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Negative effects of graffiti
Positive effects on graffiti
Graffiti
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Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti. Graffiti forms from Graffito, an ancient inscription. Graffito was found in the form of drawings and writings on walls of Pompeii in the ancient city of Rome. During the 1960’s and 1970’s the phenomenon of this writing was created into Graffiti and opinions began to emerge. Looking into a piece of graffiti; is exactly like looking into the mind of the artist. There is reason and knowledge behind graffiti. It is an amazing art form; it creates a sense of belonging and a community. “This world is not meant for me, but I still want to exist so …show more content…
Cornbread; the King of Walls, marked the beginning of art. Cornbread simply got himself into trouble, got into a juvenile facility and while there he began to develop a crush on on a girl named Cynthia. As he left, he expressed his crush by writing on walls “Cornbread Loves Cinthia.” Why could he not just write letter? Thats boring, this kid wanted express his feelings to the world! The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble. Tagging is the most basic form of art, my substitute was looking through my article and she told that to her “...tagging is gang-related, but it's my opinion”. It's not. TAKI 183 is a tagger who would simply go around during the 1960’s tagging his name as a way of ownership to himself, not the wall, not the building, but himself. I asked a friend, who himself paints when he has a chance, and he told me “Tagging isn’t gang related, tagging is Ghetto.” The ghetto, in other words, is the
Reichert, Jake. "A wilderness of walls: past and future of graffiti writing in Winnipeg." Canadian Dimension33.6 (1999): 20-26. Alternative Press Index. EBSCO. Web. 22 Apr. 2011.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
We all know what Graffiti art is; well we think we know because of the “modern” graffiti art that is still occasionally seen. However Graffiti Art has been tracked back all the way to the time of 1851. Firstly graffiti comes from the Italian word “graffiato” meaning scratched and was later called graffiti through the media as we see it today. ‘Additionally early forms of graffiti were seen back in ancient Italy at the ruins of Pompeii’ in 1851. “Painting on sidewalks, and other forms of graffiti, is still common in Rome today. Whereas Romans consider graffiti as a form of urban art, many westerners consider it vandalism unless property owners give consent to the graffiti artists.” (Cyprus, Sheri, and O. Wallace. "What Are the Origins of Graffiti?" WiseGeek. Conjecture, 02 May 2014. Web. 08 May 2014.) Even though all this might seem surprising to some and maybe even considered arguable to not be graffiti; I want to go in depth on graffiti art in America.
The history of the underground art movement known by many names, most commonly graffiti begins in Philadelphia, Pennsylvania during the mid to late 60's, and started with bombing. The writers who are credited with the first effort are CORNBREAD and COOL EARL. They wrote their names all over the city gaining attention from the community and the local press. Then the movement made way to New York City where the teenagers would write graffiti on the subways. It is unclear whether this concept made way to New York City on purpose or if it was an accident.
In Lauren Collins article, “Banksy Was Here: The Invisible Man of Graffiti Art” a general audience is informed of the anonymity and controversy of both street art and of the specific street artist Banksy. The article discusses multiple examples of street art and shows the different viewpoints that those street artworks provoke. Lauren Collins successfully provides information of Banksy and his street artwork along with support of various viewpoints from credible individuals. She effectively uses the rhetorical devices of ethos, identification, and visual rhetoric to hold the attention of the audience, the trust of the audience, and to provide the mysterious background of Banksy and his street art.
To make sense of graffiti’s place in the modern world, one must understand the aesthetic relationship that is held between artists and their work. Creating graffiti or as defined by Webster dictionary as: “pictures or paintings drawn on a wall or building etc…” is subjective (“Graffiti”). This definition implies the inexplicit nature to what graffiti really is. In that respect the chalk teachers use on blackboards or the markers that are used to etch formulas on whiteboards are nothing less than graffiti in as well. In terms of those who take the concept of it as a serious craft it is something heavily revered and as such is expressed by the outward action of displaying it to the world. In Ben Belitt’s poetic musing entitled Graff...
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
Within the last few years, graffiti has been deemed an acceptable and tasteful genre of art. Long gone are the days where the spray can belonged exclusively to the local delinquent. From the past to present, there has been a shift in how street art is recognized by the general public and the government. Laws and policies are being put into place that both defend and threaten the promulgation of this creative medium. By both protecting and prohibiting, the government displays an inconsistent and confusing relationship with street art. When art is so subjective, it can become challenging to delineate the fine line between vandalism and creativity. This essay will discuss the changing public perception of graffiti, the trademark and copyright battles between graffiti artists and property owners, the categorization of street art as an artform, and the beneficial aspects of commissioned street murals.
Graffiti is a form of art that people use to express themselves and to convey various messages to people in a particular community. In the movie "Graffiti Verite':. One of the graffiti artist explained that his purpose in doing graffiti is that it allows him to "express his anger' on the wall. Another kid by the name of "Jipsie" said that graffiti is a "form of growth". There were several different explanations that artists shared as well as several different reasons why they like graffiti. The common theme among the graffiti artist and taggers was that graffiti is simply a form of self-expression (Bryan). At the end of the film one tagger made a comment and said, "graffiti is not vandalism, but it is a beautiful crime". This comment did not make sense to me. Committing a crime, a hideous act, is not a beautiful thing to do by any means. Graffiti does not mean people can go around and draw and spray paint on other peoples property. Regardless of what types of graffiti are being expressed by the tagger, this type of self expression is considered vandalism when people decide to draw, destroy, or violate any persons property without consent. As a result of taggers committing the crime of vandalism, property owners, concerned citizens, and law enforcement officers spend too much time, money, and energy trying to put an end to the unlawful act of vandalism.
First, what is graffiti? Graffiti, which is originally an Italian word meaning “little scribblings”, describes paintings on the walls, benches or buildings, mostly by spraying colors (Pipkin, 2013; Wendel, 2002). On the other hand, according to Mccorkle (2010), any acts or behaviors that have the intention to harm, to violate or to destruct the public privacy is considered as vandalism. Graffiti sometimes is reflected as vandalism due to the fact that it is a combination of random paintings on the walls or the façade of the buildings all around the city. Moreover, there is also a greater chance in increasing “cultural criminality” (Halsey & Young, 2002, p.166). Nevertheless, a plethora of positive feedbacks about graffiti increasing day by day suggests that graffiti should be considered as a type of street art instead of
‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around till the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.