York. His artwork is mostly defined as neo-expressionism with a bit of primitivism. His medium was usually a combination of oils, acrylics and spray cans. One could look at Basquiat’s pieces and say they are as if a child scribbled on a canvas, but to me, there is more than that. I admire Basquiat not for what he is, but for what he is not. I believe it requires a lot of bravery to showcase your art that is less than perfect as in the social standards for fine art. Basquiat did just that and was still well respected for it. I feel as if he conquered in keeping his childhood creativity
Million dollar pieces were common in the 1980’s. During this time, the price of neo-expressionist works increased steadily. In the market place of public bidding-wars and private sales it seemed that art no longer had intrinsic value. The ever-increasing prices of these works drove many artists to manufacture pieces in turn making huge profits. However, this rather pessimistic consumerist view of art did not replace the true aesthetic value of Basquiat’s “Riddle Me This, Batman”. Rather it is Basquiat’s ability to produce and express reflections of culture, identity, and of the pains of life, which resist the monetary function of aesthetic value, in favor of an aesthetic standard as a matter of taste.
It goes without saying that hip-hop has changed. It began as a social practice of African-centered liberation to transform the black community or bring the youth together in unity, but towards the 90’s and onto the hip-hop scene in todays day and age, it is anything but that. The youth of today will know Tupac Shakur and beautify or streamline his self-destructive “thug life” but remain in the dark of figures like Mutulu and Afeni Shakur. Although this is a sad reality to live in, it is not hip-hops responsibility to change this. It is the responsibility of artists alike representing an oppressed populace to speak meaningfully in their art, in someway or another, for the liberation of their people.
Sometimes referred to as “the artistic sister of the Black Power Movement” the Black Arts Movement (BAM) arose in the mid 1960’s to develop a poetic/artistic statement that not only provided a means of black existence in America, but also provided a “change of vision” in the perception of African American identity. Much like the New Negro Movement, the Black Arts Movement was a flourishing time of artistic exertion among African American musicians, poets, playwrights, writers, and visual artists who understood that their artistic production could be the key to revising stereotypes of African American subordinacy (Neal). Through looking at the enriching artworks by David Hammons, Jeff Donaldson, and Adrian Piper, it can be understood that the African American race strived for both racial equality and social change. Hammons, Donaldson, and Piper were unique artist who changed African American Art and captivated America through their exceptional styles of talent and artworks. While the artworks Spade (Power to the Spade) by David Hammons, Wives of Shango by Jeff Donaldson, and Adrian Piper’s advertisement in Village Voice share few commonalities such as similar subject matter, such as their strive for black power, and imagery, their differences in mediums, structural styles, and technique show differentiating aspects of each artworks physique.