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Gender roles portrayed in disney princesses
Gender role portrayal and the disney princesses
Female portrayal in disney
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attention up to the point where she jumps at the chance to marry someone she has just met. She is naïve and lonely, and because of this, she is self-centered and cannot see past people’s actions towards their true intentions. Their relationship is explored through the movie as the agape love that Elsa has for Anna. Her absolute refusal to willingly put Anna into any harm of her own making that is shown constantly throughout the movie. The two struggle to see from the perspective of the other as Elsa must understand Anna’s feelings of rejection, and Anna must understand Elsa’s need to protect her. In the end, however, Elsa learns to be more confident and embrace her powers and to be true to herself. She understands that she must not lose the
Merida is the tomboy archetype who refuses to be “princess-like.” She is skilled in combat and rejects all the normal conventions of being a “lady” and does not acknowledge her duty to the kingdom – marrying. She is strong-willed and wants to remain free of any constraints – whether it be a husband or a strict mother who forbids her to engage in the activities that she loves (archery and horseback riding). Anna is a happy-go-lucky upbeat girl who takes matters into her own hands without the need to heavily rely on princes. She bravely goes in search of her sister in dangerous conditions and does so of her own will to protect her sister. Elsa is an anti-hero who has no qualms in killing others in order to fulfill her heightened sense of self-preservation. It is constantly shown that she suffers from mental illnesses that stem from her seclusion and fear of her own powers instilled by her father. In these respects, one sees that Disney has presented viewers with a more progressive set of lead characters with their own agency that stray from the convention of submissive and seemingly flawless princesses who embody all the traditional female
We see a form of love in both movies that is rarely depicted as the main theme in Disney movies, familial love. Although many other Disney movies portray it, none of them have ever been the central focus of the movie. In Brave, we see that Merida has no interest in marrying, and throughout the movie, her relationship with her mother is the force that pushes the story forward. In Frozen, Elsa’s relationship wither her sister is the main factor in the movie, as everything that happens is the result of Elsa’s true love for Anna. Hence, both movies feature true love in the sense of familial love as opposed to romantic love.
Lastly, both movies are set in medieval kingdoms with the presence of magic. Merida follows magical beings – will-o’-the-wisps – into the forest to find a witch, who transforms her mother into a bear. Elsa has the power of ice and snow, and can create sentient beings and intricate castles with little to no effort. This shows that both movies have a magical aspect to
In the article “Are All Princesses Really Waiting for Princes to Come?” Jack Heckel discusses some of the most common Disney princesses and the stereotypes that come along with them, as well as some of the stereotypes that are seen in the Disney princes. He supports his article by providing a variety of sources not only from Disney movies, but also from various authors and blogs. The analysis of Disney princess stereotypes has been a very common topic for years, and this overall analysis has revealed that a lot of Disney princesses are not good role models. Heckel uses many techniques including using credible, non-Disney sources, discussing other fairytales besides Disney, displaying a timeline of Disney
Of course, this could be justified by the target audience, as it is a Disney princess film after all. However, this relationship between two sisters is special enough to be analysed. Indeed, female friendship is often depicted as conflictive, in films such as Bride Wars for instance, whereas male friendship is made more valuable, as seen in most Seth Rodgen films. Here, the feminine solidarity is the core of the plot in Frozen, which motivates each protagonist’s designs and solves central issues of the
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
In “Escape from Wonderland” by Deborah Ross, the writer explains how the fictional characters are admired. Although they seem to be sending a bigger message to young girls. The writer talks about drawing a line between fantasy and reality. In the end Ross’s objective is to show how some Disney characters break the femininity and imagination tradition. Which can have an effect in children and how they value their own ability to have unique visions. By comparing Alice in Wonderland (1951), The Little Mermaid (1989) and Beauty and the Beast (1991) to heroines like Arabella from The female Quixote. “Charlotte Lennox’s (The Female Quixote illustrates both these conservative and progressive plot patterns, for it both draws upon and criticizes earlier romances, which themselves often both celebrate and punished female imagination and expressiveness. Therefore, like Disney’s movies today, which also use material from romance and fairy-tale tradition”, (pg. 473, Escape from Wonderland). Young women may not only begin to fantasize about a grandeur life more exciting than reality but to be disappointed with society in the workplace and relationships. For example, Meredith from Brave she is a princess that wishes to have a different life than what her mother has planned for her. She refuses to get married and have the duties of a princess. She wants to have adventures and be
Disney’s new movie “Frozen” has caught the eyes of viewers and has surprised us all, reaching No. 1 in the box Office and have pass over $300 million of tickets sold, this movie has no sign of slowing down any time soon. “Frozen’ is one of the few recent Disney films to capture the classic Disney script, like “Cinderella” or “Snow White”, it’s a heart warming and loving story, guaranteed to thaw a frozen heart. Unlike the usual Disney princess story line where the girl has a poor life or things just don’t turn out like there suppose to, they wish upon a star, fall in love, then bibbidi-bobbdi-boo they have a happily ever after. Frozen strayed off from tradition and decided to go for more of a different approach. True love has always been a key concept for Disney films. Sleeping Beauty, true loves kiss broke the spell, Beauty and the Beast, true love broke the curse, Snow White, again true love broke the spell, its the same concept, but in Frozen instead added a twist and showed love between sisters Elsa and Anna. It adds a twist in tradition, so that a reason why older viewers and even critics can enjoy, its something new and different. The movie “Frozen” is based off of “The Snow Queen”, a fairy tale by Hans Christian Andersen. The story is about an evil troll, also known as “the devil”, makes a mirror that when looked into distorts the beauty and good of people and things to the complete opposite, ugly and bad. One day the troll and his friends try to take the mirror to Heaven the make angels and God look like fools, but when they were almost there the mirror falls and shatters into little pieces almost dust. This “dust” travels around the world and gets into peoples eyes and into their hearts freezing them. Years later a girl n...
