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Golden age of American prosperity
Golden age of American prosperity
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Conor Gray Erica Washburn 9 AM Section A Great Wave Review Christopher Benfey’s work The Great Wave is a narrative driven by a collection of accounts, stories and curious coincidences tying together The Gilded Age of New England in particular with interactions and connections to the Japan of old and new. In the context of The Great Wave, Benfey's own personal journey to Japan at the age of sixteen should be understood. Embarking on this voyage to learn traditional writing, language and Judo, his story can also be seen as a not only a historical continuation, but also a personal precursor to the vignettes he discovers and presents to the reader. Starting in the Post-Civil War period, The Great Wave brings to light a cultural schism and pivot to the, at the time, unknown East. As Commodore Perry’s ships pried open Japan to the outside world, out with it came the cultural interactions that make up most of these stories. These make up a cultural wave, much like the title implies, of which all characters seem to be riding upon in one way or another. In a way it can be viewed as two separate waves. First, the surge of the Japanese characters who newly exposed to modernity, seek to process, learn and move forward with these foreign interactions and experiences. Then there is the American wave, an unguided movement of sorts driven by disillusionment with the industrial west, which finds hope and solace in old Japanese culture. The intersections of these two waves is what makes up the two-hundred some pages of Benfey’s book but ultimately it is the unspoken single wave, on the forward path to modernity, that encompasses them both and is the true backbone of the stories. The strengths in Benfey’s argument of mutual cultural intera... ... middle of paper ... ...of Empire, a wider more in depth cultural and historical perspective is not something Benfey provides, or aims to for that matter. Instead for a reader with a more complete grasp of the period, it presents a more nuanced view at compelling cultural interactions of the time. For this reason the book can frustrate to a degree. As was discussed with the idea of a wave moving towards modernity, there is an underlying tension between the reader and the book. The reader knows how the stories of these nations ultimately progresses towards fascism and war; yet Benfey backs away from addressing the cultural build towards this greater theme. For whatever deficiencies these shortcomings may present, ultimately The Great Wave is an enjoyable read that offers a fascinating perspective into often overlooked social dimensions and influences of the American Gilded Age.
Much of what is considered modern Japan has been fundamentally shaped by its involvement in various wars throughout history. In particular, the events of World War II led to radical changes in Japanese society, both politically and socially. While much focus has been placed on the broad, overarching impacts of war on Japan, it is through careful inspection of literature and art that we can understand war’s impact on the lives of everyday people. The Go Masters, the first collaborative film between China and Japan post-WWII, and “Turtleback Tombs,” a short story by Okinawan author Oshiro Tatsuhiro, both give insight to how war can fundamentally change how a place is perceived, on both an abstract and concrete level.
Matsumoto studies three generations, Issei, Nisei, and Sansei living in a closely linked ethnic community. She focuses her studies in the Japanese immigration experiences during the time when many Americans were scared with the influx of immigrants from Asia. The book shows a vivid picture of how Cortex Japanese endured violence, discriminations during Anti-Asian legislation and prejudice in 1920s, the Great Depression of 1930s, and the internment of 1940s. It also shows an examination of the adjustment period after the end of World War II and their return to the home place.
'Even with all the mental anguish and struggle, an elemental instinct bound us to this soil. Here we were born; here we wanted to live. We had tasted of its freedom and learned of its brave hopes for democracy. It was too late, much too late for us to turn back.' (Sone 124). This statement is key to understanding much of the novel, Nisei Daughter, written by Monica Sone. From one perspective, this novel is an autobiographical account of a Japanese American girl and the ways in which she constructed her own self-identity. On the other hand, the novel depicts the distinct differences and tension that formed between the Issei and Nisei generations. Moreover, it can be seen as an attempt to describe the confusion experienced by Japanese Americans torn between two cultures.
Fallows, James. "After Centuries of Japanese Isoation, a Fateful Meeting of East and West." {Smithsonian} July 1994: 20-33.
“Until the seventeenth century, Japanese Literature was privileged property. …The diffusion of literacy …(and) the printed word… created for the first time in Japan the conditions necessary for that peculiarly modern phenomenon, celebrity” (Robert Lyons Danly, editor of The Narrow Road of the Interior written by Matsuo Basho; found in the Norton Anthology of World Literature, Second Edition, Volume D). Celebrity is a loose term at times; it connotes fortune, flattery, and fleeting fame. The term, in this modern era especially, possesses an aura of inevitable transience and glamorized superficiality. Ironically, Matsuo Basho, (while writing in a period of his own newfound celebrity as a poet) places an obvious emphasis on the transience of life within his travel journal The Narrow Road of the Interior. This journal is wholly the recounting of expedition and ethos spanning a fifteen hundred mile feat, expressed in the form of a poetic memoir. It has been said that Basho’s emphasis on the Transient is directly related to his and much of his culture’s worldview of Zen Buddhism, which is renowned for its acknowledgement of the Transient as a tool for a more accurate picture of life and a higher achievement of enlightenment. Of course, in the realization that Basho does not appear to be unwaveringly religious, perhaps this reflection is not only correlative to Zen Buddhism, but also to his perspective on his newfound celebrity. Either way, Matsuo Basho is a profound lyricist who eloquently seeks to objectify and relay the concept of transience even in his own name.