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
Also there are other similarities, all three of the films were made to appear in the cold (probably to do with the fact that they were all shot in Canada) and utilized darker colors.
These two films are not only similar on these surface levels, but also in their narrative structure and intent as well. Dorothy and Alice, both find themselves trapped in a world of their own fantasy, but with no context on how to navigate their way home. They are then lead by an array of strange characters who guide them on their journey. Dorothy meets the scarecrow, the tin man, the cowardly lion, and so on. While Alice crosses paths with the white rabbit, the cheshire cat, the mad hatter, and so on. With the assistance of their companions, both heroines maneuver their way through the challenges each fantasy presents. Perhaps the biggest similarity these films share narratively, is the underlying emphasis on empathy and perspective. Both
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
The importance and developmental in the areas of love, marriage, and beauty has a significant role in the lives of young girls. It is important for Disney to be aware of the messages it portrays as it the most popular media source promoting a certain lifestyle to young girls. “Viewers, especially children, imitate the behavior of television characters in much the same way that they learn social and cognitive skills by imitating their parents, siblings, and peers (Lefkowitz & Huesmann, 1980)”. Because it is common for children to imitate the people they admire and idolize, young girls hold princess character values as a high priority. This is the perfect opportunity for The Walt Disney Company to create films that will empower young girls by making their “princesses “of all shapes, sizes and ethnicity, create story lines where women can be strong and independent, and how beauty is more than skin deep. This will help shape young girls mind to believe that happiness can be achieved through hard work and dedication and boost their self-esteem, which is such a common problem at young girls’ age, as they begin to find out who they are and who they want to
...; in media, literature, magazines, posters, billboards, etc. Very rarely, is there a tale told that deals with the ideologies of female empowerment, strength, and independence; however, The Snow Queen, has these strengths. With Gerda’s transition from frightened child, to strong heroine, she is able to realize her inner strength; this helps her to succeed on her quest as well as set a great example for individual’s young and old alike. Gerda brings to light the idea that girls can be the hero of their own stories. That they can be independent, intelligent, and strong, and be feminine while still being the hero or completing a hero’s journey. That there is no one standard to acclimate to, even if living in a male dominated world. Frozen, with its modern day quims, ‘spunky’ undeveloped princesses, and giant budget fall short of this; and that, is the cold, hard truth.
Disney films have always been a huge part of the pop culture. They featured instantly recognizable characters among every age group. These characters, especially the princesses, have been very influential, more precisely on young girls, from Belle to Frozen. However, the majority of these films revolve around the same plot with minor differences: it is always a tale about finding romantic love, a prince charming who saves the princess from a danger and they live happily ever after. However, in 2012, Disney and Pixar produced Brave, a movie that challenged the types of Disney movies we were used to. It favors feminism and gives girls a nontraditional princess model. Brave stars a strong female protagonist, Merida, and an influential plot that
The tale of Cinderella is one for the ages and hundreds of different versions of it have been created throughout the centuries that have been told. With these varied stories comes many different princesses and characteristics of each, but the biggest differences of all are found between the classic fairy tales, such as Charles Perrault’s omnibenevolent version of Cinderella, and modern stories that are shown and read to young children today. Mia Thermopolis, the main character in The Princess Diaries, is an awkward fifteen year old girl who is given the option to become the princess of Genovia after a surprise visit by her long lost grandmother. She just so happens to be the perfect example of a modern princess whom James Poniewozik, author
After Anna is accidentally hit in the heart with ice by Elsa, her whole body begins to freeze and the only way to break the curse is by an act of “true love”. Immediately she assumes that she must kiss Prince Hans to break the spell, but when he revels his evil nature, Olaf explains to her that she is really in love with Kristoff and that she can kiss him to break the curse. In search for him, on one side of the ice she finds Elsa in danger with Prince Hans, and on the other she sees Kristoff. Instead of saving herself and having a “true loves kiss,” Anna decides to sacrifice herself to save Elsa from Hans’ sword. When she jumps in front of the weapon he whole body turns to ice but since she risked her life to save her sister because of the love she has for her, she unfroze. This scene showed young girls that they do not need to focus on just romantic true love, but to remember and cherish the love that can be expressed to