Japanese immigration created the same apprehension and intolerance in the mind of the Americans as was in the case of Chinese migration to the U.S at the turn of the 19th century. They developed a fear of being overwhelmed by a people having distinct ethnicity, skin color and language that made them “inassimilable.” Hence they wanted the government to restrict Asian migration. Japan’s military victories over Russia and China reinforced this feeling that the Western world was facing what came to be known as “yellow peril”. This was reflected in the media, movies and in literature and journalism.4 Anti-Oriental public opinion gave way to several declarations and laws to restrict Japanese prosperity on American land. Despite the prejudice and ineligibility to obtain citizenship the ...
Over the course of Japanese history, arguably, no artist is more famous for their works than Katsushika Hokusai. During his 88 years of life, he produced over 30,000 pieces of artwork, and heavily influenced Western styles of art. His most famous piece was created around 1831, a Japanese styled piece titled, The Great Wave off Kanagawa. This piece has stood as a defining piece of artwork in the Japanese culture for over 180 years, analyzed by students and authors for the interpretations filling the paper. The relationship between Hokusai’s painting has directly affected the Western point of view of Japanese style. The English author, Herbert Read’s novel interprets the painting distinctly differently from a Japanese point, American poet,
“Thousand Cranes introduces Western readers to unfamiliar aspects of Japanese culture and geography while they contrast pre- and post- World War II Japan. Kawabata succeeds in integrating Western literary techniques with Eastern spirit while achieving superb psychological fiction,“ (Moran). Yasunari Kawabata’s novel Thousand Cranes is set in a post-World War II time period, and the orphaned, main character, Kikuji becomes involved with Mrs. Ota, one of his father’s former mistresses, who ends up committing suicide. After her death, Kikuji turns to her daughter, Fumiko. The novel contributes Japanese aesthetics and shows readers a side of beauty that is much different. As one reads this novel they begin to notice things such as the four page description about bowls. For most Westerners this may seem strange, they may be puzzled, bored, or ask ‘why would anyone go about bowls for so long?’ There is a vast amount of differences between the Japanese aesthetics presented in Thousand Cranes and the views of Westerners.
With the end of the first World War in the year 1918, many soldiers, young and old, came home to their families dark and cynical. Many famous authors of this time, like F. Scott Fitzgerald and Ernest Hemingway, wrote short stories not of their times at war, but of how material the world truly is. These were considered the “Lost Generation,” due to their lack of belief in humans in general and their dreary outlook of life in general. F. Scott Fitzgerald is famous for his book, The Great Gatsby which showed how he as an author viewed the Roaring Twenties, as one of the main themes is the idea that the American Dream is dead and humans are fickle and obsessed with material things, like money. On the opposite end of the spectrum, though, was the bright young generation, which “came into power” shortly after the Lost Generation. These young people were full of bright ideas and with the American Economy is a good place, everyone seemed to be happy. Art and fashion changed drastically, w...
Keene, Donald. Anthology of Japanese literature, from the earliest era to the mid-nineteenth century. Grove Pr, 1955. Print.
Most American citizens remember December 7, 1941 and the significance that the incidents of that day had. The attack on Pearl Harbor was a shock to the United States of America and it engaged our country in the Second World War of that century (Pearl, 2009). Unfortunately, due to that incident, many Americans harbor many negative feelings and attitudes towards the country of Japan. While this is an understandable sentiment, it is unnecessary, because Japan is an influence on not on the United States but the entire world. Throughout this paper, we will look at the country of Japan as many have never viewed them before. Their actions of the past are just that, the past. Japan is a thriving and successful country within our environment and it is in our best interest to understand that country better. Japan, as a culture, is the
The Japanese had lived in isolation for over two hundred years. They had prevented any foreigners from entering or any ships to land at Japanese ports. “In 1850 they had no steam engine, no factory, or no modern firearms. And, amazing to relate, the ladies and gentlemen of Japan adopted no new fashions in wearing apparel!”
Although the end of World War II brought immense joy to the world, it was a turning point for American literature. Though the war was over, it was like starting over for America as it donned a new post war era. Authors and poets used their stories and characters to portray the grim era of that time and many of them reflected a guilt and disillusionment in the American dream. Though various writers had their own ideas of what the new post war America would shape out to be, not all had positive outlooks. It was a time of change as the United States was beginning its foray to the forefront of being the new cultural center and world power. Not only did a new generation come out of the war, but its ethnic, regional, and social character was
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
Our preliminary class gave a brief, yet detailed outline of major events affecting the East Asian region. Within that class, prompted by our limited geographical knowledge of Asia, we were given a fundamental explanation of the geographical locations of the various events taking place in the region. In subsequent classes, we were introduced to the major wars, political shifts, and economic interests which shaped Japan, China and Korea to what they are today. We examined the paradigm of pre-modern Japanese governance, the Shogunate, and the trained warriors which defended lord and land, Samurai. In addition, we examined the socio-economic classes of Medieval Japan, which included the Samurai, peasants, craftsmen, and the merchants. We also examined pre-1945 Japan’s policies toward foreign entities, notably the Sakoku Policy, which sought to expunge all foreign presence and commerce in an effort to protect its borders and culture. 1945, however, saw ...